Feeds:
Posts
Comments

Archive for the ‘Motivation’ Category

“She Glides Through the Fractured Night” Now at the Principle Gallery

******************

Doing nothing for others is the undoing of ourselves.

― Horace Mann

*******************

I am just going to let the words of Horace Mann hang out there this morning.

Most of us are probably unaware of Horace Mann outside of it being in the names of many public schools all around the nation– there is most likely one somewhere in your region. But Mann, an educator and politician, was a leading advocate for universal public education and for standing up for the rights and betterment of others. In fact, the words on his statue at Antioch College, where he served as its first president until his death in 1859, read:

Be Ashamed to Die Until You Have Won Some Victory for Humanity

I think he probably died without shame.

Let’s hope we all can do the same.

Here’s a favorite song of mine from Mavis Staples. It’s hard to believe it’s been nearly 10 years since I last played it here.

Time do fly, do it not?

Have a good day.

Read Full Post »

***********************

“I tried to establish order over the chaos of my imagination, but this essence, the same that presented itself to me still hazily when I was a child, has always struck me as the very heart of truth. It is our duty to set ourselves an end beyond our individual concerns, beyond our convenient, agreeable habits, higher than our own selves, and disdaining laughter, hunger, even death, to toil night and day to attain that end. No, not to attain it. The self-respecting soul, as soon as he reaches his goal, places it still further away. Not to attain it, but never to halt in the ascent. Only thus does life acquire nobility and oneness.”

Nikos Kazantzakis, Report to Greco

************************

I originally saw this painting with the three Red Trees hovering over the houses like three spiritual guides. Three angels, perhaps. But the more I looked at it ( and I looked at it a lot) the more I saw the trees, especially with the exaggerated elongation of their trunks, as continually rising higher.

They weren’t hovering angels. No, they were spiritual searchers straining to reach even further out into the unknown, represented here by the chaotic slashes of color that make up the sky.

Trying to make the unknown known.

Trying to find order in chaos.

This perception was made even more tangible when I came across the excerpt at the top from the fictionalized autobiography of the late great Greek author Nikos Kazantzakis. The idea it presents of a life dedicated to seeking a nobler way of being, to attaining unity, oneness, seemed appropriate as a interpretation of this painting.

It also seemed appropriate as a basis for a way of living amidst the ever swirling chaos of this world. To seek to be somehow better, to attempt to rise above the petty and reactive behaviors to which we so easily assume, is indeed a worthy goal for any individual.

This added a layer of depth to my own appreciation for this piece. I see this painting, which I am calling Climb Ever Higher, as a lovely reminder to set my aims higher, to eschew my baser instincts. It’s a reminder that I certainly need in these chaotic times.

This 24″ by 24″ canvas is part of my Social Distancing show that opens a week from today, June 5, at the Principle Gallery.

 

Read Full Post »

************************

“A writer – and, I believe, generally all persons – must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.”

Jorge Luis Borges, Twenty-Four Conversations with Borges: Interviews by Roberto Alifano 1981-1983

*************************

Marilee Shapiro Asher

Interesting article in the Washington Post yesterday about DC artist Marilee Shapiro Asher who at age of 107 is successfully recovering from a rough bout with covid-19. It was so rough that her doctor called her family saying that she would most likely not last twelve more hours. But the doctor underestimated Marilee and probably wasn’t aware she had already beaten another pandemic, having contracted the Spanish Flu in the Pandemic of 1918 at the age of 6.

That’s a great story in itself but for me, I was as interested in the fact that Marilee is still working as an artist at age 107. She began her artistic career as a metal sculptor in her 20’s and had her first show in 1938–82 years ago. Over the years she has worked in sculpture, painting, photography and now in digital art. In her late 80’s, when the physical demands of working with the large metal sculptures she was known for ( she has work in the permanent collection of the Smithsonian) became too much for her she enrolled in a digital art program. Her fellow students were almost all in their early 20’s.

She had her last show of her sculpture at the age of 100 and is looking forward now to a possible new show of her digital creations. At 107.

It’s obvious that art gives her a purpose that fuels her drive to live. It’s not an unusual story. I have encountered a number of stories of artists who have seemingly prolonged their lives through the purpose they find in their art, many productively working into their 100’s.

I find this encouraging.

Marilee had someone in the family to follow in taking up her late interest as a digital artist. Her mother, Bonnie Harris, took up painting at the age of 79 and worked at it until her death at age 92. Self taught, her folk art paintings garnered much notice and are in the permanent collection of several museums, including the Baltimore Museum of Art, the Smithsonian National Collection of American Art, The Phillips Collection and the Folk Art Museum.

