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Posts Tagged ‘Red Tree’

GC Myers- In GratitudeTrue happiness is to enjoy the present, without anxious dependence upon the future, not to amuse ourselves with either hopes or fears but to rest satisfied with what we have, which is sufficient, for he that is so wants nothing. The greatest blessings of mankind are within us and within our reach. A wise man is content with his lot, whatever it may be, without wishing for what he has not.

Seneca

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This new painting, which is about 4″ by 15″ is a bit of a rarity.  It is done on plain watercolor paper without the benefit of the texture from the gessoed surfaces that I typically use, much like my very earliest works.  It was a nice change, reverting to working on the smooth surface of untreated paper.  There’s a sense of purity in the way the colors flow on and set to the paper’s surface.

Very clean.  Crisp.

I call this piece In Gratitude.  The words at the top from the Roman philosopher Seneca very much capture the spirit of what I see in this painting and aspire to in my own life– to be always conscious of and grateful for that which I do have in my life.

I talk and think a lot about gratitude.  Gratitude for where I am in the present moment sets me free from dwelling on the past or fretting about the future, both things out of my hands.  Gratitude also makes me recognize the importance of those who have played key roles in my life.

 Recognizing that one depends on the help, the love and the recognition of others in their life is a key element in finding a level of contentment in one’s life.

We do nothing totally alone.

I may claim that my work is my creation alone but it is, in fact, a compilation of the interactions of my life with those who I have encountered along the way.  They have formed my sight, my perception of this world, and given shape to the hoped-for world that shows itself in my work.

And for that alone, I am so grateful.

So, this seems like a simple small painting but for me it speaks volumes.

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This painting, In Gratitude, is part of my solo show, Part of the Plan,  which opens October 29th at the Kada Gallery in Erie, PA.

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GC Myers- Breathing RoomOctober and the rampant heat of summer is finally letting go.  There’s a little color coming into the trees but it seems muted against the slate grayness of the clouds that are bringing us some much needed rain.  The change of seasons seems to be upon us and soon the green of the grass will be a bleached beige and the green clad trees will shed their leaves exposing the bone grey structures of the trees.  Color fades and everything takes on a the colors of the earth– shades of gray and brown.

This can make many folks a bit melancholy as they wistfully long for the sun and light of those longer summer days.  They want to flee the somber tones of the landscape around them.  They get the urge for going.

I understand this feeling.  But I more often than not find myself relishing this change of season, the more essential feel of this time of year.   I think the somberness of the colors outside the studio help me express the colors I am seeing inside and allows me to use my own urge for going in a constructive manner.  I believe that piece at the top is a good example.  It’s called Breathing Room. and is an 18″ by 24″ canvas. It could easily be called Urge For Going  as the path moves through a deeply colored foreground toward a light-filled and expansive horizon.

That, of course, brings us to this week’s Sunday morning musical selection.  It’s a very early version of Urge For Going from Joni Mitchell.  This is taken from a Canadian television program, Let’s Sing Out, that ran from 1963-1967.  It was broadcast from various Canadian college campuses and featured many folk performers of the day.  Joni Mitchell first appeared on the show in 1965 using her maiden name, Joni Anderson.  This particular performance using the more familiar Mitchell is from October of 1966 at Laurentian University in Sudbury, Ontario.  I think it’s a beautiful rendition of the song, especially for a fifty year old television clip.

So give a listen and consider your own urge for going.  Have a great day.

Oh, the painting, Breathing Room is part of my upcoming show, Part of the Plan, which opens October 29 at the Kada Gallery in Erie, PA.

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lake-wanaka-nz-lone-tree-2I don’t know much about New Zealand, have never been there and most likely will never get to see that country.  But I have long heard about its spectacular natural beauty with its soaring mountains and forests.  Out of all of this beauty, I recently came across a photo of what is considered perhaps the most photographed and beautiful spots in all of New Zealand.

lake-wanaka-nz-lone-tree-5-bwIn the foothills of the Mount Aspiring National Park on New Zealand’s South Island, beneath the snow-capped peaks of the southern alps, there is an alpine lake and on the shore (and sometimes in the lake itself) stand a willow tree.  It is the Lone Tree of Lake Wanaka.

