Feeds:
Posts
Comments

Posts Tagged ‘Principle Gallery’

Four Front -2003

Yeah, you read that right, I’m willing to sell off some orphans.

Don’t worry, I’m not really a heartless bastard. I’m talking about a handful of my paintings that have shuffled around the country over the years and somehow found their way back to the studio. I consider these paintings my orphans.

A Time For Reflection-2002

There is a special small group of paintings that are accompanying me tomorrow when I head down to Alexandria for my Gallery Talk at the Principle Gallery. They are primarily older pieces that, while I like having them around here in the studio, I would like to have a home where they can get the attention that I feel they deserve from fresh and appreciative eyes that look at them on a regular basis.

A home where they can do the job they were meant to do, to fulfill their purpose

Some of these paintings in their first trips through the galleries were saddled by framing that didn’t suit the work. Tow had thick, heavy frames and extra wide mats that created a distraction from the actual work and overwhelmed the images.

A couple are favorites of mine that just never caught the right person’s eye.

And a couple have been with me for so long that I can’t figure out why they’re still here. For instance, the painting at the top of this page, Four Front from back in 2003, falls into this category.

These paintings are only going to be there for my time in the gallery on Saturday and are specially priced. If they don’t find a new home, they come back to the orphanage–er, studio.

Look at these little guys and tell me that they don’t deserve a home to call their own.

You Can Win This Painting!

So, try to get into the Principle Gallery tomorrow, Saturday, September 16. The orphans will be on display along with new work from the studio. The Gallery Talk begins at 1 PM and concludes with a free drawing for those in attendance for the painting shown here, The Warmth of Breath. Plus, there are a few more surprises that I don’t want to divulge here.

I am anticipating a good time with good questions and a lively conversation so I am hoping you can take part tomorrow. I suggest getting there early for a good seat. Plus, you can take a look at my orphans. Look forward to seeing you there!

In the Window: The Vigil 2005

In the Eye of Grace- 2006

No Mail- 2010

Call to Waking- 2011

The Journey- 2006

Read Full Post »

“Breath is the bridge which connects life to consciousness, which unites your body to your thoughts. Whenever your mind becomes scattered, use your breath as the means to take hold of your mind again.” 

― Thich Nhat HanhThe Miracle of Mindfulness

**********************

This gets harder and harder all the time.

I can’t describe the knot I get in my gut when trying to pick a painting that is given away at the end of my Gallery Talks. I really agonize over this choice, wanting to make sure that the selection is truly substantial, really representing my work and having enough meaning for myself that it hurts a bit to give it away. This choice hit all those points dead on for me.

The painting for this Saturday’s Gallery Talk at the Principle Gallery is The Warmth of Breath, coming in at 16″ by 20″ on canvas.

I am not sure my photography on this painting does it justice, especially in capturing the depth of color. I consider this a very representative piece for my body of work. It is simply constructed with deep colors and texture as the  signature Red Tree casts itself across the face of the Sun/Moon. It’s a painting that seems to draw my attention, the warmth of it always making me stop to consider it if only for a short moment. The title refers to the thought of being self aware, of recognizing the breath of life that flows through you and bonds you with all living things.

There is, for me, a real meditative feel in this painting, one that calms me greatly. I am hoping that it does the same for someone else after this Saturday.

So, to recap, this Saturday, September 16, I will be giving a Gallery Talk at the Principle Gallery in Alexandria. The talk starts at 1 PM and if you are in attendance you will have a chance to win this painting. Plus, there are a few twists I have planned that I can’t disclose here but I think will please those at the talk.

It could involve card tricks, juggling, mind reading, interpretative dance, yodeling or a combination of all of these things.

Or not.

You will have to come to the Principle Gallery on Saturday to discover what I mean.

Hope to see you there.

Read Full Post »

“As he was about to climb yet another dune, his heart whispered, “Be aware of the place where you are brought to tears. That’s where I am, and that’s where your treasure is.” 

― Paulo CoelhoThe Alchemist

*******************

This is another new painting, 4″ by 18″ on paper, that is part of the new group of paintings that will be coming with me to the Principle Gallery on Saturday, where I will giving my annual Gallery Talk beginning at 1 PM.

I call this piece All the Treasure of the World. It’s a continuation of the theme that I featured here a few weeks back in an entry about Acres of Diamonds, the story of an African farmer who sold his land to seek wealth far and wide without realizing that the actual treasure was in his original land.

