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I want to live alone in the desert
I want to be like Georgia O’Keeffe
I want to live on the Upper East Side
And never go down in the street

Splendid Isolation
I don’t need no one
Splendid Isolation

–Warren Zevon, Splendid Isolation

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Over the next several days I will be showing paintings from my upcoming show, Moments and Color, that opens Friday, July 12, at the West End Gallery. Today is a piece called Pondering Solitude, a 24″ by 24″ canvas, that was a favorite of mine during its time here in the studio.

Like much of my work, I can’t exactly put my finger on any one thing in this painting that makes it hit the mark for me. Maybe it’s something as simple as the color combinations or the way the light flows within the composition. Or just the simplicity of it as a whole. Or the feeling of warm solitude it emotes.

Again, I don’t know. That probably sounds strange to some of you. After all, I painted it so shouldn’t I know the entire what and why of a piece I have created? You would think so, wouldn’t you?

Oddly enough, in my best work–or at least what I feel is my best work– I have no answers. And that makes sense to me because the work is for me a way to get enough clarity to understand enough to be able to ask questions. Then, hopefully, answers emerge.

It’s hard to find answers when you don’t really know the questions.

And that is kind of the story of this piece. I see it as the Red Tree feeling a need for clarity and light, answers to questions that it can’t articulate, and finding solace in the light and warmth of its solitude.

There is more likely than not more to say here but I think I am leaving it at that for now.

I used some lyrics from the song Splendid Isolation from the late Warren Zevon above. Here is the song.

 

 

Sublime

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“Whereas the beautiful is limited, the sublime is limitless, so that the mind in the presence of the sublime, attempting to imagine what it cannot, has pain in the failure but pleasure in contemplating the immensity of the attempt”

― Immanuel KantCritique of Pure Reason

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The painting shown at the top is titled Sublime. It is a new 24″ by 48″ canvas that is included in my show, Moments and Color, that opens a week from today on Friday, July 12, at the West End Gallery.

I struggled finding a title for this piece for a long time. There was a quality in it that attracted me immensely, that spoke volumes to me. But try as I might, I could never quite put my finger on what exact quality that might be. I just knew that if felt like something bigger than any single emotion. It had, for me, an immensity of feeling.

So, the word sublime came up in my search for a title and it immediately felt right. The feeling I was sensing and trying to describe was sublime, at least in my understanding of the word which put it at a point beyond beauty. Maybe beauty plus several other layers of feeling.

Every word that came to mind seemed limited to one emotional ray but sublime was a wide spectrum of feeling.

It was already titled when I came across the words at the top from the philosopher Immanuel Kant. His idea of the sublime being limitless and beyond our attempts at imagining it described perfectly my own frustration in the struggle to find words for the wide range of feeling I was sensing in this piece.

It seemed a bit like serendipity that the painting’s title was already Sublime. I still feel frustrated in describing my response to this piece but that word, sublime, covers the bases for me.

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Moments and Color is the title for my annual show at the West End Gallery, located on historic Market Street in Corning, NY. The exhibit opens Friday, July 12, with a reception that is open to all and runs 5-7:30 PM. The show is currently in the gallery and available for previews.

 

Fourth of July

I am not feeling celebratory on this Fourth of July.  I have strong feelings about the ideals of this nation and the recent events here challenge my belief that those ideals can prevail or even merely hold on. There is just a bit too much irony in today celebrating our independence from what we viewed as the grip of cruel tyranny in 1776. We are weakening our country when we accept cruelty and selfishness as an aspect of our governance and national character. And make no mistake about what I am saying, selfish cruelty is weakness and we are witness to that currently. Here’s a post from several years back that I run every now and then on this day, speaking to our better ideals. Enjoy your 4th.

Jasper Johns “Flag”

Another Fourth of July.

Parades. Picnics. Fireworks. Red, white and blue. That’s the shorthand version of this day. The actual meaning of this day is much harder to capture, probably more so for Americans than for those from other countries who view us from a distance. I think we sometimes lose sight of the idea and ideal of America in our day to day struggle to maintain our own lives. But even that struggle is symptomatic of the basis of our nation, reminding us that anything worth preserving requires work and maintenance.

For me,  America is not a static ideal, a credo written in granite that will always be there. It is vaporous and always changing, like a dense fog. But it is an inviting fog, one that is warm on the skin and invites you in with hazy promises of possibility.

And maybe that is all America ever was and will be– the promise of possibility.

Maybe it is the sheer potential of a better and safer life, the possibility of remaking one’s self, that defines our ideal America. We are at our best when we are open and inviting, offering our opportunity and empathy to all. We are a long way from our ideal when we close our doors and try to capture the vapor that is America all for ourselves. It is not ours to hold– we are simply caretakers of an ideal, one that brought most of our ancestors here.

Maybe this doesn’t make any sense. Since it is such a hazy thing, this amorphous fog that is our ideal, we all see it in different ways. This is just how I see it.

Here’s a video of the song America from Simon and Garfunkel, as performed by David Bowie. This is not a flag waving, chest thumping anthem but it speaks as much to the meaning of the American ideal in that simple chorus — all gone to look for America— as the very best Sousa march.