It started its life years ago as a hewed off willow branch acting as a fence post.  The tree sprouted from that post and stands alone now, the fence line long gone. That’s determination, a will to exist.

It’s a powerful image, this single tree standing amidst all the powerful glory of nature.  While it may attract crowds of tourists to snap pictures of the tree and themselves beside it, it is obviously the solitary determination of the tree that speaks to those who see it.  I think that is something that speaks to most of us, this need to know that we can withstand this world, can stand alone.

I know it sure speaks to me and certainly looks familiar to much of my work.  I did  a quick search and chose a few great images out of the many out there of the Lone Tree.  Take a look.  It is peaceful yet strong and defiantly determined.  Heroic.

If only it were red…

lake-wanaka-nz-lone-tree-7 lake-wanaka-nz-lone-tree-1 lake-wanaka-nz-lone-tree-3 lake-wanaka-nz-lone-tree-6 lake-wanaka-nz-lone-tree-4

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GC Myers- Breakthrough

The painting above is called Breakthrough and is a 30″ by 30″ canvas.  I chose it for this post because it fits well with my state of mind this morning.  You see, sometimes a breakthrough announces itself in a big momentous way while sometimes it comes in quiet, barely awake moment.

I woke up this morning in the dark and for the first time in a long while found myself thinking about a painting I had been working on.  I was thinking about how I had left it at the end of yesterday and the approach I wanted to take when I went back into it today–the colors I wanted to add and the manner in which I would apply them.

For most of you, the thoughts of imminent work may not seem like a great way to start your waking day but for me it was an exciting thrill.  It felt normal in a good way to me, something that has been lacking in recent months when it seems as though every day offered a different task or challenge that took me further out of the routine that has long been my emotional and creative stabilizer.

But this morning it seemed closer to my normal normal.  And it felt good.  It was energizing in that it meant that my mind was moving away from things I can’t control and back to those things that control and guide me.  Just knowing that my waking mind transitioned immediately from the subconscious to a creative state was exciting.

And reassuring.  There have been moments in recent months when I thought that part of me was slipping away, that I would have trouble finding my way back to that creative wellspring that has nourished me for so many years.  But this morning I see a creative path moving forward and am eager to move ahead on it.  It feels like a breakthrough and that feels right and good.

Whew!

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A friend of mine posted the quote below, one that I have long admired,  online this morning and it set me off thinking how our indifference to so many things affects us in many ways.  For example, in the blogpost below from a couple of years back I wrote of how I was spurred on by the unknowing indifference of others to my work.  But we are also sometimes intellectually lax and this allows us to build up an indifference to things that we know in our cores are wrong and unacceptable.

Take for example the  words and actions of Donald Trump.  He often says and does things that deserve loud condemnation yet we have come to have an indifference, a tolerance, to his constant stream of untruth and divisive rhetoric.  It seems easier to accept something that should appall us, especially when his supporters are so loud and angry, than to step up and say that this is wrong.  So we let his many and well documented lies, his unfounded boasts and his vitriolic appeals to our darker angels slide.  In our indifference we don’t look any further into his words or past.  

We begin to accept him at face value.  

This sort of indifference is always a dangerous thing.  Elie Wiesel knew that from firsthand experience in the Germany of the 1930’s when Hitler’s appeal to nationalism and the indifference of those who saw him as a fool and not a threat allowed the rise of Nazism which led to Auschwitz and to the many other horrors of WW II.

Don’t go crazy here– I am not making that jump in saying that Trump will lead us to anything like Nazi Germany.  But to let disinterest and indifference creep into how we view our civic responsibility in voting is a dangerous thing.  Our indifference may have us thinking that this election doesn’t have much to do with our day to day life. But ask the vets who fight our wars or the families who are left to bury them.   

The point here is to fight indifference, to stop and be curious when faced with anything.  The world is too complicated for us to be careless and indifferent.  Especially now.
gc-myers-memory-of-night-sm“The opposite of love is not hate, it’s indifference. The opposite of art is not ugliness, it’s indifference. The opposite of faith is not heresy, it’s indifference. And the opposite of life is not death, it’s indifference.”

