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Archive for the ‘Quote’ Category

 GC Myers- The Beholding Eye smI am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human soul, as my spirit is part of my nation. In my own very self, I am part of my family. There is nothing of me that is alone and absolute except my mind, and we shall find that the mind has no existence by itself, it is only the glitter of the sun on the surface of the water.

– D.H. Lawrence, Apocalypse, 1930

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The painting above, a 20″ by 24″ canvas,  is another new piece that will be hanging in my upcoming solo show, Traveler,  at the Principle Gallery that opens June 6 at the Alexandria gallery.  There’s a great sense of focus and depth into the surface in this piece that fills me with the same sort of idea that Lawrence expounds above, about how we are all part of the whole of existence.   All things connected and interdependent, existing only to serve the whole, in ways we may never fully understand– There is nothing of me that is alone and absolute except my mind, and we shall find that the mind has no existence by itself, it is only the glitter of the sun on the surface of the water.

Or the rustle of the wind on the grass of the field.

For a little Sunday music in this same vein and to honor those who have fallen in service for this Memorial Day,  I thought that the hymn I Surrender All, written in 1896, would be fitting.  Here’s a wonderful version from guitarist Ulrich Busch.

Have a great Sunday and a great Memorial Day.  Remember those who have sacrificed so much.

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We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won’t do harm – yes, choose a place where you won’t do very much harm, and stand in it for all you are worth, facing the sunshine. 

–E.M. Forster, A Room With a View

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 GC Myers- Cast Your Shadow smChoose a place where you won’t do harm…

I don’t want to, nor do I think I should, say much more about this new painting, a 24″ by 36″ canvas that carries the title Cast Your Shadow.

I like the idea represented by the quote above from E.M. Forster where one seeks out a place of their own, a place where they can stand without causing harm.  It’s a theme that I’ve always thought of in terms of being a smooth stone on a creek bed, pushed and polished  by the current through the ages until at last coming to rest in a spot where the water flows easily over it.  The stone finds it’s place where it does no harm.  It doesn’t disturb the water and the water simply passes by.

It seems like such a small desire, to find a place where the water flows easily by or where one can stand in the sun without their shadow blocking the light from others. But the simplicity of this wish is deceiving.

It is the work of a lifetime.

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We cannot live for ourselves alone. Our lives are connected by a thousand invisible threads, and along these sympathetic fibers, our actions run as causes and return to us as results.

–Herman Melville

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GC Myers-Interconnected

I guess Melville’s words above pretty much sum up what I see in much of my work, an interconnection between all beings and things that gives every life definition and meaning.  None of us live in a vacuum and every action has an effect of some sort.  Some we see and feel directly and  some, those reactions further out on those sympathetic fibers, we will never know.  It’s the pebble and pond effect.  We throw a pebble into the pond and we see the first large ripple that returns back towards us.  But it doesn’t stop there.  The initial splash continues to radiate outward in all directions, often beyond our sight.

It’s pretty basic stuff.  But that doesn’t make it any less significant.  We are all part of a larger one and the actions of each of us  creates ripples that touch many others.  So consider your actions and your words as they go out into the bigger pond.

The image above is a new painting, a 12″ by 12″ canvas called Interconnected.  It is part of my upcoming solo show, Traveler, at the Principle Gallery, which opens June 6.

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klee_southern-gardens

Paul Klee- Southern Gardens

I am feeling under the weather today but really wanted to post something, out of some sort of obligation to my own discipline.  I pulled out a post from back in 2010 that features some writing from the great Swiss artist Paul Klee, whose work I have always admired.  It was nice that his words also brought admiration.

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I was asked yesterday if I talked to my paintings.

Interesting question.

I talk to animals. I talk to trees and plants. I talk to my car. I talk to my studio, which actually has a name. I talk to ghosts, present or not. Whether any of these things or beings listens is another matter.

But talk to my paintings?

It immediately brought to mind a section of a famous lecture that I had been reading recently and had really resonated with me. It was On Modern Art, delivered in the 1920′s by Swiss artist and a personal favorite of mine Paul Klee :

May I use a simile, the simile of the tree? The artist has studied this world of variety and has, we may suppose, unobtrusively found his way in it. His sense of direction has brought order into the passing stream of image and experience. This sense of direction in nature and life, this branching and spreading array, I shall compare with the root of the tree.

……..From the root the sap flows to the artist, flows through him, flows to his eye. Thus he stands as the trunk of the tree. Battered and stirred by the strength of the flow, he guides the vision on into his work. As, in full view of the world, the crown of the tree unfolds and spreads in time and space, so with his work.
……..Nobody would affirm that the tree grows its crown in the image of its root. Between above and below can be no mirrored reflection. It is obvious that different functions expanding in different elements must produce divergences. But it is just the artist who at times is denied those departures from nature which his art demands. He has even been charged with incompetence and deliberate distortion.
……..And yet, standing at his appointed place, the trunk of the tree, he does nothing other than gather and pass on what comes to him from the depths. He neither serves nor rules–he transmits. His position is humble. And the beauty at the crown is not his own. He is merely a channel.