The difference here is that the definition of treasure is altered from wealth in the form of diamonds and gems to the real treasure that is contained in personal contentment and a deep emotional bond with one’s life and the surrounding world.

Instead of mining for diamonds and gold, one sees the wealth found in being able to watch a cloud lazily meander across the sky.

In the beauty of a field filled with flowers or the gentle curve of a path that takes you home.

In the tears that come with memories of joy or sadness. The tears that come from the recognition of one’s own humanity.

Maybe that’s a lot to ask for in a simple painting but I see these things in this piece. And I feel better for it, understanding in a way where the real treasure lies.

**************

GALLERY TALK

at the

PRINCIPLE GALLERY

SATURDAY, SEPTEMBER 16 AT 1 PM

GOOD TALK, PAINTINGS, PRIZES AND MORE!

WIN A PAINTING!

Read Full Post »

The past is our definition. We may strive with good reason to escape it, or to escape what is bad in it. But we will escape it only by adding something better to it.

Wendell Berry

***************

I finished this 40″ by 16″ canvas just the other day, readying it to take with me to the Principle Gallery for my Gallery Talk on Saturday. It was one of those times where the painting itself felt good and invigorating, to the point that I wished there was more to do when I was done with the painting.

Everything came easily and every stroke seemed to add something evident and valuable to the piece. There was no struggle to try to determine what path to follow- it all was there waiting for me to simply take action.

That’s a rare and wonderful moment, at least in my experience.

That ease of process normally shows in the final product. It doesn’t seem worked over and has a freshness in its color and line rhythms. I think that holds for this painting, at least to my eyes which I admit may be somewhat biased.

The meaning that I have attached to this painting adds to to my pleasure in it. A lot of what I see can be gleaned from the words at the top from poet Wendell Berry. I see this as about how one rises above their environment, their past, their failures, their shortcomings and the examples set by those around them.

Betterment.

Trying to be better at whatever they choose, be it their jobs or relationships or their knowledge of the world around them.

Just being a better person, allowing yourself to rise to new heights where you can see beyond the encroachment of the past and the obstacles of the present.

I call this painting Above and Beyond.

Read Full Post »

Memento mori-remember death! These are important words. If we kept in mind that we will soon inevitably die, our lives would be completely different. If a person knows that he will die in a half hour, he certainly will not bother doing trivial, stupid, or, especially, bad things during this half hour. Perhaps you have half a century before you die-what makes this any different from a half hour?

Leo Tolstoy

*******************

I am bringing a group of selected paintings with me to this Saturday’s Gallery Talk at the Principle Gallery that will only be available for that day.  Going through a few paintings I came across the painting above that has lived a quiet life with me for many years now.

It is a 16″ by 20″ oil on canvas painted in early 2001. Titled Blaze a Trail it was hanging in the Principle Gallery on September 11, 2001, that sad day that still haunts our country these sixteen years later. I don’t like to commemorate it outside of thinking about the tragedy of the lives lost that day. But for some reason this painting reminds me of that day, even more so that the work that emerged in the time after the tragedy that was a direct reaction to it.

It has become a sort of memento mori  for me, a reminder that we never know when death may visit each of us. Maybe that’s why it has spent it’s life with me–since soon after September 11th so it’s about 16 years now– with its face to the wall, away from my eyes. When I would go through the stack that held this piece I would shuffle by it quickly, hardly taking it in as though I just didn’t want to see it.

But for this show I pulled it out and left it so that I couldn’t help but see it on a regular basis. At first, I felt a mild discomfort with it that tainted how I saw it. But the more I looked at it, the more I was able to look past the day I had attached to it and see what I saw in it before that day. Ans I saw that there was much to like. I liked the rhythm of it, in the bend of the tree and the roll of the landscape. I liked the darkness behind the orange in the foreground.

Most of all, I liked seeing the dislodged paint brush bristles that were embedded in the paint of the sky. I ran my fingers over them this morning while looking at the painting and it touched me that they were a direct link back to when I was working on it in the months before September 11, a time that seems ages ago and naively innocent now. Those bristles were of that time and touching them made me remember how very good and creatively energetic I felt in those days.

And in that instant, this piece no longer felt like a memento mori reminding me of  our mortality. No, it felt much more akin to its title, Blaze a Trail. It felt like a celebration of  life and embracing fully the time that remains.

It is now for me as much a memento vitae– a remembrance of lifeas it was a memento mori.

