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Posts Tagged ‘Alexandria VA’

 Myers- Solitude and ReverenceSilence and solitude seem to be the theme this week on the blog.  Well, most weeks, I guess. Today, I am featuring a new painting that will be part of my Native Voice exhibit opening three weeks from today on June 5  at the Principle Gallery in Alexandria.  It is a 24″ by 36″ canvas and is titled Solitude and Reverence.

It’s a painting that has really hung with me here in the studio, my gaze often going to it through the day as I work on other things.  There’s a sense of fullness and completeness, a quality I can’t fully describe here,  in it that pleases me, that makes me want to study it and absorb it a bit longer.

Perhaps it is because I feel that this painting is even more personal and self-referential, seeing myself as the Red Tree, isolated in the solitude of my work which is symbolized by the field rows between me and the  houses and road in the foreground.  It is a pleasant isolation, a voluntary withdrawal from the rest of the world.

I suppose I should say the world of man because there is no withdrawal from the world.  In fact, there is a more intimate relationship with the natural world which brings about the reverence referred to in the title.  I see it in this painting in the landscape spreading out in the distance and the radiating light and color of the sky which seems symbolic of the greater power and mystery of the natural world.

I sit here now and there is so much more I could write about this piece but it all seems so futile when I can just look at it, knowing everything in a glance that I could struggle for hours to say so poorly with words.

And maybe that is the message here– that we should simply shut up and take in the world in a reverent quietude.

I will do that now…

 

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GC Myers- RootedIn this new painting, a 10″ by 30″ canvas that I am calling Rooted, the Red Tree steps aside and allows the Red Chair to take centerstage.

The title is an obvious reference to the Red Chair’s most frequent interpretation as a symbol of family and ancestry, with the dark tree that holding them looking in a way like a pedigree chart with branches coming off the main root and branching out.  The path that disappears in the distance could be  referring to the journey that the family tree took at an earlier time, perhaps emigrating from a distant land.

But for all its symbolism, I feel the strength of this piece is more from a visual fulfillment in the way the tree’s trunk and branches break up the picture plane into little islands of light, as though I am looking down on it from above and the tree transforms into a river with the branches becoming smaller streams feeding into it.  Thus, the Red Chairs are not growing away from the earth but are flowing back toward it.

There are a lot of things happening in this modest piece. Even now, looking up at it as it rests on the fireplace here in the studio, I find myself taking in different aspects of it that send my mind in new directions. And I like the fact that it can be simply what it is or can move me into a completely different realm of thought.

Rooted will be part of my show, Native Voice, opening June 5 at the Principle Gallery in Alexandria, VA.

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Theodore Rousseau- Under The Birches  1842

Theodore Rousseau- Under The Birches 1842

It is better in art to be honest than clever.

–Theodore Rousseau

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Theodore Rousseau (1812-1867) was part of the Barbizon school of painters, an art movement in 19th century France that was instrumental in moving away from from formalism and towards naturalism and artistic expression of emotion.  It was very influential on many of the painters who later created the Impressionist movement.

Rousseau and Jean-Francois Millet, best known for his peasant scenes, were the two artists from this school whose work really spoke to me, seeming to have honest emotional content in them.  Perhaps that is why his short quote resonated so strongly with me.  That and the fact that I have found myself less impressed with cleverness than honest expression through the years.  I have always believed that art comes from tapping into the subconscious, something other than the part of our brain that produces conscious thought.

I guess I just don’t think we are that smart.  Or clever.

I know I am not.  My work is at its best when it comes from a place of honesty and real emotion, when it is made with more intuition than forethought.  When it is too thought out and directed it begins to feel stilted and contrived, losing its naturalness and rhythm and becoming heavy-handed.

That is probably the reason I tell young or beginning painters to focus not so much on the actual idea of a painting but more on things like paint handling and color quality, those things that make up the surface of a painting and convey the real meaning of the painting. And I think that is what Rousseau was probably getting at in his terse quote.

