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Posts Tagged ‘West End Gallery’

Gratitude bestows reverence, allowing us to encounter everyday epiphanies, those transcendent moments of awe that change forever how we experience life and the world.

–John Milton, Paradise Lost
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Here’s another piece from my show, Self Determination, which opens next Friday at the West End Gallery. This 8″ by 8″ painting on panel, titled The Gratitude, is one of those pieces that just seemed to flow out on its own with little thought or effort from me.

I just had to hold the brush and make sure I didn’t drop it.

Those paintings, rare enough that they are a true delight when they do appear, seem to be in the end about transcendent moments, about coming to peace with one’s place in the world and being thankful for it.

It seems it’s as though during the process I am able to clear away everything –my fears, my trivial concerns, my inner biases and all those pesky things that haunt my waking mind — for that short period of time when I am at work on the painting. And the gratitude I feel for being rid of those things, if only for that short time, comes through in the painting.

And while I would like that feeling to stay with me for a longer time, I treasure that short moment of gratitude.

 

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Well, the work for my show, Self Determination, has been delivered to the West End Gallery where Jesse and Lin will hang the show within the next day or so for previews until next Friday’s opening reception.

It’s always a big relief in the day or so after getting the show out of the studio and into the gallery, just in getting the task done and out of the way. Earlier in my career that relief was short lived as I would be extremely nervous in the time between delivery and the actual show. I would always second guess my decisions and fret over things over which I had no control. Any confidence I had built up during the actual painting process would evaporate completely.

But time and experience have mellowed that feeling. I don’t think I am any more confident or certain about the work that I do than I was in those earlier days. But I know now that once the work is done, the die is cast so there’s little I can do about anything from that point on. It is beyond me so I must accept whatever comes.

And that makes the time before a show much easier to tolerate, allowing me to do other things and reexamine the work for the show.

Take for instance the painting at the top of the page, Ask the Night, which is part of the show.  It’s a piece that has a great meditative quality for myself. Maybe it is the calming effect of the blues and purples. Maybe it’s the cool placidity of moon and the gentle rays emanating from  it. Or maybe it is the way in which the waterway opens itself to the sky above.

The title comes from  the idea that we are surrounded each night by the sheer mystery and magnitude of the universe. It is a daunting thought, one that puts us in our place, exposing how little we really know beyond our limited reach. We like to think that the universe revolves around us but in the night we realize that it barely acknowledges us except for the veiled promise of answers to all our questions, if only we could somehow ask.

And in this painting I see that lone house on horizon holding an inhabitant who looks out on the sky with an existential desire to know, to have their questions answered. And in that sky, in that calming moon, they see the possibility of an answer.

So they summon their courage and they ask the night.

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i thank You God for most this amazing
day: for the leaping greenly spirits of trees
and a blue true dream of sky;and for everything
which is natural which is infinite which is yes

 
(i who have died am alive again today,
and this is the sun’s birthday; this is the birth
day of life and love and wings and of the gay
great happening illimitably earth)

how should tasting touching hearing seeing
breathing any-lifted from the no
of all nothing-human merely being
doubt unimaginable You?

 
(now the ears of my ears awake and
now the eyes of my eyes are opened)
 

 e e cummings 

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I was struggling to come up with a title for this new painting, a 24″ by 30″ canvas that is included in my upcoming solo show, Self Determination, at the West End Gallery which opens next Friday, July 14.

It is a piece that really resonates with me and I wanted to have a title for it that captured what I was seeing in it. At first, I wanted the title to point out what I perceived to be the richness of the land and its colors. At first, I called it The New Cornucopia but it just didn’t sit right. There was more to what I was seeing in the painting than that particular title captured.

So just this morning I went seeking and came across a poem that I had read long ago from the late poet e e cummings. Shown above, i thank you God for most this amazing is more prayer of thanks than poem with an emphasis on seeing the yes in all things surrounding us. It has a lovely transcendental feel to it that, for me, jibed with what I was seeing in this painting.

This poem was originally included in cummings’ 1950 collection of poems, Xaipe.  That title intrigued me. It wasn’t anything I had seen before and I wanted to know how it might connect to the poem above. I found that it is a Greek word, pronounced zape, and translates as rejoice or be happy.

That was perfect for what I was sensing in this painting- the joy in just being alive and recognizing, with the opened eyes of my eyes, the wonder of the natural world around us. The yes of everything.

