Feeds:
Posts
Comments

Archive for the ‘Quote’ Category

These words from Adolph Gottlieb, the late Abstract Expressionist painter, ring true for me. I believe that art should acknowledge the presence of powerful forces that guide our lives, good or bad. As he points out, it is this awareness that fueled the myths and symbology that have lived with us since time immemorial.

For me, it is displayed in the underlying darkness of much of my work which is evident in even my most optimistic works. This darkness gives the work, at least to my way of seeing it, a sense of tension, a counterbalance that keeps the work centered. The most optimistic work still has a wariness in this darkness that acknowledges the dangers ahead and the hardships endured in the past.

Triumph of any sort is seen as a transient emotion, one that is to be savored in the moment and recalled in the future but short-lived in the present. The darkness is always hovering nearby, presenting a potential threat or a challenge or even a dramatic change that comes with both the possibility of utter defeat or a new triumph. It is this mystery that makes the darkness so appealing and necessary.

Read Full Post »

In these crazy times, there is some comfort to be found in art. For me, the paintings of Lawren Harris always fill the bill. His work definitely represents a quality of spiritual harmony, that thing, that force, that universal mind that remains stable even as the world drastically seemingly changes before our eyes.

So, this morning I am taking a few moments and taking in his 1926 painting, Mountain Forms, shown above.

And I feel better already.

Read Full Post »

Read Full Post »

 “People like you and I, though mortal of course like everyone else, do not grow old no matter how long we live. What I mean is we never cease to stand like curious children before the great Mystery into which we were born.”

Albert Einstein, Letter to Otto Juliusburger, September 29, 1942 

+++++++++++++

This is a new painting, at 30″ by 10″ on canvas, that is part of my current West End Gallery show, The Rising. I have titled this painting Eye to Eye and was considering at one point adding to Eye to Eye to Eye to Eye, et cetera.

In my mind, the idea of looking out at the stars in the night sky feels sometimes like looking into a multitude of eyes looking back at us, the flash of the whites of their eyes creating the starlight that we see. It is a benign feeling, not tinged with animosity or congeniality.

They are just there, dispassionately looking back at us. Perhaps they are seeing the flash of the light from our sun that reflects on our moon as being our eyes looking out at them. Who knows?

The sense I get from this painting is one of having this connection with the universe even in those times when we might feel absolutely alone in this world. Maybe the connection is in understanding that the Great Mystery, as Einstein calls it, may very well be the same throughout the cosmos. Whether here on Earth or a billion light years away, the night presents us with tangible evidence of this Great Mystery and our desire to know our place in it creates the curiosity that Einstein mentions.

And maybe that curiosity, that feeling that there is always more to learn from this Mystery, is the key in maintaining a youthful mind.

Who knows?

I used the words from Einstein above as they originally appeared in a letter to a colleague. The gist of his words were later paraphrased by others as this popularly quoted piece of advice:

Do not grow old, no matter how long you live. Never cease to stand like curious children before the Great Mystery into which we were born.

I like it better in its original form, not as advice but as simply an observation between friends.

 

Read Full Post »

++++++++++++++++++

Charles Burchfield- Sun and Rocks- Albright-Know Art GalleryAn artist must paint not what he sees in nature, but what is there. To do so he must invent symbols, which, if properly used, make his work seem even more real than what is in front of him.

–Charles Burchfield

*********************

I am a big fan of the work of Charles Burchfield (1893-1967), a western  New York painter who lived and painted in the Buffalo area for most of his life. His work was decidedly visionary in its scope, taking the environment that he knew around western New York and embellishing it with a life force and energy that he sensed beneath the surface. That’s what he was referring to in the quote above– taking what you see around you and not simply recording it but painting how it moves you emotionally. To me, his work is as emotionally charged in the same way as that of Van Gogh.

Charles Burchfield- An April Mood- Whitney Museum of American ArtCreating symbols, as Burchfield refers to in the quote, has been a big part of my work. I have long emulated his use of creating a visual vocabulary that moved through a body of work. It becomes a sort of language of its own  that people who take it in and understand it find easy to read and absorb as they move from picture to picture. Those who can’t read it find less in the images and feel less drawn into them. In an earlier post featuring Burchfield, I wrote about an artist friend who just didn’t get Burchfield’s work in any sense.  He just one of those people who couldn’t read the language clearly written in the work.