-Elie Wiesel

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I’ve been sitting here for quite some time now, staring at the quote above from Nobel Prize winner Elie Wiesel.  I had planned on writing about how my work evolved as a response to the indifference of others but now, looking at those words and putting them into the context of  Wiesel’s experience, I feel a bit foolish.  Wiesel, who had survived the Holocaust, was eyewitness to indifference on a grand scale, from those who were complicit or those who did not raise their voices in protest even though they knew what was happening to the personal indifference shown by his Nazi guards, as they turned a blind eye to the suffering and inhumanity directly before them on a daily basis, treating them as though they were nothing at all.

The indifference of which he speaks is that which looks past you without  any regard for your humanity. Or your existence, for that matter.  It is this failure to engage, this failure to allow our empathy to take hold and guide us,  that grants permission for the great suffering that takes place throughout our world.

So you can see where writing about showing a picture as a symbolic battle against indifference might seem a bit trivial.  It certainly does to me.  But I do see in it a microcosm of the wider implications.  We all want our humanity, our existence, recognized and for me this was a small way of  raising my voice to be heard.

When I first started showing my work I was coming off of a period where I was at my lowest point for quite some time.  I felt absolutely voiceless and barely visible in the world, dispossessed in many ways.  In art I found a way to finally express an inner voice, my real humanity,  that others could see and react to.  So when my first opportunity to display my work came, at the West End Gallery in 1995, I went to the show with great trepidation.  For some, it was just a show of  some nice paintings by some nice folks.  For me, it was a test of my existence.

It was interesting as I stood off to the side, watching as people walked about the space.  It was elating when someone stopped and looked at my small pieces.  But that  feeling of momentary glee was overwhelmed by the indifference shown by those who walked by with hardly a glance.  That crushed me.  I would have rather they had stopped and spit at the wall than merely walk by dismissively.  That, at least, would have made me feel heard.

Don’t get me wrong here– some people who are not moved by a painting walking by it without a glance are not Nazis.  I held no ill will toward them, even at that moment.  I knew that I was the one who had placed so much importance on this moment, not them.  They had no idea that they were playing part to an existential  crisis.  Now, I am even a bit grateful for their indifference that night because it made me vow that I would paint bolder, that I would make my voice be heard.  Without that indifference I might have settled and not continued forward on my path.

But in this case, I knew that it was up to me to overcome their indifference.

Again, please excuse my use of Mr. Wiesel’s quote here.  We all want to be heard, to be recognized on the basic levels for our own existence, our own individual selves. But too often, we all show indifference that takes that away from others, including those that we love.  We all need to listen and hear, to look and see, to express our empathy with those we encounter.  Maybe in these small ways the greater effects of indifference of which Elie Wiesel spoke can be somehow avoided.

It’s a hope.

The painting at the top is a new piece that I call Memory of Night, inspired by Wiesel’s book, Night.

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Even though this post only ran last August, I thought it was worth replaying, if only to remind us to maintain some semblance of civility and sanity in this bitter election season.  I was reminded of this post because the painting featured in it, Raised Up, went with me to the Principle Gallery for my talk there this past Saturday.  It’s a piece that I like very much as is the song at the end from John Prine.  Hope you’ll enjoy them as well…

GC Myers- Raised Up

Practice kindness all day to everybody and you will realize you’re already in heaven now.

Jack Kerouac

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I am not sure what to do with these words from Jack Kerouac but I do like them and think they deserve to be passed along.  I am a firm believer of kindness in all forms and believe that it is a pathway to a better life here in this world.

When I was waiting tables I found that my own attitude and demeanor often dictated how others responded to me.  If I smiled and acted congenially, more often than not the person I was dealing with responded in the same manner.  We are reactionary creatures and we instinctively respond according to the tone we encounter– rudeness with rudeness and anger with anger.

And kindness with kindness.

It’s our choice.  If we can fight against our reactionary nature and choose to act and react with kindness, we can shape our world and then perhaps realize that a form of heaven might be within our grasp.