But maybe not.  Like I said, I am not that clever.

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GC Myers- ReflectingThis is a new painting that has been grabbing my eye here in the studio lately.  It’s a 16″ by 20″ canvas that I am calling Reflecting for now.  It will be included in my solo show, Native Voice, at the Principle Gallery in Alexandria which opens June 5.

The title comes from the light and form of the arc of the foreground that seems to be reflecting the light and form of the moon above.  But it is also refers to the posture of the Red Tree as it seems to be gazing  into the sky.  For me, it has a feeling of  great pondering, of both looking outward and inward.

Reflection is, after all,  the act of turning one’s thought on itself to discover its true reality, like looking in the mirror and wondering who the hell that person is who is looking back at us.  The Red Tree here is a reflection of the moon which itself reflects the greater power of the sun which, in a way, might reflect the ultimate power of the universe. And maybe that is what this is ultimately about–  looking for traces of that universal power in our  earthly self.

I will have to reflect on that for a bit…

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GC Myers Conquest  smConquest is one of those words that have grand connotations, often thought of it in terms of strength and domination, of empires and battles between nations and ideologies.But it can have a much smaller, more personal meaning as well, one where it is all about overcoming those things that keep us from becoming the person we ourselves as being.

Fear, for instance.

And that’s the meaning I see for myself in this new 24″ by 30″ painting, Conquest, part of my June show at the Principle Gallery in Alexandria.

It feels as though the Red Tree is in a moment of personal conquest, perhaps even epiphany.  It has overcome the struggles of the journey, symbolized by the path and fallen tree as well as the worked rows of the field, to reach a point where it can reflect back on it all, seeing in the clear bright light the realization of earlier, distant hopes.

These moments of conquest may not appear as epic moments for all to see. Personally, the times when I have most felt this feeling have not been grand moments of statement at all. There are few of those moments in most lives. Rather, they are often small and personal- a quiet and sudden recognition that I am at some point that seemed out of reach earlier in the journey.

In that moment, there is instant reflection on what led to this point.  The earlier fears that seemed like shackles now appear as harmless boogeymen, mere figments of imagination hidden in the dark.  But in the bright light the darkness recedes, revealing new horizons to move toward.

One person’s triumph over their fears is perhaps as large a conquest as that of any empire.

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Photo Courtesy of Jessica Braun

Photo Courtesy of Jessica Braun

It was a really nice time in Alexandria yesterday, doing my annual Gallery Talk at the Principle Gallery, an event we started doing in conjunction with the King Street Arts Festival twelve years ago.   Got to spend some time with Jessica, Pam and Clint at the gallery which is always a treat.  The actual talk, despite my normal pre-talk trepidations, went really well.  At least that’s what people tell me– I never trust my own judgement on those things.  But it was a full house with many familiar faces mixed with many new, a great group that made my job fairly easy, allowing me to be myself and be open and forthcoming.  Of course, in the aftermath, I  realized that I had missed several points and questions of my own  that I had wanted to address but that’s okay as the voids were filled with their questions.

Sometimes, these questions from the audience are the best part for me and probably for them, as well.  It is often the moist revealing part of the talk.  After talking about how my fifth-grade art teacher had been a big influence on my work, especially the Archaeology series,  a question came forward asking what advice I would now give to my fifth-grade self.  My response was that I would tell myself to believe that I had a voice that was unique, that I had something to say to the world.  I went on to talk about what finding this voice in art has meant to me, about how it empowered me and made me feel as though I had a role, a purpose in this world.

There’s more I could have added but that will have to wait until the next time.

The talk ended with the drawing for the painting and for several other gifts.  That is always a lot of fun for me and for the audience.  Well, at least the ones who win.  I tried to tell them how much this giving meant to me, how I was actually the one who was walking away with more than I came with.  That is absolutely true and for that I thank every one of those folks who chose to spend part of their Saturday with me at the Principle.  The inspiration you provide is worth more than I can ever give in return.