Have a good day.

Well, the work for my upcoming show, Moments and Color, is out of the studio and at the West End Gallery. The show will be completely hung sometime today well in advance of next Friday’s July 12 opening.

It always feels a little weird the first morning back in the studio after delivering a large group of work for a solo show. While it’s a relief to have the work gone and the task met, it is a bittersweet sensation. The paintings that have surrounded me, that have called out at me, that have occupied my mind for months are suddenly gone. It feels hollow here even though the place is far from empty and the work that is gone seems to have left behind an echoing presence.

Some pieces definitely leave behind reverberating waves. Like the one above, a 16″ by 20″ painting from the Multitudes series that I call Soul Boat. It’s a piece that I miss now when I scan around the studio. There are faces in it that I had gotten used to locating and focusing on, like the one here on the right that reminds me of Henry Miller. Maybe he’s sailing out on the Tropic of Cancer or Capricorn.

Don’t know but I kind of miss having him staring out at me.

If you want to have this Henry Miller stare at you for a bit, Soul Boat is now at the West End Gallery for next week’s opening on Friday, July 12. Please stop in and get a sneak peek at the show.

Anyway, here’s an oldie from Grand Funk Railroad that might kind of line up with this piece– if you squint your eyes and try real hard. It’s I’m Your Captain/Closer to Home.

Still Going!

Got a lot to get done this morning but thought I’d pass along a reminder that my 20th annual exhibit at the Principle Gallery is still hanging in the Alexandria, VA gallery. It’s a show that from which I took a lot of pleasure and if you’re in the area, please stop in to take a look.

Gauguin on Doubt

Paul Gauguin- The Painter of Sunflowers 1888

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What still concerns me the most is: am I on the right track, am I making progress, am I making mistakes in art?

-Paul Gauguin

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I am in the last day of prep before I deliver my show to the West End Gallery. I am in my 25th year at this gallery where I first started publicly showing my work and this is what I believe to be my 18th solo exhibit. But even with all that experience there is always an element of doubt present when I am getting ready to deliver paintings to a gallery.

It’s just a natural state of being. At least, for me.

I used to worry that my own judgement of the work was flawed and that this would be obvious once it was hung on a wall outside my studio. My inadequacy would be on public display for all to see.

That feeling never fully goes away and on these last days of prep, this insidious doubt always creeps back in.

But time has made me adhere to the words above from Paul Gauguin, under his 1888 painting of Vincent Van Gogh.

You do what you can do. You try to do a bit better each time. You discard those things that don’t work and grow the things that do.

And you live with that.

Okay, got lots to do this morning so I am out of here. And I think I am leaving my doubts right where they are. Don’t need them today.


I am moving right along with my prep work for my new solo show at the West End Gallery, Moments and Color, that opens in a little less than two weeks from now. I deliver the show early this week, before the July 4th holiday on Thursday, so this weekend has been a busy one as the work goes into their frames and mat and glass are cut.

I think I’ve probably described this final prep time preceding a show before. Even though I can easily imagine how a painting will appear, actually seeing the work fully presented in their frames brings a fuller dimension to each piece. It also gives me a better idea of how the show will coalesce and hang together on the gallery wall.

Hopefully, it’s a very satisfying feeling. And with this group of work, it definitely is, leaving me eager to see it on the wall.

Anyway, got lots to do still and I am a little frantic. Thought this Sunday morning’s musical selection should reflect that. It’s a neat version of the Ramones punk classic I Wanna Be Sedated from Tim Timebomb, whose music I featured here just a week or so back, along with Lindi Ortega. It’s kind of an unexpected take on the song and one that I find highly entertaining. There are two versions below, the first being the full version and the second containing just the instrumental track, which I liked enough to include here.

The image at the top is a new small piece, The Soloist, that I just finished for this show. Moments and Color opens Friday, July 12, with an opening reception from 5-7:30 PM, at the West End Gallery in Corning.


Tiny Toad Season!

Well, the season is upon us. I am, of course, talking about the annual appearance of multitudes of tiny toads around our property. Every year around this time, a new generation of toads emerges from our pond and begins a migration with an instinctual drive that drives in a radiating arc from the pond. These little guys, maybe about 1/4″ in size, are suddenly everywhere, thousands and thousands of them.

Maybe millions. All racing blindly to some unseen destination. I often wonder how they know when to finally stop to make a new home.

It’s really something to see, this frantic drive to survive come to life in the form of these little hopping creatures. There’s something joyful in the whole thing. On the flipside, it makes you appreciate what these toads have to endure to wind up living under a fallen tree in the woods. They are the target of a host of predators who see them as being shrimp in nature’s all you can eat buffet. There are spots where I can see several crows on the ground along our driveway next to the pond for most of the day, along with our resident flock of wild turkeys.

