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Posts Tagged ‘Quote’

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“Find meaning. Distinguish melancholy from sadness. Go out for a walk. It doesn’t have to be a romantic walk in the park, spring at its most spectacular moment, flowers and smells and outstanding poetical imagery smoothly transferring you into another world. It doesn’t have to be a walk during which you’ll have multiple life epiphanies and discover meanings no other brain ever managed to encounter. Do not be afraid of spending quality time by yourself. Find meaning or don’t find meaning but ‘steal’ some time and give it freely and exclusively to your own self. Opt for privacy and solitude. That doesn’t make you antisocial or cause you to reject the rest of the world. But you need to breathe. And you need to be.”

Albert Camus, Notebooks 1951-1959

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It’s probably been forty years since I last read Albert Camus‘ books, The Stranger and The Plague. I remember the affect each had on me at that time and can easily see how these books might have relevance in these times as well. As can the the words of advice above taken from Camus’ notebooks.

“Find meaning. Distinguish melancholy from sadness. Go out for a walk.”

It seems as though an existentialist or absurdist, however one categorizes Camus, would be an appropriate voice for these times.

The painting at the top, Private Space, is going with me down to the Principle Gallery tomorrow when I deliver the work for my annual solo show there. This year’s edition is titled Social Distancing and opens next Friday, June 5.

I chose the words from Camus at the top to accompany this 15″ by 30″ painting because that list bit of it– “Opt for privacy and solitude. That doesn’t make you antisocial or cause you to reject the rest of the world. But you need to breathe. And you need to be” — seemed to express exactly what I was seeing in this painting.

Plus I most often opt for privacy and solitude in my own life and I am pretty sure I am not antisocial.

Well, not completely.

I might be considered cordially antisocial. Perhaps an affable misanthrope? Is that a thing?

I kind of see both of those things in this painting. There’s an approachable element in the Red Tree but also a sense that it wants to be at a distance from others. It doesn’t reject the world but wants to face it on its own terms, in its own way.

I can live with that definition– for this painting and myself.

Have a good day.

 

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“Hello babies. Welcome to Earth. It’s hot in the summer and cold in the winter. It’s round and wet and crowded. On the outside, babies, you’ve got a hundred years here. There’s only one rule that I know of, babies-“God damn it, you’ve got to be kind.

― Kurt Vonnegut

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The words above are from the book God Bless You, Mr. Rosewater from the late Kurt Vonnegut. They are are spoken to the infant twins of a neighbor as part of a baptismal speech from Eliot Rosewater, the book’s protagonist.

It seems like a ridiculous bit of advice to speak over infants at a religious ceremony but the sentiment is striking in its simplicity and practical application.

In nearly every instance, kindness will make the situation better.

I don’t know why I am writing this today. Maybe it’s the shrill ugliness of our society at the moment, marked by naked tribalism and selfish greed.

Or maybe its our attack mentality that has become the norm, one where reason and logic are thrown aside and replaced with insults and slurs.

These negative aspects, the hatred and selfishness we are so often displaying, are not sustainable for us as a society. They are the signs of an undisciplined and unprincipled people.

On the other hand, kindness is a sustainable and enduring principle of guidance. It builds up, not tears down. A hand up, not a push down.

Like I said, I don’t why I am writing this. Maybe the thought was that we– maybe just I– needed a reminder that a little kindness does more for the world that all the ugly words spoken with hatred by one person toward another.

So, this is your reminder. We have a short time on this world. Don’t waste your time here being mean-spirited and vengeful.

Be kind to others. Be kind to yourself.

This made me want to hear a little Otis Redding this morning. Try a Little Tenderness. Doesn’t get much better than that.

Have a good and kind day.

 

 

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Autobiography

Three-Musicians-By-Pablo-Picasso*****************

For those who know how to read, I have painted my autobiography. 

-Pablo Picasso

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The image and quote above ran here several years ago with just a few words from me. I am going to run it that way today as well. It’s a simple statement that I agree with so why muddy the waters with unnecessary verbiage?

Now, I have to get to work on the next chapter of my autobiography so have a good day, okay?

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“In the life of each of us, I said to myself, there is a place remote and islanded, and given to endless regret or secret happiness; we are each the uncompanioned hermit and recluse of an hour or a day; we understand our fellows of the cell to whatever age of history they may belong.”