I also have been influenced by the way Burchfield would constantly go back to earlier work and use it as a new starting point, as though the added knowledge gained through the years would take this work in a new direction. I often do the same thing, constantly revisiting images and motifs from years ago looking for a thread or path to follow anew.

Even this post is a revisitation, going back and looking at an influence, trying to pull that original inspiration from it. With Charles Burchfield, that’s always an easy thing to accomplish.

Charles Burchfield- Childhood's Garden

Read Full Post »

++++++++++++++++++++++

When I discover who I am, I’ll be free.

― Ralph EllisonInvisible Man

++++++++++++++++++++++

I think of many of the paintings that I do with the Red Tree situated very much front and center as being a portrait of sorts. I see a face and head and shoulders set against the background. Sometimes I see the familiar faces of others in them and sometimes they feel like self-portraits.

I definitely this painting, a 36″ by 36″ painting on canvas that is titled Find Your Light, see as a self-portrait. If someone asked for my picture I would prefer giving this image rather than an actual photo of myself. Maybe I am being vain in thinking that it resembles any part of me but I can at least hope it represents the better part of me because there is a lot that l like in this painting.

I like the field of colors that acts as a garment shrouding the chest and neck of this portrait. I like the burst of brightness that comes from the center set against the multitude of deeper colors that surround it. And I like the bands of blue-green hills that seem like a coat loosely draped on the shoulders of the portrait’s subject. And the layers of color within the clouds and the soft glow of blue that surrounds them.

All these things combined with the impact of the painting’s size give it a quality that appeals to me, one that feels like a sense of self being clearly and confidently stated. That’s a quality that I hope for myself and for my work. I guess that is why I see it in some way as a self-portrait.

Maybe you see yourself in it? That would equally please me.

This painting, Find Your Light, is now hanging at the West End Gallery as part of my solo show, The Rising, which opens Friday, July 13.

I

Read Full Post »

+++++++++++++++++++++

The tragedy of life is in what dies inside a man while he lives – the death of genuine feeling, the death of inspired response, the awareness that makes it possible to feel the pain or the glory of other men in yourself.

Norman Cousins

+++++++++++++++++++++

This is a new 18″ by 18″ painting that I call A Rising Awareness which is included in my show, The Rising, that is now hanging and opens Friday at the West End Gallery.

I think the words above from the late journalist Norman Cousins capture what I feel the representative Red Roof house is rising above in this painting. It is a constant battle for us humans to hold on to those things– genuine feeling,inspired response and an empathy with the pain or glory of others– as we live our lives on this planet. We sometimes become self-centered and guarded in our response to many things and emotionally distant in our dealings with others. Instead of feeling their pain or glory, we sometimes experience envy at their successes and a pang of relief that their failures are not ours.

Our humanity dulls and much joy is lost to us.

But the idea that we can recognize this dulling in ourselves and somehow fight against and rise above it intrigues me. I have come to believe that we can make conscious decisions to raise our awareness, to feel and respond in more positive ways, that we are enriched by maintaining a spirit of generosity and empathy towards others.

I like to think that the Red Roof here represents one who has taken this higher road and has made the decision to listen to its better angels. There’s a feeling of a letting go of angry and mean-spirited thoughts and an acknowledgment of a unity of sorts with the universal human spirit.

Warmth and tranquility. Maybe that is what I am seeing. You judge for yourself.

 

 

Read Full Post »

++++++++++++++++

Discovery consists of looking at the same thing as everyone else and thinking something different.

― Albert Szent-Györgyi 

++++++++++++++++++

My annual show at the West End Gallery opens a week from today, on Friday, July 13. This show is called The Rising based very much on the number of rising moons and suns along with trees that rise boldly into the sky. It also refers to a rising awareness of the worlds in which we live and our relationship with these worlds.

I use the plural worlds because I believe there are layers in this world, some physical and some extending into the realm of the metaphysical, the psychological and the spiritual. I also believe we have the ability to live in multiple layers. I can’t say that many of us do or if I do myself. Most days I feel like I am barely existing in the surface layer we all know.

But I think the gateway for discovering comes as Albert Szent-Györgi, the Hungarian biochemist who discovered Vitamin C, states in the quote at the top. We all see the same things on a daily basis but it is only when we think of those common things in other terms that we make discoveries.