I have never had the faith or certainty of those who believe that there is an actual heaven waiting beyond this world.  I would like to but I just don’t have it within me.  So, for me, if there is to be a heaven it is something to be sought in the here and now.  By that, I mean creating an environment that is honest, kind and gentle.  A life that is peaceful and quiet–that would be heaven to me.

So, when you’re out there today and face rudeness and anger, make the choice to react in a gentler manner and be kind.  Your world might be one small step closer to heaven.

This quote reminded me of a song from one of my favorites, John Prine.  The title pretty much sums it up: He Was In Heaven Before He Died.

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GC Myers- Geometry 1999

GC Myers- Geometry, 1999

I have mentioned that I will be bringing a group of older paintings from my studio with me when I head to the Principle Gallery for my Gallery Talk there tomorrow, Saturday.  These pieces will be there for only a short time and most have become favorites of mine as they have spent more time with me here in the studio.

One is a 1999 painting, shown here on the right, called Geometry.  This vintage piece that is very typical of my pre-2000 work: the Red Tree had yet to make an appearance and the composition is basically comprised of two blocks of color separated by a thin line of white.  There’s a lot that I like about this simple painting.  It has a mature quality, one of completeness, that was coming into my work at that time.  It reinforces my confidence to see that it holds up well after seventeen years.

GC Myers- In the Window: The Searcher

GC Myers- In the Window: The Searcher

Another included painting is called In the Window: The Searcher from 2005.  It is one of my favorites from the Window series which was a fairly short lived series.  The concept of my landscapes being placed in windows in the way a jewel is placed in a setting was a fun concept and exciting to work in.  It got a lot of interest from collectors at the time but it felt limited to me as a long term series, one that I would work in throughout the years.  But it remains a series that still captures my fancy and I think that this piece really exemplifies what I was trying for in it.

There are several other paintings from different years in this group, many shown below, that all have similar backgrounds.  These are all pieces that have somehow found their way back to me without finding a true home.  It’s interesting to see them in the context of the current work, to see both the consistency in the work as well as where they diverge.

 

Defiant Heart! Win this Painting!

Defiant Heart! Win this Painting!

You’ll be able to see the whole group  together tomorrow on the gallery walls along with a selection of new works.  So, I hope you’ll stop in this Saturday at the Principle Gallery in Alexandria.  My Gallery Talk there will be starting at 1 PM and will feature a free drawing for the painting shown here, Defiant Heart, along with a few other goodies.  These talks are generally a lively conversation with a lot of Q & A.  It has usually been a good time in the past and I see no reason this shouldn’t be a lot of fun as well.  Hope you can make it!

GC Myers- Room to Breathe

GC Myers- Room to Breathe

GC Myers- Through Time

GC Myers- Through Time

GC Myers-  Call to Waking

GC Myers- Call to Waking

GC Myers- In the Clearing

 

 

 

 

 

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GC Myers- Come TogetherThe reason why the world lacks unity, and lies broken and in heaps, is, because man is disunited with himself.
Ralph Waldo Emerson

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This new painting, a 12″ by 36″ canvas, that is headed to the Principle Gallery with me this weekend is called Come Together.  It’s a continuation of the island theme that has been running through my work as of late.

I think the words of Emerson above fit very much with what I see in this painting.  Though it appears to be two separate islands with trees linked by a bridge, I see them as having been once united and have somehow been separated.  In this case, it may have been the tumult of time where the seabeds rise and the mountaintops fall– many of the high peaks that we know are sedimentary rock, after all, raised from the bottoms of the oceans.

The disunity Emerson was writing about was man separating himself from nature instead of realizing that he is part of nature and operates best when he is united with it through order and reason in a sort of partnership.  It makes sense especially when you consider the way that nature reacts when we try to exercise our belief that we have dominion over it.

In the same essay, Emerson also wrote the following  that I think better puts this into context:

Nature is not fixed but fluid. Spirit alters, moulds, makes it. The immobility or bruteness of nature, is the absence of spirit; to pure spirit, it is fluid, it is volatile, it is obedient. Every spirit builds itself a house; and beyond its house a world; and beyond its world, a heaven. Know then, that the world exists for you. For you is the phenomenon perfect. What we are, that only can we see. All that Adam had, all that Caesar could, you have and can do. Adam called his house, heaven and earth; Caesar called his house, Rome; you perhaps call yours, a cobbler’s trade; a hundred acres of ploughed land; or a scholar’s garret. Yet line for line and point for point, your dominion is as great as theirs, though without fine names. Build, therefore, your own world.

