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Posts Tagged ‘Principle Gallery’

Every now and then a man’s mind is stretched by a new idea or sensation, and never shrinks back to its former dimensions.

Oliver Wendell Holmes Sr., Autocrat of the Breakfast Table

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This new painting has been capturing my eye in the studio every time I mindlessly glimpse in its direction.  It instantly wakens my mind and sets it into a deeper focus, making me look deeper into the painting as I try to ascertain what is there that has convinced me that there is something more beyond the deepest point in the painting, something that triggers thought and emotion.

It pulls me in and swallows me up.

I don’t know why that is, exactly.  It could be the deep colors or the contrast of the light around the sun/moon/whatever. The simple forms and the depth into the picture plane?

I just don’t know.

But as the quote above from the elder Oliver Wendell Holmes ( the father of the famous jurist who was great man of letters in the 19th century) claims, it creates a sensation in me that stretches me, makes me want to experience it again, makes me want to know more. To feel more. To expand beyond the smallness of who I am now as a human, shedding the baser qualities that have marked me up to now.

And to stay in that expansive state, to not shrink back into that lesser self.

In short, I like this piece. As always, you might not see it this way or see in it anything that stirs you at all. And that is as it should be because I primarily paint for myself, paint to satisfy my own needs and desires. The fact that anyone sees something in them is a gift and a surprise to me.

A small miracle, in fact.

So, if you find something in this piece that stirs you, I thank you for creating that miracle so that I might experience it.

This painting, Looking Beyond, is 12″ by 16″ on canvas. It is included in my solo show, Truth and Belief, which opens June 2 at the Principle Gallery in Alexandria, VA.

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Seeking what is true is not seeking what is desirable. 

Albert Camus, The Myth of Sisyphus and Other Essays

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This is another new painting that is headed to the Principle Gallery for my solo show that opens on June 2. The name I chose for this show is Truth and Belief, two concepts that often, especially in this past year of confusion, get jumbled up in our minds

At least, that’s what I believe. It might be true. Or not.

You see, that’s the thing.  We often claim to want to know the truth but what we want is validation. We want a truth that confirms what we already believe to be true.

Unfortunately, that is not always the case.

And in the face of a truth that contradicts their beliefs, some will hang onto their misguided belief with even greater tenacity.  They view the truth at this point as an adversary, something to be overcome or at least pushed aside to make room for their belief.

But truth is always there, like it or not.  It will at some point come into view for all to see, believers and non-believers alike.

And that’s what I see in this piece.  The path going into the picture separates with one branch heading into the forest  where the view will be limited by the trees and the terrain. The other branch follows a route that takes it to a higher point where the view is unobstructed. The truth of that time and place is clear and undeniable despite what one might believe.

Now a disclaimer: I don’t know if any of this is actually true.  But I do believe it to be so. As much as it can be for a schlub sitting in the woods in front of a computer at 6 in the morning. Once I climb to a better vantage point I might think otherwise.

This piece is titled Seeking Truth and is 12″ by 12″ on canvas.

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Today and the next several days ahead are busy for me as I do prep work for the June 2 opening  of my solo show at the Principle Gallery. Even though it’s really hectic it’s not a disorienting kind of chaos. I’ve done this so many times that I understand the rhythm and timing that is required for these preparations.

That knowledge takes care of some of the anxiety but certainly not all of it. Every show has a level of trepidation as you worry about how it will be received. That particular anxiety will never go away and is actually, at least for me, kind of reassuring.  I tend to think that when I stop feeling that tension before a show I will have become complacent.

So, I am currently busy, anxious and worried. In other words, things are going about as good as can be expected.

I thought I’d share a nice video I found of the work of Van Gogh set to Don McLean‘s lovely ode to the artist, Vincent. It’s a very pleasant combination for a bustling Monday morning and definitely eases the nerves.

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9917104-blue-etude-smThis is a new painting, a 4″ by 4″ piece on paper, called Blue Etude.  It’s part of a small group of new work that is included in the Little Gems show that opens this Friday at the West End Gallery.  Twenty two years ago, I showed my work in public for the first time at the Little Gems show. Since that time it has come to be the kick off point for my work year, as it is this year.  It is always one of my favorite shows.