Like I said, I find this encouraging. And these days, when there is so much happening that want to make you worry, it’s nice to know that these artist found purpose in their work and used lives that spanned the awfulness of pandemic, war and social upheaval as the inspiration and raw material for their work.

Get well, Marilee, and keep on working. Thanks for the inspiration.

Read Full Post »

********************

“True glory consists in doing what deserves to be written, in writing what deserves to be read, and in so living as to make the world happier and better for our living in it.”

― Pliny the Elder

********************

A couple of days ago I showed a painting in progress, at a point where I believe it had taken on its life force. Even though it was far from complete, it was already exuding some sort of energy.

I can’t speak for other artists but for me, that’s always a great feeling. It energizes the process, makes me eager to see it through, to discover what its final phase will reveal. There’s a sense of gliding. It feels easy and smooth with little resistance, nothing to stop you from soaring forward.

Believe me when I say this is not normally the case. No, it’s not always gliding through a cool sky. Sometimes the process is a slow trudging march forward in the pouring rain. There are multiple periods in the process where  everything goes flat and dull, including my own enthusiasm for continuing, and there seems to be no satisfying end in sight.

But the strange thing is that often both of these paths– the soaring as well as the slogging– come to the same final point. Both often result in a piece that speaks on its own, that has its own life, its own energy.

They just get there via different routes.

The beauty in both ways is that both are energizing for me. The easy way, such as this painting followed, excites me and inspires me, throwing me instantly into my next work.

It’s joyful.

The slog, on the other hand, reinforces me. It builds the confidence that I can go deep within myself and get past the next obstacle I face. To just keep moving ahead.

It’s satisfying.

This piece was, as I said, easy. It excited me and inspired me from its very beginning. There’s a cleanness in its energy, its colors and forms clear and easily read. Graceful. The inspiration I felt in painting it hangs to it still. As does its joyful feeling.

It’s what I hope for in all my work.

I call this piece In Gaudium Mundi.

The joy in the world.

It’s an 18″ by 36″ canvas that will be part of my Social Distancing show at the Principle Gallery that opens in June at the Principle Gallery in Alexandria, VA.

Have a great day.

Read Full Post »

Dr. Seuss- Gosh Do I Look As Old As All That

***************

Say what you mean and act how you feel,

because those who matter don’t mind,

and those who mind don’t matter.

Dr. Seuss

*************

I think these words about sincerity from the wonderful and wise Dr. Seuss are good advice for just about anybody.  For myself, I pass this advice on to young artists. Make your own meaning and feeling the focus of your work…

**************

I ran the short post above several years ago and it resonated with me again this morning. For one thing, it reminded me of how much the imagery and messaging of Dr. Seuss influenced and informed my own perspectives and art. I never thought about it at the time I started drawing and painting but his way of representing the landscapes of his worlds very much infiltrated my own way of looking at my own inner worlds. I see the bendy curves of his trees and smile because I see them in many of my own Red Trees.

The other reason this older post resonated with me were his simple words about honestly saying what you mean and acting how you feel. There are many days when I am trying to write this blog and I feel inhibited by not wanting to offend anyone with my own personal views. I have many times set aside posts that I deemed potentially too offensive. But more and more, I am less shy about sharing my honest opinions for just the reasons that the good Dr. points out: those that matter don’t mind and those who mind don’t matter.

And that also translates to my work. I am also less shy in sharing work that moves outside my comfort zones for this same simple reason. I figure if I am being honest and sincere in my work and in my opinions, what do I have to fear from the opinions of others?

So, thanks for that Dr. Seuss, wherever you may be. Your words and art and storytelling have changed the worlds of many, myself included.

Here are a few more of his paintings that weren’t in the original post:

Read Full Post »

black coffee

******************

I’m feelin’ mighty lonesome
Haven’t slept a wink
I walk the floor and watch the door
And in between I drink
Black coffee

************

In the studio early again and a little tired from riding the rollercoaster ride of recent times. Lots to do but it’s hard to getting the engine fully rolling. This thing grips tight and breaking free enough to really create is sometimes a tough task. I spoke with a gallery owner yesterday who said that one of their upcoming and much anticipated shows would be much smaller than they had hoped because the show’s artist had a hard time completing the pieces for the show because of the anxiety caused by the pandemic.

I understood that artist’s feelings completely and learning of their struggle gave me a little comfort in knowing that it wasn’t only me.

So, here I am this morning in the studio with the light outside struggling to emerge and a ball of anxiety in my gut just waiting to wake up. Much I can do but all I want to do is sip my black coffee and look out the window at the wind ruffling the limbs of the white pines above the milling deer in my yard. Maybe listen to a little Ella.

Sounds like a plan to me.