And, of course, to Michele and the crew at the Principle, so many thanks for everything they have given me through the years– friendship, encouragement and a place to let my voice speak freely.  It is more than appreciated.  So, for some  music, as is the norm on a Sunday morning here, I am sending out La Vie En Rose from Madeleine Peyroux.

Have a great Sunday…

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GC Myers- Blue Night Discovery

GC Myers- Blue Night Discovery

I have a small group of new work accompanying me to the Principle Gallery this Saturday for my 1 PM Gallery Talk there.  There are also two older paintings, one a piece that I wrote about here a couple of weeks ago, The Elusive Path.  It is from 1990 and is one of the first Red Tree paintings but was trapped in a bad frame that sapped away much of its potency.  A new and more fitting frame has allowed its true self to shine through.

Another older painting that will be coming with me is shown above, Blue Night Discovery.  Unlike The Elusive Path which had a horrible dull green-blue frame, this painting had a decent looking frame.  The problem was that the mat surrounding this painting on paper was extra wide and the frame was massive.  It was huge and cumbersome, much too weighty for this work.  The framed piece felt like a slab of rock when I would pick it up and I seldom looked at it because it was such a chore to drag it out.

It was buried in the very thing that was supposed to set it forward and present it in its best light.

GC Myers- The Elusive Path

GC Myers- The Elusive Path

I had went through a period of these large, heavy frames and extra wide mats and over the years I have changed most of these paintings back to smaller, more reasonable frames that don’t overwhelm the painting.  So many so that I have a huge stack of these massive frames in a basement room.  There’s enough wood there to build an addition on my studio. Looking at these frames,  I can now safely say that the idea of these wide mats and heavy frames was a misjudgement on my part.

But there is a bright side to this realization.  For all of these frames, the  paintings that had been held captive have almost all found new homes soon after being re-presented in a manner that allows them to show what they really are, to let them exhibit their own qualities.  Seeing Blue Night Discovery out of that huge frame let me see it with cleared eyes not distracted by a setting that had little to do with the piece itself.  I had discounted this painting in my mind for years because of this distraction but now saw the strong forms and saturated colors, the contrasts of the dark of the  blues against the light light of the moon.  It made me remember the time when I had painted it and those positive feelings to which it had given rise.

It seemed new again in my eyes.  All because it was in a new position, a gem in its proper setting.

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They who give have all things; they who withhold have nothing.

–Hindu Proverb

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"Brilliant Determination"

“Brilliant Determination”

I have given away or will be giving away several paintings recently at talks at the galleries that represent my work, including the painting shown here on the left at the Principle Gallery in Alexandria this coming Saturday.  I have described this as an act of gratitude towards the folks who have supported me so well through the years, buying my work and following its growth in the galleries and here online.  This is true, it is an act of gratitude but it also has more meaning than that for me.

It is a small act of giving that is part of a larger battle against the selfishness and meanness of spirit so evident in the world.  I am not exempt here.  I have been a selfish person in my life, probably more so than I would ever admit or know.  And I will probably be selfish in the future even though I try to avoid this pitfall.  But with each small act of giving, of parting with something that I could easily hold onto covetously, there is a lightening of my burden and my spirit.

Generosity forces down many of the meaner parts of myself and creates space within for those better parts to expand and show themselves.  It is an exhilarating feeling, a feeling of liberation from my baser self.  So much so that these events where I give away paintings have become the highlight of my working life.

I think that is why I take so much time and effort in choosing the painting to be given away.  I have to find that piece that I could easily hang onto for myself.  It has to make me twinge a bit, make me a little uncomfortable to give it away.  But once that decision has been made, the lightening begins and I am eager to see where the painting will find a new home.

