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Archive for the ‘Quote’ Category



“The feelings that hurt most, the emotions that sting most, are those that are absurd – The longing for impossible things, precisely because they are impossible; nostalgia for what never was; the desire for what could have been; regret over not being someone else; dissatisfaction with the world’s existence. All these half-tones of the soul’s consciousness create in us a painful landscape, an eternal sunset of what we are.”

― Fernando Pessoa



This is another piece from the Little Gems show that opens Friday at the West End Gallery. Its title is What Might Have Been which comes from the feeling of regret or nostalgia or, at least, retrospection that I feel in it. Those are feelings that I think most of have dealt with in some form. Hopefully, they don’t overwhelm our lives in the present.

For all my psychological foibles, glitches and tics, I don’t live with a lot of regrets. I understand that the consequential decisions– good and bad– that I have made in my life were my decisions and were made with the belief that I had the best information available in making those decisions. Of course, I was wrong in some cases, but that doesn’t change the fact that I accept the blame and responsibility for the results that came from my decisions. 

I am here now and that’s all that matters. 

Spending too much time on what ifs and what might have beens seems like a giant waste of time and energy. And the amount of time and energy I wasted early in my life might be the main regret I have when looking back. So why waste more looking back and fretting over it?

But I have to admit that I do look back. It’s not out of remorse or nostalgia. It’s more out of curiosity, to discover the patterns and flows that brought me to this point. To observe and learn the lessons that are undoubtedly there so that I don’t repeat the mistakes and can possibly build on the successes.

And to try to figure out where I came from and who and what I am.

That is, of course, my perspective on the past and on this painting. It’s based on my own life and experiences.

Your own experiences might draw you closer to the past, might fill you with more regrets and remorse for what has taken place in that past. We all deal with the world and our place in it in our own way and if revisiting your past fills your days, it is not my place to tell you to not do that. That is your decision. 

But I would advise you to try to live at least equally in the present time, trying to leave the traumas behind and to glean some lesson from that past to bring forward with you to make your future days more livable. 

Funny how a small painting can open so many gateways to thought. There’s so much more I could write about what I take from this simple little painting based on the cues it engages within me. And, if it is a successful piece that comes to life, it engages the feeling and minds of others.

Maybe that’s the purpose of art, to create a shorthand of emotion that speaks to a wide variety of people and their own distinct experiences without relying on the specificity of language.

I don’t know. I have work to do so I am not going to dwell on it now. 

Have a good day.



The quote at the top is from the great Portuguese poet Fernando Pessoa, whose work I have only become aware of and a fan of in the past few years. I have written about him a couple of times here, most notably in reference to my Multitudes series a couple of years back.

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So don’t be frightened, dear friend, if a sadness confronts you larger than any you have ever known, casting its shadow over all you do. You must think that something is happening within you, and remember that life has not forgotten you; it holds you in its hand and will not let you fall. Why would you want to exclude from your life any uneasiness, any pain, any depression, since you don’t know what work they are accomplishing within you?

― Rainer Maria Rilke, Letters to a Young Poet



Funny how often the words of the poet Rilke mesh with the message I am seeing or hoping to see in a painting of mine. It’s certainly the case in this new smaller piece, Standing in Shadow, that is part of the Little Gems show at the West End Gallery that opens this Friday.

For me, the message I wanted to distill here was that we all live in the shadows of places, people, and events. Even the past and the future cast a shadow on our lives in the forms of regret and fear, among many others. 

In a way, we are shaped by shadows, depending on how we react to them. In the best case, we seek to step beyond them, to find a place in the light where the only shadows present are those we cast in our wake.

That is where the words of Rilke come into play. It is while we are in the shadows, that we must use those feelings that thrive within us there, the anxiety and pain and other deep emotions, to find a way forward.

To use the shadows as building blocks toward the light. 

I’ve discussed this here before, this idea that it is most often that our hardships form our character and that our creations ultimately– and hopefully– reflect that character. I’ve always thought that the appeal of my work was in the shadows that came through in my work. I am not talking about physical shadows though they sometimes are manifested as such in the work. It’s more in the underlying darkness, the acknowledgement that there is dark behind the light. That even the optimism and hope carried in the work is tempered with a wary eye cast toward the shadows.

Our hardships do, as Rilke points out, accomplish work within us. That’s not easy to see when you’re deep in the shadows. But once one recognizes that the shadows are the place where the deepest emotions are spawned, that one can use these feelings as a way to the light, that it is the place where creation is born, it becomes a less scary place. 

At least that’s how I am reading this, in both Rilke’s words and in this painting.

