I have written here several times about my dislike for the month of August, most recently in a post from last year called Cruel August. This year’s events have not changed my mind one bit. But today mercifully ends August and there is the somewhat more soothing feel of September and October on the way.
Here’s what is on my calendar for the next month or so:
There are only a couple of days left before my show, Contact, comes off the walls at the West End Gallery in Corning. The show ends this Friday, September 2, so if you want to take a look at this year’s show, please get into the West End in the next day or so.
On September 17, I will be giving my annual Gallery Talk at the Principle Gallery in Alexandria, VA. This is my 14th talk at the Principle and it is always a pretty good time. It’s a simple matter of combining some good folks, good conversation, a few confessions and the chance to win one of my paintings at the end of it all. And a little more. There are more details that will be revealed in the next week or so. As I said, it’s Saturday, September 17, beginning at 1 PM.
Then then following week, I head up to beautiful Keuka Lake where I will again lead a two-day workshop for the Arts Center of Yates County. Last year’s workshop was my first foray into teaching and, despite the initial apprehension that I wrote about here on the blog, was a wonderful and fulfilling experience. I was amazed at the amount of info the attendees absorbed and the great progress they made in two days. It was very satisfying and I am excited to be at it again this year. The workshop runs on Thursday and Friday, September 22 and 23 from 9-4 each day. For more info click here. You can also call them at 315-536-8226.
After that, it’s on to this year’s last solo show, Part of the Plan, which opens October 29th at the Kada Gallery in Erie, PA. It’s been two years since my last show at the Kada, which has represented my work for over 20 years now, and I am eager to show some new work in this show. There will be more details upcoming on this show but mark your calendar.

Everyone has his own specific vocation or mission in life; everyone must carry out a concrete assignment that demands fulfillment. Therein he cannot be replaced, nor can his life be repeated, thus, everyone’s task is unique as his specific opportunity.
I’m a little tired, mainly of talking about my work and myself, and want to keep this short today. I thought I’d show another painting from the show at the Principle Gallery and couple it with the song that spawned it. The painting above is titled To the Watchtower which I derived from the old Bob Dylan song All Along the Watchtower.
Had a very nice visit in Alexandria. On Friday the weather always seemed on the verge of a huge thunderstorm, which had me a little apprehensive– even more than I normally be on the day of a show– about prospects for the opening reception of this year’s show, Part of the Pattern, at the Principle Gallery on that evening. However the storm never really hit with much force and the reception turned out well.
Part of the Pattern , which opens tomorrow, June 3, is my 17th solo show at the Principle Gallery in Alexandria, VA. It’s been a great run since that first show back in 2000 that introduced the Red Tree into my body of work. I’m not even sure that I had a body of work at that point.
A great wind is blowing, and that gives you either imagination or a headache.
This is another new painting headed to the Principle Gallery this weekend for my show there, Part of the Pattern, which opens next Friday, June 3. This piece is 14″ by 34″ on paper and is titled , The Untold Want. The title was taken from the title of a very short poem from Walt Whitman that contained the phrase that spawned and became the title of the Bette Davis movie, Now, Voyager.
This is another piece from my upcoming June show at the
This was an interesting piece. I initially laid out the composition in red oxide and began to lay color into the rays in the sky. At that point it felt like the overall color of it was going to go into the blues. A nocturnal scene perhaps. But that didn’t quite ring true for me so I didn’t go forward with it. So for the last couple of months this piece has been sitting in the state shown here at the left, behind me as I work at the easel. Whenever I would turn around, it was there staring me in the face.

There’s a nice preview of my upcoming Principle Gallery show, Part of the Pattern, in the new June issue of American Art Collector. It’s always nice to see your work in the context of a national magazine, especially when the images show well and the article is well written.