Sarah Orne Jewett, The Country of the Pointed Firs

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I’ve been looking at the work for my upcoming Principle Gallery show, Social Distancing, and as the title implies, much of it is concerned with isolation. There is distance and a lot of singularity in the elements of each piece. A lone house. A single tree, One chair alone. There are landscapes without a tree or person or structure. Just the still emptiness. And even in the cityscapes of this show that seem busy and crowded with buildings and lights, it is the emptiness of the streets and the lack of figures in the lit windows that mark them.

It’s familiar territory for me, places and themes I have explored for a long time. However, this current situation brings my familiarity closer to what has become a new normal for some of us.

It will be interesting to see how people react to the work now as opposed to how they have in the past. After all, each of us relates to our isolation and solitude in different ways. For some it is maddening with the sense of imprisonment. For others, it is liberating in a way, freed from social obligations and niceties, free to do things for themselves without guilt.

Unfortunately, for both there is a dark cloud of potential danger hovering always nearby. It’s creates a strain that is difficult in human terms but, in the artistic sense, this adds a desired tension, one that evokes some sort of emotional response.

And in the piece above, Sequester’s Moon, it is the slate blue darkness of the sky and clouds that evokes this tension. With a different sky, this piece might feel pastoral and idyllic. With this sky, some might see it as the scene as ominous. Or they might see the house as a safe place amidst the dangers.

Myself, I see it as a safe place. A place to expand, not contract. I am much like Sarah Orne Jewett’s character above who, in their isolation and solitude, identifies easily with the hermits and recluses of past ages.

So, here in my hermit’s cell of isolation, I am going happily back to work now.

Have a good day.

 

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The_Torment_of_Saint_Anthony_(Michelangelo)

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A man paints with his brains and not his hands.

-Michaelangelo Buonarroti

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I am a little intimidated in quoting the words of a man who is believed to have painted the piece shown above, The Torment of Saint Anthony, at the tender age of 12 or 13. Pretty amazing. It’s obvious from this, and almost everything created afterward over his lifetime, that Michaelangelo had both brains and hands– the highest degree of craftsmanship along with thought and feeling that brought his work to life.

But his words ring true for any painter. Painting should not be mere craft, not formulaic process nor exact replication of the reality before them. No, it is beyond that. It is how the artist imbues the work with their own thought and emotion, their own spirit, their own essence that elevates the work above craft. It requires a total investment of the self.

Doing that is the trick. At first glance, it seems both a tall task and a simple one. Giving what you think is 100% of yourself seems easy, right? But not holding back something, not sharing every bit of yourself, makes it a Herculean effort. In the end, it comes down to simply feeling emotion in what you are doing and being willing to openly display it without reserve.

Now, maybe I am misinterpreting Michaelangelo’s words to fit my own subjective view of painting. Perhaps in these ten spare words he was speaking about taking a more scientific or mathematical approach to painting and composition. That I don’t know. But when I read it, it made sense to me because the differentiating quality I see in painting, from self-taught rough-hewn outsiders to the highest level of traditional representational painters, is how much of themselves a painter is willing to invest in their creations.

An investment of the self.

It is the thought process of the artist that makes the painting, not the mechanical process.

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This post is from five years back. and is shared again because I love this youthful piece from Michaelangelo along with his words. Whenever I see this painting, or for that matter, anything from Michaelangelo, I am humbled beyond description. And that’s not a bad thing. 

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Saddened this morning to hear that singer/songwriter John Prine died yesterday from the coronavirus at the age of 73.

As I’ve noted here in the past, I have been a big fan for nearly a half century and many of his songs are so deeply embedded in my psyche that they are often the accompanying soundtrack to many of the events in my life. His songs were witty and wise while often reaching into the deeper parts of the human spirit and emotion.

His is a voice that will be sorely missed especially in these awful days when we are seeking for something that gives us direction or reminds us of our our own humanness. But his legacy is a lifetime of music that will speak for him from beyond the grave.

I wanted to play one of his songs today and there are so many choices that would have been easy to make. Paradise, Angel From Montgomery, Hello in There, That’s The Way the World Goes Round, Sam Stone, and on and on. I wanted something that you might not have heard if you weren’t a fan over the years. My choice was one used here on a post several years back that was concerned with the importance of kindness. It’s title is He Was in Heaven Before He Died.

I am pretty sure John Prine fell into that category.

Give a listen and have yourself some kind of day.

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GC Myers- Raised Up Practice kindness all day to everybody and you will realize you’re already in heaven now.