I could be wrong. Wouldn’t be the first time and it certainly won’t be the last.

Maybe you will see it differently with the benefit of your own shadows. That’s how it should be.

Have a good day.

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“I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deep-rooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history.”

W. Somerset Maugham, The Moon and Sixpence



Short one today for this Sunday morning. The painting above is a little guy, a new 2″ by 4″ piece called What Was, headed to the West End Gallery for the Little Gems show. It’s one of those pieces that speak to me of the search for home, a theme that has been pretty prevalent in my work over the years.

I very much identify with the excerpt above from Somerset Maugham’s The Moon and Sixpence whose story incorporates the search for home by Paul Gauguin, which eventually took him to Tahiti. I have always felt a bit out of place, even in this place where I have lived all my life.

Yet, I don’t know what place or situation might ever make me feel truly at home. Maybe that’s the purpose of my work, at least for me personally. To formulate an idea of what home might be.

I don’t really know. But I know that it has a strong pull.

Let’s leave it at that. For this Sunday, on the theme of home, I am returning to an old Staple Singers song from the late 1950’s. I played Uncloudy Day on this blog recently and this song, I’m Coming Home, is very much in that same vein. It’s from the same timeframe and has that same sort of sharp underlying guitar line from Pops and powerful vocals from a very young Mavis Staples. Great song to kick off a cold Sunday morning.

Have a good day.



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“Come Days of Color”- Now at the West End Gallery



Not knowing how near the truth is, we seek it far away.

― Hakuin Ekaku



Wise words from Hakuin Ekaku, the 18th century Japanese Zen Buddhist master. You have probably heard of his famed kōan (a short story, statement, or question meant to test a Zen student’s progress) that basically asks: What is the sound of one hand clapping?

Heady stuff. But today we’re focusing on two of his thoughts, the one at the top and this gem:

At this moment, is there anything lacking? Nirvana is right here now before our eyes. This place is the lotus land. This body now is the Buddha.

We are creatures of desire and envy. We want constantly what others have, somehow thinking it offers us some intangible that will somehow provide us with lasting happiness. We envy other places, seeing in them qualities that we believe are lacking in those places we now occupy and believing that those places will provide a higher level of happiness or contentment.

But is happiness better found in more things or in far flung places? As Hakuin points out, in this moment, is there anything lacking? What prevents you from knowing what your happiness or what your truth might be?

Those two things–truth and happiness– are interior qualities. No place or thing can provide lasting truth or happiness. The secret is in not straining for these things but in recognizing that they are at hand, available if only you open yourself to them.

You may still want to to improve things in your life, acquire things or even physically move. But remember that they are not the way to contentment because it is already here, wherever that might be.

I write these words as a reminder to myself. I am as susceptible as anyone to falling to the lure of thinking that I can find happiness in external things and places. But a simple reminder helps me remember the happiness found in simple things, in recognizing the good things present in the humblest moments.

I thought about just that the other day. I was trudging through the mud outside my studio, a common thing at this wet time of the year. At first, it made me cringe and grump about it for a bit. Then I wondered why it bothered me so. It was part of the place that is a very important piece of my life and simply a product of the ever changing seasons. Soon it would be dry and grass would again be growing. I changed my point of view and felt a pang of happiness in that wet moment.

Contentment.

Simple things are not necessarily small things.

And vice versa.



This post ran on the blog several years ago but I thought it matched up well with the new small painting at the top, Come Days of Color. which is part of the upcoming Little Gems show at the West End Gallery. The exhibit opens Friday, February 12.

I see much of the message of this post in this painting, about fully appreciating the fullness and beauty of all things within your reach. We often see the days of our lives as drab and dreary but there is great color to be found if only we attempt to see the beauty contained in all things.

Hope you see some color in your days. Have a good one.

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kandinsky

 



Lend your ears to music, open your eyes to painting, and… stop thinking! Just ask yourself whether the work has enabled you to ‘walk about’ into a hitherto unknown world. If the answer is yes, what more do you want?

Wassily Kandinsky



Still working on getting my creative engines revved up and ready to go. Normal for me at this point n the year. One thing that usually helps me in these times is turning to the words and works of Wassily Kandinsky.

Several years ago in a short post here, I shared the quote above and a great little film from Alfred Imageworks that features an animation of the elements from some of Kandinsky’s great paintings as well a film from 1926 of Kandinsky creating a drawing with these same elements.

These always seem to help me in some way that I can’t quantify. Maybe I should take Kandinsky’s advice and stop thinking on this.