After the Little Gems my next show is my annual solo exhibit at the Principle Gallery in Alexandria.  This year’s show open on Friday, June 2.  This exhibit will be my 18th consecutive show at the Principle, going back to my 2000 show, Redtree, one that marked the real beginning of my now signature Red Tree.  My life would be much different without that show.

This is also an important show for me because it requires so much effort and focus, it sets the tone and determines the course for  my entire year.  It is also the show that normally unveils any new directions for my work.

This year’s show is titled Truth & Belief.  These two concepts have been in my thoughts for some time now and I find myself trying to find bits of each in my paintings as I work on them.  While I hope truth and belief are forever intertwined as one, it is now painfully evident that this is not always the case.

It’s that difference between the two concepts that hopefully will create the tension, the darkness beneath the light in my work.

My annual show at the West End Gallery opens Friday, July 14.  I have to double-check, but I believe this will be my 50th solo show— obviously not all at the West End! But there have been very many there and, as my de facto home gallery, it is always a very important exhibit for me.  You always want to do well in front of your hometown crowd.

This year’s show at the West End is titled Self Preservation.  More on that in the future!

I currently have two Gallery Talks scheduled. I have come to look upon them as some of the highlights of my year.  I like the challenge of them and the fact that they often are just a lot of fun.

This year’s Gallery Talks are:

*West End Gallery on Saturday, August 5.

 *Principle Gallery on Saturday, September 16.

There are some other things coming.  For example, my work is featured in an article in the Summer edition of Acrylic Artist Magazine. Plus, there are a few other things in the works.

And, as is normal, my work will be regularly on display at the galleries that represent me during those times when I don’t have a show hanging.

I guess I better get to work.

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Even though this post only ran last August, I thought it was worth replaying, if only to remind us to maintain some semblance of civility and sanity in this bitter election season.  I was reminded of this post because the painting featured in it, Raised Up, went with me to the Principle Gallery for my talk there this past Saturday.  It’s a piece that I like very much as is the song at the end from John Prine.  Hope you’ll enjoy them as well…

GC Myers- Raised Up

Practice kindness all day to everybody and you will realize you’re already in heaven now.

Jack Kerouac

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I am not sure what to do with these words from Jack Kerouac but I do like them and think they deserve to be passed along.  I am a firm believer of kindness in all forms and believe that it is a pathway to a better life here in this world.

When I was waiting tables I found that my own attitude and demeanor often dictated how others responded to me.  If I smiled and acted congenially, more often than not the person I was dealing with responded in the same manner.  We are reactionary creatures and we instinctively respond according to the tone we encounter– rudeness with rudeness and anger with anger.

And kindness with kindness.

It’s our choice.  If we can fight against our reactionary nature and choose to act and react with kindness, we can shape our world and then perhaps realize that a form of heaven might be within our grasp.

I have never had the faith or certainty of those who believe that there is an actual heaven waiting beyond this world.  I would like to but I just don’t have it within me.  So, for me, if there is to be a heaven it is something to be sought in the here and now.  By that, I mean creating an environment that is honest, kind and gentle.  A life that is peaceful and quiet–that would be heaven to me.

So, when you’re out there today and face rudeness and anger, make the choice to react in a gentler manner and be kind.  Your world might be one small step closer to heaven.

This quote reminded me of a song from one of my favorites, John Prine.  The title pretty much sums it up: He Was In Heaven Before He Died.

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gc-myers-gallery-talk-2016-smMany, many thanks to everyone who came out to the Gallery Talk at the Principle Gallery on Saturday.  While I wasn’t as sharp as I would have liked, everything (including the giveaways at the talk’s end!) went off really well and it was great to speak with so many folks that I only get to see once in a great while.

I don’t know if I can really ever fully explain how important these talks have been for me.  It’s not only for the wonderful feedback I receive about the work which helps me see the paintings in the way others do but in the way it allows me to express my gratitude for the life that their appreciation of my work has given me.  These talks allow me to see how fortunate I was to have fallen into this life.