I am still deciding if I will bring this piece with me. I have mixed feelings. We’ll see…

Read Full Post »

The painting shown here is new and will be accompanying me next Saturday, September 16, to the Principle Gallery for my annual Gallery Talk there. It’s 11″ by 15″ on paper and is called The Understanding.

It’s a piece that that has really appealed to me in the studio over the past few weeks as I have been able to take it in. It has a sense of what I think is understanding in it. Not knowledge or wisdom but simple understanding. Just a moment of self-realization of knowing that you are a part of this world, a piece of the puzzle. There are no answers attached but there is solace in knowing that you have a place in this world in which to stand just as you are. A sense of belonging without answers or wisdom or any knowledge of the world beyond that which immediately surrounds you.

I was trying to find a piece of writing that fit this thought and came across the following from the classical Greek philosopher Socrates. It very much summed up what I was thinking as a result of this painting. Plus, as an artist, I have sometimes been given the benefit of attributes that I haven’t earned simply because people see my own desire for those things in my work. I want wisdom, I want inner peace and goodness but, to be honest, I don’t know how to get to that point and may not even know those things when I come across them.

As Socrates says:  I am strongly convinced that I am ignorant of what I do not know.

That’s understanding.

__________

“I examined the poets, and I look on them as people whose talent overawes both themselves and others, people who present themselves as wise men and are taken as such, when they are nothing of the sort.

From poets, I moved to artists. No one was more ignorant about the arts than I; no one was more convinced that artists possessed really beautiful secrets. However, I noticed that their condition was no better than that of the poets and that both of them have the same misconceptions. Because the most skillful among them excel in their specialty, they look upon themselves as the wisest of men. In my eyes, this presumption completely tarnished their knowledge. As a result, putting myself in the place of the oracle and asking myself what I would prefer to be — what I was or what they were, to know what they have learned or to know that I know nothing — I replied to myself and to the god: I wish to remain who I am.

We do not know — neither the sophists, nor the orators, nor the artists, nor I— what the True, the Good, and the Beautiful are. But there is this difference between us: although these people know nothing, they all believe they know something; whereas, I, if I know nothing, at least have no doubts about it. As a result, all this superiority in wisdom which the oracle has attributed to me reduces itself to the single point that I am strongly convinced that I am ignorant of what I do not know.”

Socrates

Read Full Post »

Solitude is not something you must hope for in the future. Rather, it is a deepening of the present, and unless you look for it in the present you will never find it.

Thomas Merton
******************

I am doing my annual Gallery Talk at the Principle Gallery next Saturday, September 16.  As I mentioned in yesterday’s post, this will be fifteenth year for this talk at the Principle.  One of the challenges in doing a talk like this year after year is keeping it fresh and interesting so that every version has something new to offer. A new story. A new idea about the work. A new thought on perception and art. Just something new.

It’s sometimes difficult and I have found that some years are more successful than others in accomplishing this goal. It seems that the ones where I am at my most open and honest are the ones that flow and resonate best. And those ones seem to come when I am most at peace with myself, comfortable in my life of solitude.

At the moment, I feel pretty good and expect that to show in the upcoming talk but time has taught me that this inner peace can evaporate in mere moments. But for now, all signs indicate a good talk.

As with all of my talks, there is some conversation,hopefully some laughs and a few prizes at the end. Plus, I generally try to bring a small group of new work and a few hand-picked pieces from the studio that are available only on the day of the talk. Many of these are pieces that I feel have been overlooked and have meaning for me. having them at the talk allows me to talk a bit about them and give a little insight into how I view them. Context, I guess.

One of the new paintings is the small piece at the top, 4″ by 7″ on paper, with a title, Deepen the Present, that is taken from the Thomas Merton quote above. I like the thought behind his words, that solitude is not something that you can plan for in the future, that it must be taken hold of in this present moment.

And why wouldn’t you? The future is a perilous voyage away, with no guarantees. The present is at hand with all you need. Find your solitude now.

Hoping you can get into the Principle Gallery for the talk…

 

 

 

Read Full Post »

Here’s an update for upcoming events on my schedule for the next couple of months:

First, on August 5, I will be giving a Gallery Talk at the West End Gallery in conjunction with my show, Self Determination, that is currently hanging there. The talk begins at 1 PM and generally runs about an hour, give or take. As is now tradition, one of my paintings will be given away to one of those in attendance, along with several other surprises that are currently in the works. This is normally a brisk hour of questions and answers with some laughs along with some serious moments. If you have questions about the whats, whys and hows of my work, this is a great way to have them answered. Plus, you might cart off a piece for yourself!

