John Liston Byam Shaw- The Flag 1918
I’ve written here about how uncertain the future is for any artist’s legacy. I usually point out that how one’s work fares in the next few generations and beyond is out of the artist’s hands. I can cite example after example of artists who have created brilliant work in their time yet whose names and images remain relatively unknown in this time. Their work often goes for relatively little at auctions and is seldom spoken of, yet it is nonetheless beautiful and moving.
One fine example is John Liston Byam Shaw ( most often known as simply Byam Shaw) who was a British artist and illustrator who lived from 1872 until 1919, dying in the influenza epidemic after the first World War at the relatively young age of 46.
John Liston Byam Shaw- Boer War
Heavily influenced by the Pre-Raphaelites, Shaw produced what I consider a large and gorgeous body of work. It is wide in the scope of its themes and imagery and when I look at the Google Images page there is one after another of just great paintings.
The image shown here on the right, Boer War, is perhaps his best known painting. It a war painting without the actual imagery of war, depicting the sense of loss and despair felt by those loved ones who survive the fallen.
A more obvious reference to the aftermath of war is shown in the painting at the top of this page in The Flag, a memorial piece done at the end of WW I. I am really drawn to the use of color and tone in this painting. Just a wonderful painting.
There are so many more that I have selected just a few that struck me. If you look for yourself I am sure you will find some others that will do the same for you. One of the paintings shown below, the first at the top of this group , a watercolor titled The Ballad of Luther, went to auction in the last few years and didn’t even draw an opening bid of less than $900.
As I said, legacy is out of the hands of the artist. All they can do is to make an effort to produce work that fills their own need for expression and emotion. I think Byam Shaw definitely did this and that is enough, especially for those fortunate enough to find his work.
John Liston Byam Shaw – The Ballad of Luther
John Liston Byam Shaw- Queen of Hearts
John Liston Byam Shaw-This is a heart the queen leant on / Marriage Procession Arthur and Guinevere
John Liston Byam Shaw-Queen Mary and Princess Elizabeth Entering London
John Byam Liston Shaw- Now is the Pilgrim Year Fair Autumn’s Charge
John Liston Byam Shaw- Rising Spring
John Liston Byam Shaw -Illustration for Old King Coles Book of Nursery Rhymes
For me, Punxsutawney Phil is not the ultimate predictor that winter is coming to an end. No, it is those first reports from Florida and Arizona that baseball’s Spring Training is beginning that does it for me. The baseball is in the air once more and I feel so much better when I am immersed in the rhythms of baseball.
Valentine’s Day.
I showed this short video here about six years back. It’s a compilation of morphing self portraits from Vincent Van Gogh put together by Phillip Scott Johnson that I found intriguing then and now.
I was going through some old images the other day and for some reason I always settle on this image shown here, an old piece from my earliest painting efforts over twenty years back. I call it The Incantation. At that moment a news station was on the TV, with its incessant and seemingly never-ending coverage of the presidential primaries.
I came across this film early this morning and was immediately intrigued. It’s a film of an automata, a hand-crafted machine made by Swedish artist/craftsman Per Helldorff (his site can
Here’s my latest entry into the Icon series, a 12″ by 12″ canvas piece that is titled Icon: Joe H. He is my 3rd great-grandfather and his name was Joseph Harris and he was born in the Lindley (the town named after our common ancestor, Eleazer Lindsley,who was among the first Icons) area south of Corning in 1833.
There is delight in singing, though none hear beside the singer. 
The painting above is titled Paradise-The Land of Men, Birds and Ships. It’s actually a mural that was painted on a building outside of Paris in 1950 by artists Friedensreich Hundertwasser and René Brõ. It was saved from demolition in 1964 although I have no idea where or in what condition it now stands. I’ve featured Hundertwasser’s work, with it’s rich colors and organic shapes, here on the blog a few times in the past. I like his work, I like this and thought it fit well with the song I’ve chosen for today’s Sunday Morning Music.
Redtree Times 