So,  a deep thank you to everyone there, including my good friends at the Principle Gallery– Michele, Clint, Pam, Haley and Pierre— who allow me to feel at home in their space with their warm friendship.  You have all given me more than you will ever know, more than I can ever repay in gifts or words.

Since I was out of the studio yesterday and missed my Sunday morning music, I thought I’d fill that void today with a selection that gallery director Clint reminded me of this past week in a posting on Facebook where he played this song and invited his friend to identify it.  It’s a song from guitarist Bill Frisell , called Ghost Town/ Poem For Eva. I couldn’t identify the song at first without a clue from Clint even though I knew that I knew the song.  I have used music from this particular Bill Frisell album in an earlier video of my Outlaw series.

So, give a listen and have a good week…

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GC Myers- Geometry 1999

GC Myers- Geometry, 1999

I have mentioned that I will be bringing a group of older paintings from my studio with me when I head to the Principle Gallery for my Gallery Talk there tomorrow, Saturday.  These pieces will be there for only a short time and most have become favorites of mine as they have spent more time with me here in the studio.

One is a 1999 painting, shown here on the right, called Geometry.  This vintage piece that is very typical of my pre-2000 work: the Red Tree had yet to make an appearance and the composition is basically comprised of two blocks of color separated by a thin line of white.  There’s a lot that I like about this simple painting.  It has a mature quality, one of completeness, that was coming into my work at that time.  It reinforces my confidence to see that it holds up well after seventeen years.

GC Myers- In the Window: The Searcher

GC Myers- In the Window: The Searcher

Another included painting is called In the Window: The Searcher from 2005.  It is one of my favorites from the Window series which was a fairly short lived series.  The concept of my landscapes being placed in windows in the way a jewel is placed in a setting was a fun concept and exciting to work in.  It got a lot of interest from collectors at the time but it felt limited to me as a long term series, one that I would work in throughout the years.  But it remains a series that still captures my fancy and I think that this piece really exemplifies what I was trying for in it.

There are several other paintings from different years in this group, many shown below, that all have similar backgrounds.  These are all pieces that have somehow found their way back to me without finding a true home.  It’s interesting to see them in the context of the current work, to see both the consistency in the work as well as where they diverge.

 

Defiant Heart! Win this Painting!

Defiant Heart! Win this Painting!

You’ll be able to see the whole group  together tomorrow on the gallery walls along with a selection of new works.  So, I hope you’ll stop in this Saturday at the Principle Gallery in Alexandria.  My Gallery Talk there will be starting at 1 PM and will feature a free drawing for the painting shown here, Defiant Heart, along with a few other goodies.  These talks are generally a lively conversation with a lot of Q & A.  It has usually been a good time in the past and I see no reason this shouldn’t be a lot of fun as well.  Hope you can make it!

GC Myers- Room to Breathe

GC Myers- Room to Breathe

GC Myers- Through Time

GC Myers- Through Time

GC Myers-  Call to Waking

GC Myers- Call to Waking

GC Myers- In the Clearing

 

 

 

 

 

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GC Myers- Come TogetherThe reason why the world lacks unity, and lies broken and in heaps, is, because man is disunited with himself.
Ralph Waldo Emerson

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This new painting, a 12″ by 36″ canvas, that is headed to the Principle Gallery with me this weekend is called Come Together.  It’s a continuation of the island theme that has been running through my work as of late.

I think the words of Emerson above fit very much with what I see in this painting.  Though it appears to be two separate islands with trees linked by a bridge, I see them as having been once united and have somehow been separated.  In this case, it may have been the tumult of time where the seabeds rise and the mountaintops fall– many of the high peaks that we know are sedimentary rock, after all, raised from the bottoms of the oceans.

The disunity Emerson was writing about was man separating himself from nature instead of realizing that he is part of nature and operates best when he is united with it through order and reason in a sort of partnership.  It makes sense especially when you consider the way that nature reacts when we try to exercise our belief that we have dominion over it.