This very much sums up how I’ve always felt about art, especially my place as an artist. A mere channel or transmitter. And when I look at my paintings, it is not in the form of a conversation so much as listening to what the painting has to tell me. I paint because I question and, at best, the paintings provide some answers and insight that I might not find or see otherwise.

So, do I talk to my paintings? Not so much. But do they talk to me? Yes. And I do my best to listen…

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“There is one single thread binding my way together…the way of the Master consists in doing one’s best…that is all.”

– Confucius 

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GC Myers- The Way of the Master

I originally had a different title in mind for this new painting,which is 24″ by 36″ on canvas.  I saw it as being about the end of a journey, about coming to a point that marked the highest level of emotional  and spiritual development.  But then I remembered this quote from Confucius and it had immediate resonance.

It all comes down to effort in the end.   Everything that comes to us, everything we desire and value,  ultimately depends on the amount of effort we choose to put forth.  Things done half-heartedly and with little attention never prosper or develop.   Those things you take for granted never grow into something more.  They only diminish with less attention.  You can witness  this in every aspect of your life. I know I can see it in my own.  Everything I value– my marriage, my work and my peace of mind– requires hard work  and maintenance, my very best effort.

This full effort ultimately leads to a deeper sense of connection with those things we value, emotionally and spiritually,  and I suppose that’s what this piece signifies for me.  I believe that any thinking person wants to reach their highest point of development, wants mastery over their own physical and spiritual life.  This painting reminds me that it is obtainable if I am willing to give my very best.

As Confucius says: and that is all.

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Don’t Think

ray-bradbury-on-creativity-famous-quotes

I came across this quote from famed sci-fi writer Ray Bradbury on a post on the  TwistedSifter site that featured quotes on creativity.  This struck close to the bone for me as I have proudly not thought for years now.  I have long maintained that thinking usually inhibits my work, making it less fluid and rhythmic.

It’s a hard thing to get across because just in the process of doing anything there is a certain amount of thought required, with preliminary ideas and decisions to be made.  I think that the lack of thought I am talking about, as I also believe Bradbury refers, is once the process of creating begins.  At that point you have to try to free yourself of the conscious and let intuition and reaction take over, those qualities that operate on an instantaneous emotional level.

I can tell instantly when I have let my conscious push its way into my work and have over-thought the whole thing.  There’s a clunkiness and dullness in every aspect of it.  No flow.  No rhythm. No brightness or lightness.  Emotionally vacant and awkward.  Bradbury’s  choice in using the term  self-conscious is perfect because I have often been self-conscious in my life and that same uncomfortable awkwardness that comes in those instances translates well to what I see in this over-thought work.

So what’s the answer?  How do you let go of thought, to be less self-conscious?

I think Bradbury hits the nail on the head– you must simply do things.  This means trusting your subconscious to find a way through, to give the controls over to instinct.

And how do you do that?  I can’t speak for others but for myself it’s a matter of staying in my routine.  Painting every day even when it feels like a struggle.  Loading a brush with paint and making  a mark even when I have no idea at hand. Just doing things and not waiting for inspiration.

You don’t wait for inspiration– you create it.

So, stop thinking right  now and just start doing things.

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“The opposite of love is not hate, it’s indifference. The opposite of art is not ugliness, it’s indifference. The opposite of faith is not heresy, it’s indifference. And the opposite of life is not death, it’s indifference.”

-Elie Wiesel

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GC Myers Memory of  Night sm

I’ve been sitting here for quite some time now, staring at the quote above from Elie Wiesel.  I had planned on writing about how my work evolved as a response to the indifference of others but now, looking at those words and putting them into the context of  Wiesel’s experience, I feel a bit foolish.  Wiesel, who had survived the Holocaust, was eyewitness to indifference on a grand scale, from those who were complicit or those who did not raise their voices in protest even though they knew what was happening to the personal indifference shown by his Nazi guards, as they turned a blind eye to the suffering and inhumanity directly before them on a daily basis, treating them as though they were nothing at all.

The indifference of which he speaks is that which looks past you without  any regard for your humanity. Or your existence, for that matter.  It is this failure to engage, this failure to allow our empathy to take hold and guide us,  that grants permission for the great suffering that takes place throughout our world.

So you can see where writing about showing a picture as a symbolic battle against indifference might seem a bit trivial.  It certainly does to me.  But I do see in it a microcosm of the wider implications.  We all want our humanity, our existence, recognized and for me this was a small way of  raising my voice to be heard.

When I first started showing my work I was coming off of a period where I was at my lowest point for quite some time.  I felt absolutely voiceless and barely visible in the world, dispossessed in many ways.  In art I found a way to finally express an inner voice, my real humanity,  that others could see and react to.  So when my first opportunity to display my work came, at the West End Gallery in 1995, I went to the show with great trepidation.  For some, it was just a show of  some nice paintings by some nice folks.  For me, it was a test of my existence.

It was interesting as I stood off to the side, watching as people walked about the space.  It was elating when someone stopped and looked at my small pieces.  But that  feeling of momentary glee was overwhelmed by the indifference shown by those who walked by with hardly a glance.  That crushed me.  I would have rather they had stopped and spit at the wall than merely walk by dismissively.  That, at least, would have made me feel heard.