Anyway, thought they’d be worth revisiting today before I get down to real work.

Take a look if you are so inclined and then have yourself a good day, again, if you are so inclined.

STEREOSCOPIC FOR EXHIBITION – KANDINSKY from Alfred Imageworks on Vimeo.



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Franz Marc- The Yellow Cow 1911



Traditions are lovely things- to create traditions, that is, not to live off of them… the great shapers do not search for their form in the fogs of the past.

–Franz Marc



I chose today’s quote from German painter Franz Marc (1880-1916) because he was an influence for me early in my career. Not so much in the style or subject matter that he employed but more in attitude. I admired the fact that he created work that stood out and was identifiable as his from across a gallery space.

His work, vision, and voice were his alone, never aspiring to follow the style or schools of others. This is basically what he is pointing towards in the aphorism above– to not toil in the fields planted by earlier artists but to carve out your own space and work it in the way that suits and  best expresses you.

Franz Marc- Large Blue Horses

Franz Marc- Large Blue Horses

He is not downplaying the influences of the past. Early in his career Marc copied the works of other artists from before and contemporary to him. Doing so allowed him to pick and choose the elements in the works of others that meshed with his vision, allowing him to use these found elements to create his own avenue of expression.

He did not want to remain a replicator but wanted instead to be a creator. He wanted to work in a field that he had planted and nurtured. One that was his own.

And that was the attraction for me.

Of course, there was safety and security in remaining in the larger symbolic field with others but it would often be as an anonymous member of a larger group, your furrow always directly compared to the furrow of those alongside you, your harvest always compared to those of others.

Breaking away and heading out was risky. You had to believe that in taking this leap of faith that you would be able to work your little spot in your own way away from others and produce a harvest that is uniquely appetizing to others in some manner. But you might end up toiling in barren soil, creating crops that appealed to no one but yourself. It was scary to think that your field might never expand but you were at least nourishing yourself.

This was the type of thinking that drove my work early on, fueled by looking at the work of Marc and others who veered from the traditions of the past in their times.

Unfortunately, Franz Marc only worked his fields for a relatively short time, dying in WW I at the Battle of Verdun. He was a mere 36 years old. But his crop still lives on, surviving being labeled as degenerate art in the 1930’s by Hitler and the Nazi regime.

It is unique and in his own tradition.

I believe that the lives and careers of artists  like Franz Marc provide valuable lessons for any aspiring artist, even in this world and creative environment that is vastly different than the one that Marc inhabited.

I know it helped me. 



Back trying to take a hiatus. This post ran six years ago but it’s one that I felt deserved another run. Unlike the traditions that sustain and give meaning to our everyday lives, art often occurs when the traditions of art are set aside. I think that is what Marc was talking about here and I believe it is an important thought to keep in mind for those who have their own voice heard.

Back to plowing. Again. Have a good day.



Franz Marc- The Waterfall 1912

Franz Marc- The Waterfall 1912

 

Franz Marc- Horse and Eagle 1912

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The Cowardice



“Call him tyrant, murderer, pirate, bully; and he will adore you, and swagger about with the consciousness of having the blood of the old sea kings in his veins. Call him liar and thief; and he will only take an action against you for libel. But call him coward; and he will go mad with rage: he will face death to outface that stinging truth. Man gives every reason for his conduct save one, every excuse for his crimes save one, every plea for his safety save one; and that one is his cowardice. Yet all his civilization is founded on his cowardice, on his abject tameness, which he calls his respectability.”

― George Bernard Shaw, Man and Superman



I’ve been plowing for an hour already this morning and it’s not even yet 7 AM. It looks like there is a lot of work today outside the studio. Even so, I wanted to stop to make one comment on what I have been seeing lately. Well, actually it’s been evident for years but it has really coalesced in recent times.

Cowardice.

Complete and abject cowardice.

I used the Shaw quote at the top to illustrate my point but in this case I believe that Shaw, that great observer of the human condition, might be wrong. Most of these people know they are cowards and don’t even have the spine to react with faux righteous indignation when the word is yelled in their face.

I am, of course, speaking of the modern Republican party. Not the party of Lincoln. There is a moral bankruptcy there that is staggering and it is all driven by the fact that there is not a soul in that party willing to match action with words in doing what is right.

What they know is right. They know that they are plowing ahead on lies and lunacy at this moment.

And that is the difference between courage and cowardice. Courage is knowing what is right and what must be done then doing that thing while accepting the consequences of doing so, even if it puts that person in personal peril.

The type of cowardice we are witnessing is beyond the opposite of courage. A coward who admits his cowardice has the potential for redemption. That’s not what we’re seeing here.