Gonna proceed with that plan now. Hope you have a plan to make your day a good one. Here’s part of a post about the song Black Coffee, along with Ella’s stellar version of it, that ran five years back. It also has a link to great poem that might help you through your day, so take a look. Or not. I don’t care about anything this morning except my cuppa black coffee.

************

The sultry Black Coffee was written in 1948 by Sonny Burke and originally recorded by Sarah Vaughan and a few years later by Peggy Lee. There have been many, many covers of this song and most are very good. But there are four versions that really stick out for me, all very distinctly different. They are Vaughan’s original, the one from Peggy Lee, k.d. lang‘s darkly twangy version and the one I am featuring this morning from the great and grand Ella Fitzgerald.

Her version is elegantly spare with her voice and piano interweaving beautifully. It is darkly tinged but there is such strength in her phrasing that it keeps the song feeling surprisingly upbeat. Just a great, great song.

A little bit of trivia about this version: It was the favorite song of Nobel Prize winning poetess Wislawa Szymborska , who requested it be performed at her funeral. You might remember Szymborska from a blog entry here last month that featured her poem Possibilities.

So,give a listen as you sip the morning beverage of your choice. Maybe a little black coffee…

Read Full Post »

Jean Arp- Torso of a Giant 1964

Jean Arp- Torso of a Giant 1964

 

*****************

Soon silence will have passed into legend. Man has turned his back on silence. Day after day he invents machines and devices that increase noise and distract humanity from the essence of life, contemplation, meditation… tooting, howling, screeching, booming, crashing, whistling, grinding, and trilling bolster his ego. His anxiety subsides. His inhuman void spreads monstrously like a gray vegetation.

–Jean Arp

**************

GC Myers- Quiescence

****************

I had a quote on the last post with a quote from artist Jean Arp about man turning his back on silence. Rather than savoring the quiet, he runs from it, instead distracting himself with all manner of noise. Anything to keep him from facing the fears that the quiet represents to him.

It’s a theme that has been large in the background of my work. Early on, when I felt that I wanted to be a writer, I would find myself writing about large open spaces and the caverns of silence that rested in these places. I called it the Big Quiet. Of course, it’s a pretty limited subject and there is a certain redundancy in writing about silence and stillness. I mean, how can you use the noise of words to aptly describe the absence of noise?

So I gave up writing about it and went on with my life, always with an eye out for this Big Quiet. I don’t know that I was craving it or fearing it at most points. My life was pretty much filled with the noise of the world, all the snaps and pops of sound and distraction that creep into every living space. I was like so many others who needed the security blanket of sound to protect them from what they might discover if they were forced to face the silence.

But the sounds that I hoped would lessen my anxiety only seemed to feed it.

However, painting gave me a path to finding this Big Quiet. It was wordless and calm, creating an inner space absent of the sounds of the world that I was and am still occupying. It became a destination, an oasis to turn to when the din of world became too loud, too overbearing. It eased my fears of looking inward and allowed me to savor the quiescence of the brief moments I actually myself there in those scenes of stillness and calm. It became real and necessary to me.

I don’t know where this going, this wordy noise I’m creating about the stillness I find now. I just felt that I should add a bit of context to my work, to give a an understanding of what I hope to take from it for myself. This moment came about from running across the image above, a piece from several years ago that is called, fittingly, Quiescence. It’s a piece that brings me quiet immediately and seeing it at any time makes me again think of the main reason that I paint.

So, I am going to be quiet now…

********************

The post above is comprised of two posts that ran here on consecutive days back in 2013. They served a great purpose for me this morning when I read them again for the first time in many years which made me think they were worth sharing.

Read Full Post »

***********************

If necessary, I would even paint with my bottom.

Jean-Honore Fragonard

***********************

I can’t say I am a fan at all of the work of Jean-Honore Fragonard but the quote above made me laugh this morning. I think some folks believe I’ve been painting that way for years now. Sometimes, I believe it myself.

But his point, while humorous, makes a vital point.

I know I have been asked what I would do if I suddenly couldn’t paint anymore and I always answer the same way:

I’d find a way.

Whatever obstacles arise, there is usually a way to be found around or over or under them. Hopefully, it doesn’t come down to painting with my bottom but if that’s the way it must be, so be it.

Now, let me share just bit about Fragonard, the French painter who lived from 1732 to 1806. He painted in the Rococo style, one which never really appealed to me. It’s very

the French painter who lived from 1732 to 1806 and worked in the Rococo style, which has never really appealed to me. I have a hard time even describing it except to say it’s busy and soft and often has the feel of a bad romance novel book cover. Rococo paintings might look fine and in their proper place in a highly decorated chateau in the Loire Valley but they just don’t translate well for me personally.

But that’s just my take.