Then the following month, on Saturday, September 16th, I take the Gallery Talk on the road down to the Principle Gallery in Alexandria, VA. This is the 15th year for this annual talk and, like the West End talks, features a drawing for one of my paintings along with some other surprises. There is generally some fun and a few revelations. I am always surprised at how much I learn from these talks myself from the input and insight provided by the audience. This talk starts at 1 PM and goes to around to 2 with the drawing at the end of the talk.

Sunny Point on Keuka Lake

And in late September, I will again be leading a painting workshop at Red Barn at the lovely Sunny Point location on beautiful and tranquil Keuka Lake in NY’s beautiful Finger Lakes region for the Yates County Arts Council. The past two years doing this have been an unexpected pleasure for me and I think this year’s edition will be a couple of days of fun, good conversation and, hopefully, some useful instruction. The dates should be finalized this week and details will be forthcoming. Most likely, this two day workshop will take place in the last week of September. Enrollment is limited to 8 or 9 attendees so, if you are interested, don’t hesitate in getting in touch with Kris at YCAC  to get your name on the list.

Hope you make it to one of the talks or to the workshop. I think it could be a lot of fun.

Read Full Post »

My Buddy Chase in front of the work

Back in the studio after Friday’s opening of Truth and Belief at the Principle Gallery. Without hyperbole, I am saying it was a good show and a good trip. As smooth and easy and satisfying as any of the previous 17 shows there. Just plain good. Good crowd. Good conversations with good people. Good feelings about the work.

So when we left yesterday, I can honestly say I felt pretty good about the whole thing. Still do, which is new territory for me. Usually by this morning I am filled with second thoughts about things I could have done differently, words I could have said differently and so on. But for now, I am standing pat with the whole of what happened.

It was good.

I have to send out heartfelt thank yous to everyone at the Principle Gallery. They are a very special group of people. Affectionate thanks to Michele, Clint, Pam, Pierre and Haley for their friendship and encouragement. There’s so much I could say but I think they know how we feel about them.

Plus super thanks to my canine friends, Ash and Chase, who always brighten my visits with their high energy.

I think this show was as honest and transparent an expression of what I hope to be as an artist and a person as I could have mustered. I don’t feel like I am masked behind the work, that I am presenting a facade that misrepresents me. I am hoping that means I am closing in on some elusive and unconscious goal. Can’t say I will ever truly reach it. Might not even know if I do. But for now, the mask feels like its off.

For this week’s music, I have chose a song that sort of fits with that last sentiment.  It’s This Masquerade written and performed by the late great Leon Russell. It is probably best known for the George Benson version that was a huge hit across all of the charts. But I like this version from Leon alone with his piano.

Enjoy. Have a good day.

 

Read Full Post »

I ran this blog entry back in early March but wanted to run it again as we got closer to the opening of Truth and Belief, my solo show opening tomorrow at the Principle Gallery. I wanted to show this painting in its final form with the band of Indian yellow that now surrounds the central image. It was shown without this but I thought that this really added a bold kick to the piece that needed to be shown.

We have to balance the lineality of the known universe with the nonlineality of the unknown universe.

Carlos Castaneda
******************

I am calling this new painting Balance (Known/Unknown).  It is a 14″ by 32″ canvas and will have a slightly different edge detail that I will show at a later date. [It is shown with it here.]

The Carlos Castaneda quote above just reached out to me when I was looking at this piece. The Red Tree here seems to be standing at the edge of the known, the terrestrial world that is defined here with earthy color, solid forms, and dark lines– the lineal universe.  Beyond it the non-lineal universe beckons, represented by a nebulous sky and a sun that acts as an unblinking eye.

It all is very much a metaphor for the purpose of art and that is to act as an intermediary between the known and the unknown, the go-between for that which is of our five senses and those things that go  far beyond those senses.

Things that we feel in an emotional sense.

And that is what art often does, putting the deep feeling of that which we cannot see onto those things that we do see.  It makes the intangible tangible.

That said, I like this new piece and have been enjoying my time with it. Every day I find a new angle within it that gives me pause, that excites me, and sets me thinking. And that is all I hope for in my work.

******************

There is also a nice article on this week’s edition of Technique Tuesday on the blog of the Principle Gallery, Principlearttalk. This article has to do with the history and use of stylization in art using my work as a contemporary example. It’s a good read.  You can go to this article by clicking on the Technique Tuesday image above or by clicking here.

Read Full Post »

« Newer Posts - Older Posts »