Posts Tagged ‘Greenland’

This is a new piece, Walking Blues, that is headed to the West End Gallery for the annual Little Gems exhibit, which opens on Friday, February 7. As I have mentioned here before, the Little Gems show occupies a special place in my heart. The 1995 show was the first time my work was ever shown to anyone outside of my family and a very few friends.

It was a life changer for me, the first real big step in moving from what felt like an old life into a new and altogether different life.

And it felt like that at the time. It was abundantly evident for me. It wasn’t one of those things that happens without you really feeling the gravity of what is taking place. I didn’t know where this path would lead me or if I could even stay on it for long. But I knew it was a new path that had, if I was willing to really commit and work for it, the potential to change my life in some way.

And it has.

While this coming show is actually my 26th Little Gems show, it marks 25 full years of doing this, of transforming my feelings into paint, embedding thought into material. Standing at that first one back in 1995, anxiously watching to see if anyone even looked at my work let alone showed interest, there was no idea that it would lead here.

Like so many things, I just didn’t know.

But I am glad for it. And thankful.

Hopefully, I will be reminiscing about that first show on the occasion of my 50th Little Gems exhibit, 25 years (well, actually 24 years) from now.

I don’t know but we’ll see.

Here’s a version of the great blues classic, Walkin’ Blues, whose title I pinched for this painting. It originally recorded by the legendary Robert Johnson but I thought this very unique performance by contemporary bluesman Guy Davis amidst the stark beauty of the snow and ice of Uummannaq, Greenland, 369 miles north of the Arctic Circle fit this little gem of a painting pretty well.

Have a good day.

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Photo by Joe Capra- Scientifantastic   Greenland Ice

Photo by Joe Capra- Scientifantastic Greenland Ice

I was browsing through a few websites that I haven’t been able to keep up with lately and came across this video shot in Iceland and Greenland by photographer Joe Capra aka Scientifantastic.  Capra specializes in ultra  high definition time-lapse photography, cinematography and still photography and has traveled the world for his assignments for clients such as the National Geographic, the Discovery Channel and Animal Planet.  It’s beautifully shot and lushly colored work that has earned Capra a reputation as one of the finest in his field.

This particular film was shot in Iceland and Greenland over the course of ten days as Capra sought to film the Aurora Borealis.  I found it very striking and found much in it that reminded me of some of my own work, particularly the shots that highlighted the starkness of the landscape and those where the color of the scene was transformed by the Northern Lights into odd shades and combinations.  Just a lovely short film with beautiful imagery, one in which I can find lots of inspiration.

For more info on Joe Capra and his work, click here.

Two Lands – Greenland | Iceland from SCIENTIFANTASTIC on Vimeo.

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He draws earth as another might draw the exciting and desirable strong body of a man or woman.  His earth is essentially a naked savage earth living out of doors, not so much a cruel and terrifying savage as a wild and free one.

–Grant H. Code on the work of Rockwell Kent


I’ve written about my admiration for the work of Rockwell Kent here in the past, about how his landscapes have a mystic feel, seeming more than mere depictions of this world.  There is an existential aura about them so that when I look at them there seems to be  an added layer of mood and emotion.  It reminds me of the paintings of Edward Hopper that have that peculiar feeling that hints at more than the scene depicts. 

Some of my favorite pieces from Kent are his Greenland paintings, done during the several extended periods that he spent there during the late 1920’s and 30″s.  The colors are beautiful and clear with subtle gradation in the sky that gives it a light and free feel with massive icebergs and mountain faces providing a wonderful counterweight.  As the writer Grant Code wrote above in 1937, Kent  depicts a landscape that is wild and free, not a cruel and terrifying savage.  It’s just spectacular work that has an ethereal air that I can only hope for in my own work. 


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