Fragonard dies in 1806 as an almost unknown painter. He had achieved fame and notoriety as a painter earlier in his career, painting his elaborate pieces with a hedonistic feel for the upper classes of French society. Unfortunately for Fragonard, the French Revolution effectively wiped out most of his patrons, most either guillotined or sent into exile.

His style of painting was not appreciated and he went into hiding of sorts. For the last fifteen years or so of his life, he was off the radar completely. This extended for another sixty or seventy until his work underwent a reevaluation and rebirth. He has since been hailed as one of the masters of French painting.

So, his work lives on and he never had to paint with his bottom, to the best of my knowledge.

Read Full Post »

*********************

“And I can’t be running back and fourth forever between grief and high delight.”

J.D. SalingerFranny and Zooey

**********************

When I send a painting to a gallery it is with the expectation that it might very well sell.  As a result, I don’t usually announce or comment when a piece does actually go to a new home. I am usually very pleased when a sale of my work takes place. I mean, it’s my job and my livelihood plus the sale is a validation, in a way, that the work reached out beyond my own imagination and struck a chord with someone to the point that they chose to spend their hard earned money to obtain it.

What’s not to be happy about that?

But hearing that some paintings have been sold raises conflicting emotions. On one hand, I am thrilled to see the painting find a new home and to know that I can pay my bills for another month. That is a always a good thing.

But on the other hand, there are paintings that I see as being special, as being more significant to myself. Selling one of these paintings means that it is forever out of my hands, that it is no longer mine alone. Like a part of myself has been sheared off and sent away.

As a result, much like Salinger wrote above, I find myself running back and fourth between grief and high delight.

Such is the case with the painting at the top, Saints and Sinners. It’s a piece that I felt was personally among my best, one that was well beyond myself. I learned yesterday that it had sold and was very happy at first. Someone had seen that same special quality in it and was making it part of their life.

But after only a few moments, I had a sinking feeling in my stomach and a sense of loss came over me.

Even this morning, I am a little sad about it being gone forever.

Almost grief.

I say almost because, as grief goes, this is way down on the list of things that might cause one to grieve. For most people, especially non-artists, this sound ridiculous, I know.

So, let’s just call this artistic grief.

Don’t worry. I’m okay. I am not wearing black or tearing up this morning. I sold a painting, for chrissakes.

I am very happy about that but will still miss it, that’s all.

Okay, back to work. Maybe this next piece will be a worthy replacement.

Or better…

 

 

Read Full Post »

I ran the post below several years back and thought it deserved another look. As I say, it is advice from poet e e cummings to aspiring poets on becoming nobody-but-yourself, advice anyone can use for whatever creative path they might want to follow. I know it always makes me want to feel and work and fight a little bit harder. Take a look:

***************

****************

Whenever I am asked to speak with students I usually tell them to try to find their own voice, to try to find that thing that expresses who they really are. I add that this is not something that comes easily, that it takes real effort and sacrifice. The great poet e e cummings (you most likely know him for his unusual punctuation) offered up a beautiful piece of similar advice for aspiring poets that I think can be applied to most any creative discipline.

Or to anyone who simply desires to feel deeply in this world.

I particularly like the line: To be nobody-but-yourself -in a world which is doing its best, night and day, to make you everybody else-means to fight the hardest battle which any human being can fight; and never stop fighting.

That line alone speaks volumes.

Take a moment to read this short bit of advice and see what you think– or feel.

*******

A Poet’s Advice To Students

(e e cummings)

A poet is somebody who feels, and who expresses his feeling through words.

This may sound easy. It isn’t.

A lot of people think or believe or know they feel-but that’s thinking or believing or knowing; not feeling. And poetry is feeling-not knowing or believing or thinking.

Almost anybody can learn to think or believe or know, but not a single human being can be taught to feel. Why? Because whenever you think or you believe or you know, you’re a lot of other people: but the moment you feel, you’re nobody-but-yourself.

To be nobody-but-yourself -in a world which is doing its best, night and day, to make you everybody else -means to fight the hardest battle which any human being can fight; and never stop fighting.

As for expressing nobody-but-yourself in words, that means working just a little harder than anybody who isn’t a poet can possibly imagine. Why? Because nothing is quite as easy as using words like somebody else. We all of us do exactly this nearly all of the time-and whenever we do it, we’re not poets.

If, at the end of your first ten or fifteen years of fighting and working and feeling, you find you’ve written one line of one poem, you’ll be very lucky indeed.

And so my advice to all young people who wish to become poets is: do something easy, like learning how to blow up the world-unless you’re not only willing, but glad, to feel and work and fight till you die.

Does this sound dismal? It isn’t.

It’s the most wonderful life on earth.

Or so I feel.

Read Full Post »

« Newer Posts - Older Posts »