Plus, these tiny toads have to simply survive crossing the driveway. Going up and down our driveway becomes a long slow journey this time of the year as we creep along in our vehicles, hoping to give the little guys a chance to avoid the crush our tires. Walking to the studio starts to feel like I am walking through a minefield. As I begin to lower my foot, the ground beneath it suddenly comes alive with a bunch of these guys bouncing in all directions. The short walk through the woods becomes a halting slow slog.

I guess I could just look straight ahead and let the chips(or toads in this case) fall where they may. But I appreciate their journey, their will to survive and the benefits of the natural pest control they provide by eating so many insects. When I come across a large mature toad now, I have a lot of respect for it, knowing how much it has endured to get to this place.

Actually, on another subject, the term toady has been in the news lately as the G20 Summit is taking place in Tokyo. Our representative, the president*, has forsaken our normal role as the leader of free democracy in the world since WW II and taken a more subservient role to the autocrats and dictators he encounters. He jokes about interfering in our elections and getting rid of journalists with Vladimir Putin, a man who heads a regime known to be responsible for the deaths and disappearances of journalists as well as overt cyber warfare– an actual act of war– on our election system. He kowtows to the Saudi prince, defending him against the UN charges that he is responsible for the gruesome death of Washington Post journalist Jamal Khashoggi. And he tries to rekindle his sophomoric bromance with the North Korean leader Kim Jong Un by offering to meet him for a handshake with him at the DMZ between North and South Korea.

Maybe they should meet on top of the Empire State Building on Valentine’s Day?

So, you can see where toady might come up. It’s a term that comes from the 19th century when charlatans were traveling around the countryside peddling questionable tonics and remedies. The medicine man would first have an assistant eat a toad because they were widely believed to be poisonous. He would then drink the tonic to show it’s wondrous ability to stave off the toad’s poison.

Thus, the term toady was born.

Synonyms for the term include: sycophant, obsequious, creep, crawler, fawner, flatterer, flunkey, lackey, truckler, groveler, doormat, lickspittle, kowtower, minion, hanger-on, leech, puppet, stooge and spaniel.

They all seem to fit our fearless leader in Tokyo.

Sorry to editorialize this morning. Now, I am off to work. Or maybe I will go out and watch these tiny toads. Either way, it’s better than being a toady.

Dream in Sight

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“A man must dream a long time in order to act with grandeur, and dreaming is nursed in darkness.”

― Jean Genet

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I came across this quote and it made me stop. When he said that dreaming is nursed in darkness, was Genet saying that we must sleep more in order to be able to dream more? That didn’t sound right to me.

More likely he saying that we must stumble through much darkness, not sure of where we are or where we are headed, in order to achieve our dreams. Maybe it is this time spent maneuvering in darkness that gives us the courage to act on our dreams.

That makes more sense. Following that dream for a long time, never seeing it fully in the darkness, makes that elusive dream more precious and gives one a sense of urgency in achieving it. When the possibility of the dream coming to fruition is finally upon them they are not afraid to take action. They can then act with grandeur, as Genet put it.

That sounds better but what do I know? It’s 6 AM, I am tired to the point I can feel the dark rings under my eyes, and I am thinking about Jean Genet and dreams. Even the tiniest act of grandeur doesn’t seem too probable at this point.

But I think I understand this struggle to follow our dreams, to become what we truly want to be. It’s easy to lose sight of our dreams when we are stumbling in the inky darkness. Once they move away from us, they often are lost forever.

That’s sort of what I am sensing in the new piece above that is included in my upcoming West End Gallery show. It’s a smaller painting, 6″ by 10″ on paper, that I am calling Dream in Sight. It’s one of the pieces from this show that are a nod back to my earlier work. Perhaps the moon represents the dream here, rising and falling through the darkness. Sometimes it doesn’t show at all. Other times, it only shows a smaller part of itself.

And it always seems so distant yet so near.

Hmm, I have to think on this. Or take a nap and dream a bit more.

Have a great day.

 

 

I recently saw an article about classic album covers and it made me think of some of my favorites. Albums like Quadrophenia from The Who, the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band or Led Zeppelin’s first album with the burning Hindenburg all jump immediately to mind. While I was thinking about this my eyes settled on another album resting on a table in the studio, my own small contribution to album cover art.

It’s from a 2012 album, Lowe Country. It was a tribute album by various artists, mainly alt-country and Americana, covering the songs of Nick Lowe. It features a piece of mine from about 1998. As you can see, it is before the Red Tree emerged.

At the time, I didn’t realize my artwork was being used on the album and was alerted to it by the son of a gallery owner friend who lives on the west coast. He had seen it in a record store and immediately identified the album cover as my work. Turns out the painting used on the cover was purchased years ago by the owner of the record company, Fiesta Red. He properly credited me on the cover and sent me a few CDs and a vinyl version with what I believe to be a pretty nice cover.

Looking at it pleases me. I am also pleased in knowing that it is, more that likely, in Nick Lowe’s record collection as well. Big fan here.

Here’s a track from the album from Lori McKenna who is a singer/songwriter and a two time Grammy winner, most notably for her song Girl Crush. I don’t know much about contemporary country but even I have heard of that song. This is Nick Lowe’s What’s Shakin’ on the Hill.

Have a great day!