Jack Kerouac

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I am not sure what to do with these words from Jack Kerouac but I do like them and think they deserve to be passed along. I am a firm believer of kindness in all forms and believe that it is a pathway to a better life here in this world.

When I was waiting tables I found that my own attitude and demeanor often dictated how others responded to me. If I smiled and acted congenially, more often than not the person I was dealing with responded in the same manner. We are reactionary creatures and we instinctively respond according to the tone we encounter– rudeness with rudeness and anger with anger.

And kindness with kindness.

It’s our choice. If we can fight against our reactionary nature and choose to act and react with kindness, we can shape our world and then perhaps realize that a form of heaven might be within our grasp.

I have never had the faith or certainty of those who believe that there is an actual heaven waiting beyond this world. I would like to but I just don’t have it within me. So, for me, if there is to be a heaven it is something to be sought in the here and now. By that, I mean creating an environment that is honest, kind and gentle.

A life that is peaceful and quiet–that would be heaven to me.

So, when you’re out there today and face rudeness and anger, make the choice to react in a gentler manner and be kind. Your world might be one small step closer to heaven.

This quote reminded me of a song from one of my favorites, John Prine. The title pretty much sums it up: He Was In Heaven Before He Died.

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Solitary trees, if they grow at all, grow strong.

Winston Churchill

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The solitary tree has been a vital part of my work from the beginning. Actually, the word vital understates its importance.

I couldn’t find the image of a painting from a number of years ago that I wanted to see again. This sent me on a search through a maze of files and images from over the past twenty years. I probably spent more time doing this than I should have but it became one of those obsessive things.

Shuffling through these images, one after another, that form of the lone tree just jumped out at me. I say jumped because of the way in which it surprised me. I, of all people, know that the single Red Tree has been important and prevalent in my work. There is no getting around that fact. I have literally been called the “Red Tree guy.”

I understand its symbolism and meaning very well.

But it just seemed different, more away from me personally.

There were many that had slipped my mind that made me stop to look closer. I wasn’t seeing myself anymore in those pieces but found myself admiring the character they taken on in the time they had been absent in my memory. There was a strength and dignity in them that was palpable.

They had somehow expanded in the time I had lost track of them.

They were no longer me. They were them.

It was as though my forgetfulness had made them grow in solitude and they, out of necessity, had grown stronger as a result. Much like the words above from Churchill, which were written in a letter to his mother in 1899, a few years after his father had died.

I may have been the symbolic father of those works, those many Red Trees, but their strength was their’s alone, obtained in their solitude. I felt bad that I had lost track of them but was so pleased at what they had become.

They were beyond me.

Which is all I could hope.

 

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Oddly enough, I have some things that I must do this morning and thought I’d rerun this post from 2014 about a recently completed painting. Both the painting and the theme of this post resonate strongly with me personally. Have a good day.

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We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won’t do harm – yes, choose a place where you won’t do very much harm, and stand in it for all you are worth, facing the sunshine. 

–E.M. Forster, A Room With a View

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Choose a place where you won’t do harm…

I don’t want to, nor do I think I should, say much more about this new painting, a 24″ by 36″ canvas that carries the title Cast Your Shadow.

I like the idea represented by the quote above from E.M. Forster where one seeks out a place of their own, a place where they can stand without causing harm. It’s a theme that I’ve always thought of in terms of being a smooth stone on a creek bed, pushed and polished by the current through the ages until at last coming to rest in a spot where the water flows easily over it.

The stone finds it’s place where it does no harm. It doesn’t disturb the water and the water simply passes by.

It seems like such a small desire, to find a place where the water flows easily by or where one can stand in the sun without their shadow blocking the light from others. But the simplicity of this wish is deceiving.

It is the work of a lifetime.

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There is only one day left, always starting over: it is given to us at dawn and taken away from us at dusk.

Jean-Paul Sartre

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This is a new painting, a large canvas measuring 30″ high by 48″ wide, that is scheduled for my annual show at the Principle Gallery, this year called Social Distancing,which is tentatively scheduled to open on June 5.

I call it And Dusk Dissolves.

It’s a very soothing painting here in the studio, with a lot of warmth and light in its colors. I believe that is because it needed to be that in this moment.

I was trying to ease my mind in some way.

Trying to push away anger and fear, to push away anxiety and despair. To find a place in which I could rest my mind, if only for a brief moment.

And I think I find that place in this piece. In it, the Red Tree feels safe and at peace.

