I was looking at some older paintings in the studios, my orphans as I call them. But some are not orphans, not without a home. Some are just here because they are my own and have some sort of special meaning for me. Such is the case with the piece above, Endless Time. It’s a piece that I consider a link to my earliest works, a reminder of the inner forces that drove me into the work I now do.
Back in 2009, I wrote in a blogpost here about this painting:
This is really a direct descendent from my earliest work that focused on open spaces and blocks of color, work that was meant to be spare and quiet. The weight of the piece is carried by the abstract qualities of the landscape and the intensity of the colors.
With this piece, I have chosen to forego the kinship that the red tree often fosters with the viewer, acting as a greeter inviting them to enter and feel comfortable within the picture plane. In Endless Time the viewer is left to their own devices when they enter the picture. There is no place to hide, no cover. They are exposed to the weight of the sky and the roll of the landscape. They are alone with not a sound nor distraction.
It becomes, at this point, a meditation. One is not merely looking at a landscape. To go into this painting one must be willing to look inside themselves as well.
This painting, like much of my early work, was in large part influenced by a piece of music, Tabula Rasa, from the great contemporary composer Arvo Pärt. It’s a piece that speaks of empty spaces and the meditative quality of silences. The purpose of my work as I saw it at that time was to find silence, to find a sanctuary from the cacophony and discord of civilization. That is still very much the case although the work has evolved in other ways.
I thought for this Sunday morning music I would share another composition from Arvo Pärt which I think also very much fits this piece. It is titled Spiegel im Spiegel which translates from the German as Mirror in the Mirror. Think of an Infinity Mirror where two mirrors facing one another produce an image that is endlessly reflected back upon itself in ever smaller variations until it finally disappears. In some ways, some art serves as an infinity mirror of sorts, I know that this piece does so for me.
So give a listen but be warned that this is a quiet and meditative piece performed with only a piano and cello. If you’re looking for a toe-tapper or a sing-along, you might be disappointed. But like sometimes looking at art, one’s openness and patience is rewarded.
This is the true joy in life: the being used for a purpose recognized by yourself as a mighty one, the being thoroughly worn out before you are thrown on the scrap heap, the being a force of nature instead of a feverish selfish little clod of ailments and grievances complaining that the world will not devote itself to making you happy.
I spent ninety percent of my money on wine, women and song and just wasted the other ten percent.
This is an early Red Tree painting from back in 2001 that is titled Challenger that lives with me now here in the studio. It’s one of a small group of pieces that made the rounds through the galleries over the years yet never found a home. I call them orphans. This particular orphan spent a much longer time in the galleries than most, only coming back to me a couple of years ago. It drew interest a number of times yet never made that final connection.
Just a short entry today for Father’s Day. It probably seems like a questionable choice to select Papa Was a Rollin’ Stone from the mighty Temptations as the song for this Sunday. It’s a song about an absent father and his son who is trying to discover who and what his father truly was. Not deeply sentimental and definitely not warm and fuzzy.
Everyone has his own specific vocation or mission in life; everyone must carry out a concrete assignment that demands fulfillment. Therein he cannot be replaced, nor can his life be repeated, thus, everyone’s task is unique as his specific opportunity.
She had studied the universe all her life, but had overlooked its clearest message: For small creatures such as we the vastness is bearable only through love.
Each man has his own way of being himself and of saying it so ultimately that he can’t be denied.
Yet another mass killing right here in the the good US of A, this time in Orlando. 50 dead and another 53 wounded, many in critical condition.