
A Song For the Eye— At West End Gallery
Out beyond ideas of wrongdoing
and rightdoing there is a field.
I’ll meet you there.
When the soul lies down in that grass
the world is too full to talk about.
― Rumi, 13th century Persian poet
Just wanted to share a triad of song, word and image this morning. The music is a piece from composer Ennio Morricone from the film Cinema Paradiso. The piece shown here is performed by violinist Renaud Capuçon.
I’ve been fortunate to see a number of what I consider memorable performances over the years but one of the most memorable was one from Renaud Capuçon when he was touring as guest violinist for the Bruckner Orchester Linz when the renowned orchestra somehow ended up performing at the Clemens Center in my hometown of Elmira. It was sometime around 2005.
It was marvelous concert with a full orchestra of about 100 players jammed the stage, creating a powerful sound. I am embarrassed to say that I don’t remember what pieces were performed that night. However, I remember vividly Capuçon’s performance. The sound from his violin was incredible. It is the same violin he plays in the video below, the famed “Panette“, a 1737 Guarneri del Gesu, that once belonged to Isaac Stern, with whom Capuçon studied.
One moment stood out for me. During his playing of one really dynamic section, one of the strings of this violin snapped. If you didn’t have your eyes on Capuçon at that moment you would have never known. During a tiny pause within the structure of the piece, he swung the violin to the first violinist, snatching away that person’s violin to resume playing. The only thing that gave a hint that there had been a problem or a change was in the tone of the newly acquired violin, which lacked the richness of the Guarneri.
Even so, Capuçon continued with a feverish intensity as the Guarneri quickly was passed along down the row from 1st violinist to 2nd and so on, each surrendering their violins to the prior violinist. When it reached the end of the row, that violinist hopped up and sped the Guarneri offstage. There was hardly a blip, if any, in the performance while all this was occurring. The thrill of the performance, which was already great, was enhanced by the mishap and how masterfully it was handled.
Here’s Capuçon and that same Guarneri violin. Below that is another performance at the recent opening of the restored Notre Dame Cathedral. The cellist is his brother, Gauthier Capuçon.



All day I think about it, then at night I say it.