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GC Myers- A Time For Reckoning sm

A Time For Reckoning“– Now at the Principle Gallery



White in the moon the long road lies

White in the moon the long road lies,
The moon stands blank above;
White in the moon the long road lies
That leads me from my love.

Still hangs the hedge without a gust,  
Still, still the shadows stay:
My feet upon the moonlit dust
Pursue the ceaseless way.

The world is round, so travellers tell,
And straight though reach the track, 
Trudge on, trudge on, ’twill all be well,
The way will guide one back.

But ere the circle homeward hies
Far, far must it remove:
White in the moon the long road lies 
That leads me from my love.

–A.E. Housman, A Shropshire Lad, 1896



Without Diversion

GC Myers- Between Here and There

Between Here and There“- Now at the Principle Gallery



A man must find time for himself. Time is what we spend our lives with. If we are not careful we find others spending it for us. . . . It is necessary now and then for a man to go away by himself and experience loneliness; to sit on a rock in the forest and to ask of himself, ‘Who am I, and where have I been, and where am I going?’ . . . If one is not careful, one allows diversions to take up one’s time—the stuff of life.

― Carl Sandburg



I think I need to take Mr. Sandburg’s advice today and avoid some of those diversions that take up my time, that stuff of life. I urge you to do the same and to that end will stop writing so as not to create a diversion from your own stuff of life.

See you on the other side.

Facing Mystery

GC Myers--Facing Mystery 2021



Faith and love are apt to be spasmodic in the best minds: Men live on the brink of mysteries and harmonies into which they never enter, and with their hand on the door-latch they die outside.

–Ralph Waldo Emerson, Letter to Thomas Carlyle, March 1838



I think that the words above from Emerson to Scottish philosopher Thomas Carlyle perfectly fit the vibe I get from the painting above, Facing Mystery, another new painting now hanging at the Principle Gallery.

So often we avoid following the paths of both those mysteries and aspirations that haunt us. We often face, or worse yet, create barriers– here it is a forest of red that seems dark and deep– that we use as an excuse for staying in our safe and consistent space.

Close to home or as Emerson put it, with their hand on the door-latch.

It’s understandable. I don’t fault anyone for wanting to stay in their own safe and secure comfort zone. I might be a prime example of that right now, sequestered in my own dark forest, panicked sometimes at the thought of venturing outside it. Luckily for me, mysteries and aspirations as well as the harmonies to which Emerson refers are close at hand here.

For the most part. But even as I rationalize my own safe existence, I know there are more mysteries and harmonies, with answers and depths to be added to my being, out there to be found if I can only shake free of my own door-latch.

That might be the existential question here: Are we willing to face and follow the real mystery of our lives?

I don’t have an answer for myself yet.

I am hopeful and feel willing but find myself still holding onto that door-latch of that simple little house.



Facing Mystery is part of Between Here and There, my current solo exhibition at the Principle Gallery in Alexandria, VA. The show, my 22nd annual at the Principle Gallery, opened June 4th and hangs there until the end of this month.

ΩΩΩΩΩΩ



GC Myers- Facing Mystery Principle Gallery 2021 Catalog page



GC Myers- exiles-blue-guitar 1995This morning, I came across a piece from poet Wallace Stevens (1879-1955) which was fortunate as I was inclined to not write anything this morning. I didn’t write anything the day before yesterday when the internet was down here as a result of a squirrel chewing on the  cable on the pole outside the studio. They do that type of thing all the time.

That cable issue kept me from maintaining my streak of posting something every day and it didn’t feel bad. And that pleased me because I sometimes need to get things done and the early morning is when I am best suited, physically and mentally, to tackle them. Not worrying about posting something is a big relief.

That’s a lot of explanation for saying not too much. Anyway, the point here is that I found a poem that reminded me of an early painting, Blue Guitar from my Exiles series from back around 1995-1996. Actually, it fits it perfectly and I thought I would share a reading of it from Tom O’Bedlam who I have featured here a few times recently.

If you’re so inclined, take a short minute or two to give a listen and see if you see the connection.



Comforter Blues

PG GCMyers-- Comforter sm

“Comforter”- At the Principle Gallery

There’s a lot to do this morning between errands and the fast approaching deadline for my show next month at the West End Gallery. Just doesn’t seem to be enough time in the day.

But it all seems insignificant and downright trivial when thinking about a good friend of mine who is in pretty bad shape right now. He is in the position many folks have found themselves in the past year or so. Though he doesn’t have the coronavirus, he has contracted pneumonia and is currently in a local ICU, where he is intubated and heavily sedated.

It’s a scary situation for him and his family and friends. Like I said, its a situation that has been way too familiar for too many people this past year, one that leaves one feeling unable to help or even comfort properly.

I am going to leave it at that. I hope you’ll think of my friend today. Maybe your thoughts will somehow help him. Maybe they will also provide an example to each of us of how tenuous our health and welfare can be, that we should not take tomorrow for granted. It may not come in the form we think it will.

Here’s a song I am playing for my friend. It’s Bell Bottom Blues from Eric Clapton during his time with Derek and the Dominos. Hope you’re up and around soon, Brian. Next breakfast is on me.