We all have the ability to live within nature and to build our own world that reflects our spirit.  If only we can find unity with the nature that desires to be our partner.

Just remember, your world is what you make it.

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This painting will be with me at the Gallery Talk this Saturday, September 17, at the Principle Gallery.  It starts at 1 PM and  should be a good time.  There will be a drawing for the painting, Defiant Heart, which has been shown in the past couple of  posts. Plus there will be a few other surprises as well.  Hope to see you there!

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GC Myers- WatchmanFor thus hath the Lord said unto me, Go, set a watchman, let him declare what he seeth.

Isaiah 21:6

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The biblical verse above is of course the one which was the basis for the title for Harper Lee‘s sequel, to her classic To Kill A Mockingbird.  In the books, Scout regarded her father, Atticus Finch, as such a watchman, a moral and righteous sentinel looking out for injustice and evil.

And that is kind of how I see the central figure of this new painting, the lone Red Tree set high on rocky outcropping in what seems to be an endless sea.  Maybe it is the red of the sky that sets such a tone.  I don’t know.

I’ve been fascinated by small islands in my work lately.  The isolation of them gives these pieces a brooding quality and reminds me a bit of working as an artist.  I’ve often felt that the job of an artist is to act as a sort of watchman.

It is very much a job of isolation, one that is often formed in the solitariness of youth when one always felt like an outsider, observing the world quietly and mostly unseen from the edges of life.  The work itself is done and grows in isolation but is very much influenced by one’s observations of the world around them.  And much of the work, if it reaches the level of art, is based on a sensitivity to what that artist has observed and felt.

And maybe that is the real purpose of artists, to act as a watcher, looking to warn us of our own straying from reason and to keep our humanity intact.  Maybe that is what I see in this painting.

gc-myers-defiant-heart-smThis painting is 8″ by 24″ on canvas and is titled, of course, Watchman.  It is coming with me to the Principle Gallery this Saturday, September 17, when I give my Gallery Talk there beginning at 1 PM.  There will be a group of new paintings including this piece as well as a group of selected pieces from my studio that will only be available for that day.  And there is, of course, the drawing at the end of the talk for the painting, Defiant Heart.

Should be a good time and I hope you can make it to the Principle Gallery this Saturday!

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gc-myers-defiant-heart-smThis coming Saturday, September 17, is my annual Gallery Talk at the Principle Gallery in Old Town Alexandria, VA.  This is my 14th Gallery Talk at the Principle and it’s been a lot of fun through the years.  There’s generally a lot of give and take between the audience and myself in the form of questions and comments and something new and unexpected often comes to light.  I almost always find myself saying something I didn’t expect to say or learning something new about my own work from the comments from someone at the talk.

It’s a surprising dynamic and I am always grateful for the folks who turn out at these talks.

But deep down I know they come for what has become a tradition– the giving away of one of my paintings at the end of the talk.  We have a lot of fun with this and I really do struggle in trying  to choose a painting that holds meaning for me,  one that  that I think deserves attention in someone’s home.

And the painting shown here at the top fits that bill nicely.  It is titled Defiant Heart and is about 14″ by 14″ on paper.  It’s one of those paintings that I felt strongly about but seemed to have bad timing in those times in which they hit the galleries, never coming before the eyes of that person to which it would speak some sort of truth.  There is much that I like about this painting and think it has much to say to the person who connects with it.

It will be my pleasure to have it find a home this coming Saturday.  Maybe it will be you.

So this Saturday, September 17, please come on in to the Principle Gallery in beautiful Alexandria.  The talk runs starts at 1 PM and generally runs about an hour. We’ll have a conversation, I’ll tell some of my secrets and maybe a lie or two and at the end of it, someone will take home their own Defiant Heart.  Oh, as always, there will be a few surprises along the way. Hope to see you there.

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