Nearly all the members of this party party understand what is right and wrong. They know what they should do in service the oath they have sworn to their country. But they refuse to do so and create all sorts of excuses and obfuscations, trying in vain to either validate or cloak the reprehensible motives that seem to be behind this party today.

And they barely utter a peep in response to those who point out their gutlessness, that call them cowards to their faces.

I don’t see anybody in this party willing to change that anytime soon and that is a sad state of affairs for their constituents and for this nation. I often have thought that this time is a perfect opportunity for someone of that party to step boldly and bravely step forward, to state the beliefs and goals that they hold that are righteous and to outline a new direction for that party. Someone to call out the bonds that now exist between this party and white supremacists. Someone willing to extend a hand to others and make their tent more inclusive instead of relying on chicanery to suppress votes.

Why not just make their party in a way that they can simply get more votes from everyone, from all creed and colors? Is that asking too much?

Maybe so. That would take courage and a total rejection of the cowardice that now encompasses this party. It would be almost Lincolnesque.

Then maybe they could again proudly call themselves the Party of Lincoln.

I don’t see that happening anytime soon. I also want to point out that the Democrats are not immune to cowardice, that they too often suffer from a lack of courage. In fact, it has been their unwillingness to boldly do what they know is right when they solely possess the moral high ground that has allowed the darker aspects of this political world to rise. They sometimes seem timid and fearful of exercising the power they have campaigned for so long to possess.

If they truly have the moral high ground and do things that benefit the greater portion of the population, things that makes the lives of everyday folks better in some way, they have nothing to fear. 

I don’t have any answers, of course. I am a simpleton sitting in the woods, getting ready to go out and plow. But I do have one bit of wisdom to share:

Both courage and cowardice are contagious and you are a carrier.

Choose your malady well.



I know I said I was taking some time off from doing this and I am and will. I just needed to vent a bit this morning. Hope you understand and thank you for reading.

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Georges Braque- Still Life: Le Jour



Truth exists. Only lies are invented.

Georges Braque



I am in the studio, looking at a new larger painting on my easel that is nearing completion. The words above from Georges Braque clang around in my mind as I look at it.

The painting is strictly an invention, a representation of a nonexistent place.

I ask myself, “Is it therefore a lie?”

No, of course not.

The painting is a true expression of my emotion and existence. That place represented on the canvas exists within me. And maybe within others who see its symbolic truth.

But I think I know what Braque means with his words. I have some paintings in the studio that I know are lies– inventions and constructions not built  with honest emotion. They aren’t necessarily bad. In fact, a few have a shiny appeal and have an appearance of truth in them. But there is something just a bit off in the way they come across to me, like hearing the words from someone that you know in fact to be untrue.

Their lies might be well constructed and even feel true but they are still lies.

And if that feeling comes across to me, it no doubt does the same for some others, as well. Not everyone. Some people don’t want to look beyond the surface and are willing to accept the lie before them because it somehow fits their own needs. For them, it is an acceptable truth.

It is a useful lie that serves a purpose to fill their personal need.

And that is okay.

Well, at least it’s okay in the realm of art which is based on personal and subjective preferences.

In other aspects of this life, I think we are finding that this casual acceptance of invented lies can have dire consequences.

Hopefully, truth prevails…



I am looking back at some older posts this week and maybe next, adding just a little commentary and maybe attaching a song at the end. This post was from a few years back and I thought it had some relevance to current events and the explosion of falsehoods that have overtaken our country through misinformation, disinformation, and bald-faced lies that make up the insane conspiracies and beliefs that have driven so many of our fellow citizens off the rails.

Art is where we should live our subjective lives. But we live in an objective world and all the subjective belief in the world does convert a lie or untruth into reality there.

At least, it shouldn’t.

As predicted, the casual acceptance of invented lies by some of us have produced dire consequences for us all. Let’s hope we can get back to a shared reality with facts that we can all agree on sometime soon.

Here’s a song that seems relevant to the subject from the Avett Brothers. It’s called The Weight of Lies. And believe me, lies have real weight. 



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This is a post from a couple of years back with a new addition at its end:





“The world concerns me only in so far as I owe it a certain debt and duty, so to speak, because I have walked this earth for 30 years, and out of gratitude would like to leave some memento in the form of drawings and paintings—not made to please this school or that, but to express a genuine human feeling.”