Freedom

GCMyers-- La Bella Vita sm

“La Bella Vita”– Now at the Principle Gallery-16″ x 40″ on canvas



You wanna fly, you got to give up the shit that weighs you down.

Toni Morrison, Song of Solomon



Came across this new song from Jon Batiste yesterday and immediately knew that I would be using it this week’s Sunday morning music. It’s called Freedom and it celebrates the joy that comes in movement and dance.

Myself, I’m way too self-conscious to be a dancer but I certainly recognize the joy found in it in others, those who dance without any self-consciousness or restraint. But while I may envy them, I also take a little of their joy and freedom for myself.

There’s an infectious quality to that kind of freedom of expression. The good kind of infectious.

Give a listen. It might make you feel like getting up and moving a little. And that’s always a good thing.



Happy

GC Myers- Song of Joy  2021

Song of Joy“- Now at the Principle Gallery, Alexandria, VA



There is not one blade of grass, there is no color in this world that is not intended to make us rejoice.

― John Calvin (1509-1564)



Lots of work to get at this morning so I’m just going to leave the words above from Calvin, who basically states that to not see the joy in color and creation is a moral failing, along with Song of Joy here with the hope that you’ll find something in your day that will make you rejoice a bit. Here’s Happy from the Rolling Stones‘ classic album Exile on Main Street.

Maybe that will get your day started on the way to joy, much to Calvin’s delight.



All Fall Down

GC Myers- All Fall Down sm



Ring-a-round the rosie,
A pocket full of posies,
Ashes! Ashes!
We all fall down.



I was thinking of the old nursery rhyme when I named the painting above All Fall Down. It’s a small piece included at my current show hanging at the Principle Gallery.

I was thinking of it in terms of how most of us stumble at some point in our lives. We sometimes find ourselves face down on the ground– physically or emotionally or sometimes both.

The trick, of course, comes in getting up.

Maybe I shouldn’t say trick. Maybe triumph would be a better word because every time we drag ourselves to our feet is a victory of sorts. Some of us don’t make it up every time so there’s cause for some small celebration.

I used the old nursery rhyme above at the top without even thinking about its origins which come from the Black Death or Bubonic Plague that ravaged Europe from the 14th to 17th centuries.

The first line– ring-a-round the rosie — refers to the red rings or rash that would first show on the victim’s skin. These would later transform into black boils or buboes.

The second line– a pocket full of posies — refers to the belief then that the disease was transmitted through a bad smell. People would carry flowers and put them to their faces in public to protect themselves from the bad odors. The plague doctors wore an odd birdlike mask which was shaped so as to allow the beak to be filled with fragrant flowers to protect them.

The third line– Ashes! Ashes! — can be seen either as the sound of a cough or sneeze from the disease or the ashes and soot in the air from the mass burning of the many bodies of the deceased.

The last line– We all fall down — is pretty obvious. So many died that one’s own mortality was unavoidable. Probably why such a thing ended up as a nursery rhyme. No sense in trying to hide something from the kids when you’re walking by piles of folks on the street.

But at least they didn’t have to deal with being magnetized! While on the way to the studio this morning, I walked by my car and found myself stuck to the side of it, an unwitting victim of  my vaccination! It took me twenty minutes to pry myself free and be on my way. And even then it was with a garden rake firmly attached to my butt.

Of course, I kid. When you’re faced with craziness and ignorance sometimes the only response is to laugh. Or make up simple songs and nursery rhymes. A couple hundred years from now folks might well be singing ditties about Magnetic Mary or something like that.

Let’s just hope that this time, as in the past, that we are able to get back up after the fall.



GC Myers- All Fall Down in situ PG 2021

The Waking/Roethke

GC Myers-  Symphony of Silence  2021

“Symphony of Silence”- Available at the Principle Gallery



Tired this morning, in need of a waking so I can get on with my workload. Feels like this would be a good time to share a reading of the poem below from Theodore Roethke, The Waking. I think it pairs well with the new piece above that is part of my current show at the Principle Gallery. You decide while am trying to wake up and get moving.

I wake to sleep, and take my waking slow.   
I learn by going where I have to go.
 




9921065 Symphony of Silence in situ GC Myers

GC Myers- Distant Communique 2021



How it is that animals understand things I do not know, but it is certain that they do understand. Perhaps there is a language which is not made of words and everything in the world understands it. Perhaps there is a soul hidden in everything and it can always speak, without even making a sound, to another soul.

Frances Hodgson Burnett, A Little Princess



The new painting at the top, Distant Communique, is included in my current solo exhibit at the Principle Gallery. I think I want to let it stand with the words above from the author Frances Hodgson Burnett, best known for her beloved book The Secret Garden.

A language without words. That’s very much what art is. It implies a common knowledge or understanding of how things are and transmitting it from one being to another with gesture and nuance.

We’ve all experienced it, I am sure. A knowing glance across a room. A nod to someone that speaks volumes. The tilt of a head. The evasion or linking of eyes that reveals so much more than the sometimes clumsiness of words.

It’s with this innate understanding, this intuition, we sometimes recognize kindred spirits without a word. The same goes for those we would be better off avoiding.

There’s more to be said on this but that seems somewhat contradictory to the message. Let me just leave it as it is and you might better understand what I am getting at with the painting.



GC Myers- Distant Communique-Principle Gallery 2021 Catalog Page