 

 

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Solitude is independence. It had been my wish and with the years I had attained it. It was cold. Oh, cold enough! But it was also still, wonderfully still and vast like the cold stillness of space in which the stars revolve. 
― Hermann HesseSteppenwolf

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I understand very well the sentiment behind the words above, spoken in the voice of Hermann Hesse‘s character Harry Haller in his novel, Steppenwolf. It is the story of a man who sees himself as both man and wolf, divided by his desire to be part of man’s society yet driven by his wolf’s need to be a solitary, instinctual being. There is a constant inner conflict between the two opposing forces.

Yeah, I understand that very well. I think that many of us do.

I, too, have seen solitude as independence and, like Harry Haller, have sought and to a great degree attained it. Yes, there have been points when it was the stillness that he describes, like soaring through the cold blackness of space. A wondrous vast and empty dome of space.

But with time, that same solitude begins to feel less cold, warmer and more comfortable. It is as thought the time spent alone in that expansive space has drawn you to the gravity of a distant sun. Sharing its light and warmth, it becomes a silent yet reliable and amiable companion. Solitude feels less lonely and begins to feels like a natural condition, comfortable and even homey.

To a great extent, that is how I have found myself. I am grateful for the warmth that solitude now provides. It is a friendly and welcoming place now. Paradoxically, it is when I am among crowds of people that I feel most alone and untethered, like I was desperately floating without direction in the coldest and darkest parts of space.

The new painting above, a 16″ by 12″ canvas that I am calling A Warmer Solitude, represents this sentiment for me. It has an inviting and warm presence with the air of solitude around it.

All I ask.

This piece is part of my solo show, Self Determination, that opens July 14 at the West End Gallery, which has represented my work for 22 years now. This is my 16th or 17th solo show with them and I may be more excited about this show than any other that I can remember. I hope you can make it to the gallery for this show that will be hanging until the end of August.

 

 

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The title for my show opening July 14 at the West End Gallery is Self Determination. The title for the painting above, a 24″ by 36″ canvas, which is included in the show, is Self Preservation.

The title comes from how I have come to view the current state of this world over the past several years. Decades of insulating ourselves via the internet, content in our own little echo chambers where we are constantly pushed further away from others by figures hidden in the shadows of the web who profit by exploiting our division, have brought us to a state where misinformation is more prevalent that fact.

Where belief, however unfounded it may be, has an equal value with truth.

Where every event is recorded with multiple sets of alternate facts allowing each person to justify their point of view and belief.

Where every word and sentence is parsed to detect which way that person leans in their belief.

Where intolerance is tolerated.

Where rational discussion has been thrown over for a constant uncivil cacophony of screamed biases and opinions, a virtual Tower of Babel where there is a constant sound and fury yet no one hears a word being said but their own.

It is a maddening time, one that truly challenges our sanity, personally and as a whole.

It leads me to the question: How does one weather such a time, hows does one hold on to what they see as their own truth– who and what they are at their core– without being swept up in the ill winds that rake this world?

What does one hold on to for self preservation?

I don’t know that I have an answer that applies to anyone other than myself. But it’s all I have and, for now, that will have to suffice.

Self preservation for me comes in the inner world I visit in my paintings.

I see it as a place where truth and belief come together. It is place where there is an inherent sense of rightness, of calm rationality, of harmony, and of little anger.

And it is without hatred or prejudice. While it is my world and it is a place of tolerance, excluding no one.

I am free in this world. Safe. At peace. Part of a universe that understands me, that hears my voice and responds to my prayers and desires.

Oh, I don’t have to be told how foolish it all sounds. I know that it is an escape from the harshness and insanity that the world offers us at the moment. But it is a world in which I have lived happily for many years, more sane and content than I ever was before that world came to be.

Perhaps that is an answer that will work for others– to find that inner world for yourself where you can periodically retreat, even for a moment, to experience calmness and a sense of self.

I don’t know for sure. I just know that is has been a place of self preservation for me for decades now.

Excuse me, I have to head over there now…

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Self Preservation opens July 14 at the West End Gallery in Corning, NY.

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“it was the kind of moon
that I would want to
send back to my ancestors
and gift to my descendants

so they know that I too,
have been bruised…by beauty.” 

