Meditation brings wisdom; lack of mediation leaves ignorance. Know well what leads you forward and what hold you back, and choose the path that leads to wisdom.
–Buddha
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This is another new painting that is headed to the Kada Gallery for Alchemy, my solo show that opens there on November 16. This piece, 18″ by 18″ on canvas, is titled Deep Focus. This was one of those pieces that just seemed to fall out with very little inner wrangling or consternation. Once I started, it was off and running with what seemed very little assistance from me.
It was immediately clear that this painting was going to be about focus, about looking deeper and deeper into the canvas. Built from the bottom, each layer pushed the eye further inward. About halfway into this I began to think of the title for this as being AutoFocus, just for the ease with which it was emerging. But I finally opted for Deep Focus because of the depth I was seeing in the picture and the way everything seemed to gravitate toward the central point of the sun that is peeking over the distant hill.
This piece seems to have a very meditative quality, a placid feeling that goes well with the ease of the piece. Or at least, the ease that I felt in its creation. Sitting here now, taking it in, its construction seems simple, almost naive. Yet there is a feeling of opulence that I think comes from the colors and curves of the landscape that sheds this naivete and gives it a feeling of deeper knowledge. or a way to deeper knowledge. Far from naive.
Years ago, I had a hard time trusting the validity of pieces that fell so easily from my hand, believing that struggle must be part of making a painting come alive. I was almost embarrassed by the ease with which some pieces came. But over time, I have come to believe that it is this effortless work that is the goal, the work that is true and has the authenticity that I seek. This piece is a testament to the trust in my intuition that has come with time.
I love the warm colors of the hills. It makes me feel like the sun is either rising or setting to warm the entire environment around it. Beautiful!
Thank you!
I think the square format contributes to the serene feeling of this painting. The combination of the teal lake and the orange hills is lovely.
I use the square shape quite often, really liking the symmetry that it adds.
I notice the last few recent paintings you’ve shown do not have the red tree in them. Are you moving on from that as a symbolic element in your work?
I hadn’t even noticed but, no, I think this is just an anomaly. When I look around the studio at the work for the upcoming show, the Red Tree seems to be everywhere. I don’t see it leaving my work anytime soon.
Good, because then you’d have to change the name of the blog. And besides, I like that friendly little red tree.
Me, too.