Don’t get me wrong here– some people who are not moved by a painting walking by it without a glance are not Nazis.  I held no ill will toward them, even at that moment.  I knew that I was the one who had placed so much importance on this moment, not them.  They had no idea that they were playing part to an existential  crisis.  Now, I am even a bit grateful for their indifference that night because it made me vow that I would paint bolder, that I would make my voice be heard.  Without that indifference I might have settled and not continued forward on my path.

But in this case, I knew that it was up to me to overcome their indifference.

Again, please excuse my use of Mr. Wiesel’s quote here.  We all want to be heard, to be recognized on the basic levels for our own existence, our own individual selves. But too often, we all show indifference that takes that away from others, including those that we love.  We all need to listen and hear, to look and see, to express our empathy with those we encounter.  Maybe in these small ways the greater effects of indifference of which Elie Wiesel spoke can be somehow avoided.

It’s a hope.

The painting at the top is a new piece that I call Memory of Night, inspired by Wiesel’s book, Night.

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GC Myers- Of Infinite WorthEvery situation– nay, every moment– is of infinite worth, for it is the representative of a whole eternity.

— Goethe, 1823

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These words from Goethe give me pause.  I have often thought that each moment, even those multitudes of moments which we seem to throw away like so much trash, has some unique quality that we may not recognize or understand in that moment.

Filled with possibility of discovery and wonder.  Perhaps it is the revelation of a whole eternity captured and represented in that moment, as Goethe suggests.

I suppose the trick then is to give each moment, each situation, the proper reverence and joy it deserves.  A deeper understanding and sense of purpose is offered in return.

Of course, this is the goal.  There will be many moments thrown away, disposed in negative emotions and behaviors.  But if we just try to be aware of the weight of each moment at some point in each day, perhaps it will become habit.  Part of our make-up.

And that’s what I see in this painting, 7″ by 10″ on paper, that I am calling Of Infinite Worth, appropriating the title from Goethe’s quote.  We move on a path that winds forward, taking us  in and out of view of the horizon. Eventually, it brings us to a higher elevation, above distraction, that offers us a clear view of what is ahead.  Perhaps it is a moment filled with eternity or simply a moment to carry with us as we continue ahead.

I could blather on a little more here but I think I should stop and let the image speak for itself.  After all,  everyone might not be looking for eternity this morning.

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GC Myers- Proclamation By health I mean the power to live a full, adult, living, breathing life in close contact with what I love — the earth and the wonders thereof — the sea — the sun. All that we mean when we speak of the external world. A want to enter into it, to be part of it, to live in it, to learn from it, to lose all that is superficial and acquired in me and to become a conscious direct human being. I want, by understanding myself, to understand others. I want to be all that I am capable of becoming so that I may be (and here I have stopped and waited and waited and it’s no good — there’s only one phrase that will do) a child of the sun. About helping others, about carrying a light and so on, it seems false to say a single word. Let it be at that. A child of the sun.

Katherine Mansfield

October, 1922, Her final journal entry

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I came across this final journal entry from the writer Katherine Mansfield, who died much too early from tuberculosis at age 35, and thought how much her words fit what I was thinking about this newer painting shown above.  I call this 30″ by 40″ painting Proclamation and the thought and feeling it may be proclaiming might very well be the same as those expressed by Mansfield.

It is a painting that speaks of coming to an understanding of one’s self and stepping forward in the light to show that true identity.  It is at once flawed and beautiful.  Flawed by the scars of attained wisdom and change.  Beautiful because it is honest and real, open to the elements and all who look upon it.  It has become, to use Mansfield’s term, a child of the sun.

I think it would be too easy to say too much here.

Let it be at that.  A child of the sun.

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GC Myers--Phronesis Phronesis… involves not only the ability to decide how to achieve a certain end, but also the ability to reflect upon and determine good ends consistent with the aim of living well overall.

— Aristotle

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This is a new painting, 8″ by 14″ on paper, that I am calling Phronesis.   It’s a Greek word that the philosopher Aristotle used to differentiate practical wisdom from theoretical philosophy.  Phronesis involves putting gained wisdom into rational, measured action, not merely reflecting upon it.  It is the ability to determine where one wants to be– physically, mentally and spiritually– at a future point and how to achieve that goal.  Phronesis employs  theoretical wisdom  and puts it into rational action.

That’s the five cent version of the concept.  And that’s what I see here.   In a calm fashion, the Red Tree has determined its course, which is to be in unity with a greater universal power or spirit, represented here by the breaking sun and the layers of color in the sky.  It has already recognized the universal truths and is now trying to enact them, trying to become closer to the central truth.

It sounds much more complicated than it might really be. ‘Live lightly’ might just as easily get across what I struggle to say here.  That would probably fit the simple composition of this painting, that  spare elegance which draws me to this piece.  In itself, there is a sort of phronesis taking place, as its painting is an action that takes what little wisdom I have gained and allows me to move a step closer to that same goal shown in it.  Peace and light, really.

Well, enough said.

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