Sanober Khan, Turquoise Silence

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I call this new painting, a 16″ by 8″ canvas, The Bruise of the Moon. I take the title from  the snippet above was taken from a poem, Tonight’s Moon, from the book Turquoise Silence from contemporary Indian poet, Sanober Khan.

I like this idea that beauty makes a deep impression, bruises us in a way. And that effect by the moon seems the perfect example as its beauty has been our companion since we first came to be here, however that may be.

Very often we pay little attention to the moon as it rises and falls through all our nights. We fail to notice its light and the path it traces across the sky as we focus on our earthly matters.

Yet, every so often, it refuses to be taken for granted and demands that we stop and take it in, to admire its cool and distant majesty. To make us consider that it has looked down on all that man has done in our relatively short time here, at least when compared the time that the Moon has looked down on our planet. To think that it has witnessed the conquests of Alexander the Great, the birth of Jesus, the explorations and sailors that circled the globe and so much more, including welcoming us as we came to visit it in the distant space it occupies.

It has watched us at our best and at our worst, forever a true companion to the most and least among us, almost leaving a mark, a bruise behind. It makes me wonder if that person who does not see the beauty in the moon even has the ability to see beauty in anything. It’s a thought that makes me sad because I can’t imagine what kind of person I would have to be to not feel the emotion that comes with witnessing the eternal and ageless beauty that the Moon brings us without fail.

This painting will be be included in my coming solo show, Self Determination, at the West End Gallery which opens July 14.

 

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If we are always arriving and departing, it is also true that we are eternally anchored. One’s destination is never a place but rather a new way of looking at things.

Henry Miller
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We often search and search, moving from place to place, trying to find that certain something that we can’t quite name. We have it in our minds that it is a physical place, a tangible object, that will satisfy our need to wander.

New people to meet.

New streets to explore.

New landscapes to surround us. New hills to climb.

But maybe what we seek is just a new way of seeing ourselves, of a new opportunity to unleash the person we desire ourselves to be. Or, more likely, a chance to see ourselves as we really are, something that becomes obscured in the familiar. Being anchored, as Miller infers above, in the repetition of  day to day life has us showing ourselves always in the same light. We lose touch with aspects of who we are that are never allowed to come to light.

The search allows us that new perspective. While we remain the same we see ourselves from new angles, new vantage points, allowing us to feel new. Different.

Sometimes it is good and sometimes it is not, exposing perspectives on ourselves we would rather not see and may have hidden for a long time. But hopefully unveiling the truth of all that we are will somehow  make us feel comfortable in our wholeness.  Knowing our shortcomings as well as our strengths make us more real, more human.

What we seek is always with us.

You might not view it the same way but that’s what I am seeing in this new painting, an 8″ by 16″ canvas, that I call Destination Seen. It is headed to the West End Gallery for my upcoming show, Self Determination, which opens July 14.

 

 

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Tonight, the West End Gallery celebrates its 40th anniversary of selling art on Corning’s lovely Market Street. There is a coinciding opening for a retrospective show of the paintings of the gallery’s co-founder, Tom Gardner. The festivities begin at 4:30 this afternoon with a ribbon cutting and following that there will be music from guitarist Bill Groome, plenty to eat and drink and a few surprises.

I’ve said and written this many times before, but without the West End Gallery I have no idea what or where I would be. The chance to show my work given to me by then gallery owners Lin and Tom Gardner forever changed the direction of my life, opening new doors of opportunity that I couldn’t even imagine in my former life. Ultimately, it changed how I viewed the world and myself.

It’s rare that you can pinpoint a moment in time that alters your life in such a drastic manner that you can see the results that extend from that moment a la It’s a Wonderful Life. But I have such a moment from a day in early 1995 when Tom critiqued my work and Lin asked me to show a few pieces in their next show. Without that moment with them, every good thing that has come to me via my work most likely would have never happened. The numerous paintings that have found their way around the world, the 50 or so solo shows and the many, many wonderful people I have been fortunate to encounter through my work– all of it would probably have never occurred.

I don’t want to even consider what would be without that moment.

In my own way, I say “Thank You” to them every day I enter my studio and take part in the life and work that I so enjoy now. It is all due to that moment and I will never forget that.  Nor will I ever be able to thank them enough.