― Vincent van Gogh, The Letters of Vincent van Gogh



Thought a good way to kick off this week might be to share a few paintings from Vincent van Gogh along with a quote from one of his letters that speaks very much to my own feelings about my own reasons for doing what I do. These are not his better known paintings, though some of you may well know these pieces. They’re pieces that speak to my own personal inclinations. You might notice that most of these paintings have his ball-like sun/moon.

The idea of feeling a need to leave a memento behind that expresses one’s gratitude and one’s expression of self is one that is not foreign to me. I often think about how my work will speak for me after I am gone. Actually, the thought is often if it will speak into the future at all and, if so, will it be an honest reflection, a true representation of my voice.

I know that an artist, for all of the ways they try to guide the narrative about their work and life, have little control on the future.

What will be, will be.

The artist’s voice might echo but it is always just that, an echo, a one-sided conversation from the past. Hopefully, what is said in that echo reverberates and speaks to someone of that future time so that they can fully understand and connect to the feeling behind it. And if so, with the hope that they might respond to that voice in some small way that continues to give life to it.

As I said, an artist has little control over this outside of doing their work with honest efforts and emotions. It’s obvious this was the case in the work of van Gogh and we continue to have a conversation with his echoes from the past, his mementos of gratitude.

[2021 Addendum]

Here’s a few lines from Goethe’s Faust that mirror this same sentiment:

“You can’t, if you can’t feel it, if it never
Rises from the soul, and sways
The heart of every single hearer,
With deepest power, in simple ways.
You’ll sit forever, gluing things together,
Cooking up a stew from other’s scraps,
Blowing on a miserable fire,
Made from your heap of dying ash.
Let apes and children praise your art,
If their admiration’s to your taste,
But you’ll never speak from heart to heart,
Unless it rises up from your heart’s space.”

― Johann Wolfgang von Goethe, Faust, First Part

Have a good day.




 

 

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GC Myers- Canyon of Doubts



Creativity requires introspection, self-examination, and a willingness to take risks. Because of this, artists are perhaps more susceptible to self-doubt and despair than those who do not court the creative muses.

Eric Maisel



This painting below sits on a shelf directly in front of my desk. I was looking at it early this morning and wondered if I had put anything about it here on the blog. I came across the entry below from about four years ago which really spoke to the doubts I endure every year at this time as I begin to gear up for my annual shows.

This year is no different. Maybe even more pronounced, given the stress from the events of this past year. But I take some comfort in knowing that I have navigated through these canyons before and that takes off the edge. The doubts are still there but can’t box me in.

There is always a way through. 

Here’s what I put down about this four years back:

This new painting, 8″ by 10″ on panel, is called Canyon of Doubts. For me, it represents the navigation that takes place in the creative process as the artist tries to get past the formidable obstacles of self doubt. Doubt often throws up barriers that has the artist asking if they are good enough, if they have the talent, training, and drive to create true art that speaks for them to the world. Doubt makes them fear that they are out of place, that they don’t belong, that every other artist has more right to create than them.

Doubt keeps the artist seemingly boxed in with no apparent way forward.



Doubt is a pain too lonely to know that faith is his twin brother.

Kahlil Gibran



I’ve been trapped in that canyon many times. I’ve thought many times that there was no way out, that the fears posed by my doubts were the realities of who and what I was.

I have always felt alone with my doubts. Words of encouragement from others often felt hollow when I was lost in those canyons. They didn’t know how steep the walls of doubts seemed to me or how inadequate, how ill-prepared I felt in that moment.

The only option that seemed available to me was to trust that I could somehow fight my way out of those daunting canyons. It would mean mustering every bit of talent, every ounce of energy, and a sustained belief that I deserved to have my voice rise from out of  those canyons. It was matter of  either having the faith in my own value as human to find my way free or withering away in a canyon of doubts.



Your doubt can become a good quality if you train it. It must become knowing, it must become criticism.

Rainer Maria Rilke



I still find myself in those canyons. I still find myself periodically looking up at the walls that surround me and wonder if I am talented enough, strong enough, or even entitled to escape them.

But I now know that there is a path through them, one that is well worn with my own footprints from my past journeys in that shadowed place. I know that, even though it is lonely and seemingly unbearable in that moment, I don’t have to be trapped in that place of doubt.

I’ve traveled this path and there is indeed a way out.

It takes time and effort and devotion. It takes the belief in yourself, forged from past experience, that you will make the right decisions and not be trapped in those walls. It’s in having the faith that when take a wrong turn, when you make a mistake, that you will recognize it and get quickly back to the path that sets you free.

At the moment, I may well be in that canyon still but I have the moon guiding me and its light shows me where the canyon ends.

And then I will be free once more.



Have a good day.

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