In the same essay, Emerson also wrote the following  that I think better puts this into context:

Nature is not fixed but fluid. Spirit alters, moulds, makes it. The immobility or bruteness of nature, is the absence of spirit; to pure spirit, it is fluid, it is volatile, it is obedient. Every spirit builds itself a house; and beyond its house a world; and beyond its world, a heaven. Know then, that the world exists for you. For you is the phenomenon perfect. What we are, that only can we see. All that Adam had, all that Caesar could, you have and can do. Adam called his house, heaven and earth; Caesar called his house, Rome; you perhaps call yours, a cobbler’s trade; a hundred acres of ploughed land; or a scholar’s garret. Yet line for line and point for point, your dominion is as great as theirs, though without fine names. Build, therefore, your own world.

We all have the ability to live within nature and to build our own world that reflects our spirit.  If only we can find unity with the nature that desires to be our partner.

Just remember, your world is what you make it.

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This painting will be with me at the Gallery Talk this Saturday, September 17, at the Principle Gallery.  It starts at 1 PM and  should be a good time.  There will be a drawing for the painting, Defiant Heart, which has been shown in the past couple of  posts. Plus there will be a few other surprises as well.  Hope to see you there!

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GC Myers- WatchmanFor thus hath the Lord said unto me, Go, set a watchman, let him declare what he seeth.

Isaiah 21:6

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The biblical verse above is of course the one which was the basis for the title for Harper Lee‘s sequel, to her classic To Kill A Mockingbird.  In the books, Scout regarded her father, Atticus Finch, as such a watchman, a moral and righteous sentinel looking out for injustice and evil.

And that is kind of how I see the central figure of this new painting, the lone Red Tree set high on rocky outcropping in what seems to be an endless sea.  Maybe it is the red of the sky that sets such a tone.  I don’t know.

I’ve been fascinated by small islands in my work lately.  The isolation of them gives these pieces a brooding quality and reminds me a bit of working as an artist.  I’ve often felt that the job of an artist is to act as a sort of watchman.

It is very much a job of isolation, one that is often formed in the solitariness of youth when one always felt like an outsider, observing the world quietly and mostly unseen from the edges of life.  The work itself is done and grows in isolation but is very much influenced by one’s observations of the world around them.  And much of the work, if it reaches the level of art, is based on a sensitivity to what that artist has observed and felt.

And maybe that is the real purpose of artists, to act as a watcher, looking to warn us of our own straying from reason and to keep our humanity intact.  Maybe that is what I see in this painting.

gc-myers-defiant-heart-smThis painting is 8″ by 24″ on canvas and is titled, of course, Watchman.  It is coming with me to the Principle Gallery this Saturday, September 17, when I give my Gallery Talk there beginning at 1 PM.  There will be a group of new paintings including this piece as well as a group of selected pieces from my studio that will only be available for that day.  And there is, of course, the drawing at the end of the talk for the painting, Defiant Heart.

Should be a good time and I hope you can make it to the Principle Gallery this Saturday!

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GC Myers- Doubt the DarknessIf you would be a real seeker after truth, it is necessary that at least once in your life you doubt, as far as possible, all things.

Rene Descartes

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As it neared completion, this new painting felt like it was about a questioning of some sort.  The Red Tree here seems to be casting doubt over the reality that is before it and even its own reality.  The question might be: Shall I hide in the darkness or stand in the light?

I call this 12″ by 12″ canvas Doubt the Darkness and I think it speaks to this question.  Darkness often obscures our perception of things and raises doubts in us as to what is and is not real.  Darkness is an agent of doubt and fear.  But by casting our own doubt and light upon that darkness we come to understand that it only hides that which was already there and does not bring anything more with it.

Its only power over us is our own doubting of what we know is there.

Okay, maybe that’s too much for me to try to make sense of so early in the morning.  But even if it seems like gibberish when you read this, I hope you’ll at least take a look at the painting and try to to find something for yourself in it that makes sense.  Maybe you’ll even see what I was babbling about.

This is a new painting that will be accompanying me to next Saturday’s Gallery Talk at the Principle Gallery in Alexandria, VA.  It runs on September 17th from one until about 2 PM.  There will be some new work along with a select group of older pieces from the studio at this talk and, as has been tradition over the past several years, there will be a drawing at the end of the talk where one of the folks in attendance will win an original painting.  I will be sharing more details in the next few days.

It’s usually a lot of fun and I hope you’ll try to make it to this year’s talk.

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