For forty years, the West End Gallery has given me and so many other artists an opportunity to take a chance on a different life.  It has persisted through the ups and downs of the economy, through booms and busts.  Now under the capable hands of Tom and Lin’s daughter Jesse and her husband, John, it is looking forward even as it celebrates its past tonight. They are working hard every day to make the gallery better in every way.

I wouldn’t be surprised if there’s another 40 years in the cards for the West End Gallery.

So, if you’re in the area tonight, make your way to the West End Gallery for a celebratory drink, a little bite, some great conversation and some wonderful art and music. If you’ve never been, they’ll make you feel right at home.

I can tell you that from first-hand experience.

Thank you for everything, Lin and Tom and Jesse and John.

I mean that literally.

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GC Myers- The Singular HeartYou do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about your despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.

Mary Oliver

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A while back, a person interested in my work sent me the poem above, Wild Geese.  It was written by the esteemed Pulitzer Prize winning poet Mary Oliver. This person wanted to know if I would be interested in translating this poem into into one of my paintings for them. I replied that when I had some time I would gladly do that as I think the poem strikes a chord that very much resonates in my work.

After a short while, this person contacted me again and said they had been looking at my work and had found a painting that they felt captured the spirit of the poem. The painting is the one shown at the top, The Singular Heart.

I was thrilled by the choice. It had the feeling and message of the poem without being absolutely literal.  It’s exactly how I wanted to portray it. And the message and title of the painting fell perfectly in line with Oliver’s poem.  The Red Tree stands, singular and alone, with the realization that it has a unique place, as does every being, in the family of things.

I told this person a bit about this painting and an experience I had with it that stuck with me.  Once it hung in my home area gallery, the West End Gallery, and I met with a local college art class there. One of the questions was which of the pieces there was my favorite. I normally don’t answer that question because I have always felt that any painting that I decide to show has something unique to it, some quality that makes it special to me. Kind of like a parent with their kids.

But on this occasion I didn’t hesitate and pointed at this painting.  I told them if I were to try to describe in one painting what I wanted to say with the body of my work and what I hoped for myself as a person, that this piece would summarize it perfectly.

I told this person that I felt it was perfect choice and was pleased when they chose this painting to represent the poem in their home. It means a lot when any painting finds a home but is even more special when I know that it resonates on many levels with its owner, that it goes deeper than the surface.

Here’s a clip of Mary Oliver reading her poem, Wild Geese:

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9917104-blue-etude-smThis is a new painting, a 4″ by 4″ piece on paper, called Blue Etude.  It’s part of a small group of new work that is included in the Little Gems show that opens this Friday at the West End Gallery.  Twenty two years ago, I showed my work in public for the first time at the Little Gems show. Since that time it has come to be the kick off point for my work year, as it is this year.  It is always one of my favorite shows.

After the Little Gems my next show is my annual solo exhibit at the Principle Gallery in Alexandria.  This year’s show open on Friday, June 2.  This exhibit will be my 18th consecutive show at the Principle, going back to my 2000 show, Redtree, one that marked the real beginning of my now signature Red Tree.  My life would be much different without that show.

This is also an important show for me because it requires so much effort and focus, it sets the tone and determines the course for  my entire year.  It is also the show that normally unveils any new directions for my work.

This year’s show is titled Truth & Belief.  These two concepts have been in my thoughts for some time now and I find myself trying to find bits of each in my paintings as I work on them.  While I hope truth and belief are forever intertwined as one, it is now painfully evident that this is not always the case.

It’s that difference between the two concepts that hopefully will create the tension, the darkness beneath the light in my work.

My annual show at the West End Gallery opens Friday, July 14.  I have to double-check, but I believe this will be my 50th solo show— obviously not all at the West End! But there have been very many there and, as my de facto home gallery, it is always a very important exhibit for me.  You always want to do well in front of your hometown crowd.

This year’s show at the West End is titled Self Preservation.  More on that in the future!

I currently have two Gallery Talks scheduled. I have come to look upon them as some of the highlights of my year.  I like the challenge of them and the fact that they often are just a lot of fun.

This year’s Gallery Talks are:

*West End Gallery on Saturday, August 5.

 *Principle Gallery on Saturday, September 16.

There are some other things coming.  For example, my work is featured in an article in the Summer edition of Acrylic Artist Magazine. Plus, there are a few other things in the works.

And, as is normal, my work will be regularly on display at the galleries that represent me during those times when I don’t have a show hanging.

I guess I better get to work.

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