So, if you can come to the talk on Saturday, know that if you win you are helping fight my battle against selfishness and bringing me great joy.  Even more so if the painting brings you some joy of your own.

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"Brilliant Determination" - GC Myers

“Brilliant Determination” – GC Myers

Well, I finally made my choice for the painting to be given away in a drawing at this Saturday’s Gallery Talk at the Principle Gallery in Alexandria.  It was a tough decision that came down to two pieces that both have a lot of meaning for me.  But when it came right down to it, this painting, Brilliant Determination, seemed more appropriate for the event.  It has the Red Tree in a windswept posture in a simple composition that is supported by a deeply textured background that sets the emotional tone for the painting.  The strong texture of this piece has always drawn me in, connected me to it.  One criteria for giving away work has been met– this painting has meaning for myself.

Another criteria is that the painting be a real painting.  It must have real value, be a painting that I would gladly exhibit and not a studio failure that is one step from being tossed into the fireplace.  This 16″ by 20″ painting on canvas meets this requirement easily.

I thought enough of this piece to have written about it here a few years back.  Here’s what appeared in that blog entry:

 

If your determination is fixed, I do not counsel you to despair. Few things are impossible to diligence and skill. Great works are performed not by strength, but perseverance.      

– Samuel Johnson

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I’ve been thinking about determination a lot lately.  There are times when nothing seems to come easily and it seems like there are any number of things that would be more enjoyable than struggling forward with your chosen endeavor.  But in the end you force yourself ahead.  There’s a greater satisfaction in struggling with that which you have chosen and feel is meaningful than in doing something that means little to your inner self even though it is easier and, in many cases, more entertaining.

This is something I keep in mind when I’m in the studio.  There are many days when nothing comes easily, every stroke is like lifting a heavy weight and inspiration seems to have left the building long ago.  In these moments self doubts begin to stir and I seriously wonder if I have reached an end to my creative life.  It’s like a dull pain that seems like will be with me forever and there are points I want to stop.

But I remember that this is the path that I chose to follow.  With that recognition I am reminded of other times when I have been at this point before and I know, I just know, that if I steel my mind and force myself to move ahead, one small step in front of another, that I will come to a point  where all this forced energy builds and builds and suddenly breaks free.  In this moment of release, everything suddenly seems effortless and inspiration is everywhere.  It’s like going from the dark depths of a stifling mine to the top of a cool mountain.

And the memory of the toil that it has taken to reach this point fades into the distance.

Until the next time.  And that’s where determination is needed once more.

So, if you can make it to the Principle Gallery in Alexandria this Saturday, September 13th, around 1 PM, you will have a chance at giving this painting a new home.  Plus, there are always a few more surprises.  Hope you can make it!

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GC Myers- Moonshadows

GC Myers- Moonshadows

I am in the midst of preparing a group of work to take with me when I go to Alexandria this coming weekend for my annual Gallery Talk at the Principle Gallery on Saturday.  It’s like a mini-show with some new paintings fresh from the studio including the piece shown here, Moonshadows.  It’s a smaller painting on paper, a 6″ by 9″ image, that moodily focuses on the moon and the  shadows cast from it by the Red Tree and the Traveler on the path.  It’s a simple and quiet piece, one that invites thought.

I have also narrowed down the field for the painting that will be given away in a drawing at the Gallery Talk.  There are two pieces that I am going back and forth on, both having real meaning for me.  As I pointed out before, it’s important to me to give away work that is real and alive at these events and I think either of the two pieces I am considering easily meet that requirement. I will reveal the piece in the next day or two so check back.

Being Sunday it’s time for some music and in keeping with the theme of the painting I chose an older song, Open All Night,  from Bruce Springsteen’s great 1982 acoustic album, Nebraska.  I find it hard to believe that this album is over thirty years old but when I consider how many times I have ran these lyrics through my head as I’ve been driving somewhere, I am less surprised.

Anyway, enjoy and have a great Sunday…

 

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