Yet at the same time, there is a somber wistfulness in it, as though the Red Tree is already missing the day that is still just leaving, regretting what little it has done with that precious time. As the Sartre words above attest, the day is a gift that is given to us each dawn and taken away each dusk.

This day’s gift is nearly gone.

The next dawn will bring a new gift but before that sunrise arrives there is a long dark night to be endured. Lately, it is filled with restless sleep and dreams with nightmarish imagery and intense feelings of alienation and betrayal.

Though the dawn brings a sense of joy and potential that comes with it as a gift, the ever lengthening nights begin to slowly diminish this optimistic outlook.

Maybe that’s the strength of this piece, that tension between its gratitude for the gift of the day that has passed, its peaceful acceptance of the present  moment, and its apprehension of what the new day may bring.

The current time often informs and defines my own readings of my work. Sometimes the piece translates differently over time and sometimes they emote in the same way, tell me the same story. I can’t tell on this painting right now. It’s still too close, too deeply embedded.

But I have a feeling that years from now — if that turns out to be the case– I will look on this piece and remember the comfort and reassurance it offered in a terrible time.

And that will comfort me then, as well.

Have a good day. Remember, it’s a gift.

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The era of procrastination, of half-measures, of soothing and baffling expedients, of delays is coming to its close. In its place we are entering a period of consequences.

–Winston Churchill

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For many of you Breaking Bad fans out there, the term half measures immediately brings to mind a pivotal episode in the series where Walter White realizes that when you’re dealing with deadly people and things, half measures have no place and will most likely get you killed.

And that is what we have been witnessing in the efforts to combat the coronavirus, so far as the steps taken by the president** and his gang of yes men– half measures.

Even yesterday, with the virus constantly gaining more and more footholds, cases and deaths mounting, the markets plummeting, and the experts warning that the most extreme steps must be taken, he stood before the nation and said that while he had signed the order for the Defense Protection Act, which gives the government tremendous powers to compel private companies to produce materials necessary supplies for this effort, he was not implementing it. He said he wanted to keep it for when we really needed it.

That’s like having a new rope in your hands and there’s a person drowning in the water near you and saying, ” I don’t want to use this now because I might need it later.”

That kind of holding a little back for later is fine under normal circumstance but when someone is in dire need it amounts to a half measure.

Now is not a time for half measures, not a time to let some folks drown while you still have that rope in your hand.

I can’t really explain why he won’t commit to full measures at this point other than to say that by doing so he commits to taking responsibility for those actions. It would assert the powers of the federal government and that would take away his ability to lay off blame on the many governors who have been the real leaders in this effort.

The whole thing would become his baby. And there is no way he can accept that sort of responsibility. Not now. Not ever.

But what he fails to understand is that in this sort of situation, the more he tries to evade his duty and responsibility, the more it becomes solely his baby, whether he likes it or not.

You might think I am being unfair in my criticism of the president** because of my intense dislike of him on almost every level, something I will not deny. You might think I should keep my mouth shut and give him a chance, especially in such a time of crisis.

To that I say, “That’s crazy.”

This has nothing to do with my dislike of this person. I am basing it not on that but on the fact that he is in the driver’s seat and I’m just a passenger in a speeding bus as he steers it toward the edge of steep mountain road. He is distracted (texting furiously as he steers) and doesn’t seem fully committed as we hurtle toward the precipice.

Yeah, I’m going to speak up. The time for patience, of waiting to see how he’s doing is past. I want someone to jerk his ass out of the driver’s seat and start steering this thing in a responsible manner, away from that deadly edge.

If you watched his briefing yesterday, I don’t see how you would view it much differently. If you watched him and were not disturbed and a little frightened or you somehow found comfort in his tirades and over the edge rambles, often about his own woes, I fear we are lost. He is a half-step from wearing a uniform with a chestful of medals and ribbons, demanding that the obsequious flunkies around him call him Generalissimo.

The time is now. Not later.

It is time for this person to fully commit to doing everything in the many powers given to him in his position to take this on for the benefit of all the people and not himself, his family or his cronies. It is time to act like there is no tomorrow and throw away the idea of half measures. ‘

As Churchill states in the words at the top: we are entering a period of consequences.

We should pay special attention to his words of warning because, more than ever, they apply at this moment in time.

Now is the time for full measures.

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They who have been bred in the school of politics fail now and always to face the facts. Their measures are half measures and makeshifts merely. They put off the day of settlement, and meanwhile the debt accumulates.

–Henry David Thoreau

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