That willingness to see the commonplace in another light is the basis for science, for mythology and for art. I think the art that remains vital and continues to speak through time has the ability to illuminate the extraordinary that exists in the commonplace.

I know that this is what I hope occurs in my own work. My hopes and words mean nothing because only time will tell if it was a successful effort.

The painting at the top, a new 18″ by 24″ canvas from the show that is titled Gems Revealed, is an illustration of this thought. It is a simple scene, a group of fields under a night sky lit by a rising moon. But the light brings out colors and forms in the fields as well in the sky an don the clouds that have an otherworldly quality, one that seems to be teeming with life and color and motion. The path that winds through the field takes on the quality of a snake or a stream and the clouds appear to be swimming through the ether of the night sky.

Perhaps a new layer of being is revealed in this light?

I cannot say myself. Only time will tell.

+++++++++

The work for this show has been delivered and will be hung today and tomorrow so you can get a preview if you’re in the Corning area. The opening reception for the show is next Friday, July 13, from 5-7:30 PM.

 

Read Full Post »

+++++++++++++

Painting is easy when you don’t know how, but very difficult when you do.

 

Edgar Degas
.
+++++++++++++
I have always loved this quote from the great Edgar Degas. It has meaning on a couple of different levels for me. First, it speak to the sheer difficulty of the process of creating a painting. If you look at it as a purely mechanical process– step 1, step 2, step 3 and you’re done— it does seem exceedingly simple.
.
But art is not purely craft. There is an intangible element that gives it meaning for both the maker and those who take it in after it is made. Tapping into that intangible is the difficult part. Some days it is near impossible and makes what is seen as a pretty easy job most difficult.
.
Been there, done that.
.
The second meaning I get from Degas’ quote is how others view this job. I know folks who can only view art as a hobby and if you’re working as an artist, you’re just fooling around with doodles and such. They often don’t see it as work at all. They don’t understand the effort that is required to have a career as an artist.
.
The long hours alone. The sacrifices you make to be able to have enough time. The often sheer frustration that comes in creating work. The many hours spent doing unseen and boring things like framing and varnishing that are required to make the work presentable. The agony of having to constantly self-promote in order to keep your name out in the public eye. The pain of having your work– your creation and your voice— ignored, outright rejected or under-valued, not to mention the self-doubt that comes along with these things. I am sure there are a bunch of other crappy things that are just slipping my mind at the moment.
.
This isn’t a whine fest. Every business has its own challenges and I am sure anyone who is self-employed can see their own situation in many of these things. I understand and accept these pitfalls. They don’t detract from my view of this career at all. I just want people to understand that an artist’s life is not unlike their own with most of the same challenges and problems. It may seem easy, even romantic, but that is just the view from far outside.
.
That being said, I wouldn’t trade this job for any other. Thanks for allowing me to think that.

Read Full Post »

++++++++++++++

I think it’s much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers and possible beliefs and different degrees of uncertainty about different things, but I am not absolutely sure of anything and there are many things I don’t know anything about, such as whether it means anything to ask why we’re here. I don’t have to know an answer. I don’t feel frightened not knowing things, by being lost in a mysterious universe without any purpose, which is the way it really is as far as I can tell.

― Richard Feynman

++++++++++++++

I have been greatly intrigued by this new painting, a 24″ by 24″ canvas, for several weeks in the studio, regularly stopping in front of it. Maybe it’s the color or the texture or the simplicity of the way it’s put together but something compels me to stop and try to find an answer.

Looking at it made me believe that it was about asking for guidance in some way. Perhaps a prayer, a plea sent out into the darkness, by someone who is uncertain of their own faith and wisdom in this world but stands in wonder of the sky and the vast universe beyond.

This world is ruled by those with absolute certainty, however unfounded that certainty might be, and can be a troubling and puzzling place for those who possess much less.

That I can say with certainty.

Asking for guidance and clarity from outside the miasma of this world seems appropriate. That the only answer received might be the silence and calmness of the scene might be appropriate as well.

I call this painting Please… which I chose over a A Prayer of Uncertainty.

It is part of my solo show The Rising which opens next Friday, July 13 at the West End Gallery.

Read Full Post »

« Newer Posts - Older Posts »