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Archive for the ‘Music’ Category

GC Myers Early Work mid-1994It’s Sunday morning which means I usually play a little bit of music.  This morning I didn’t have anything in particular in mind so I went to YouTube and just punched in something general then let myself be led by  randomly choosing from the selections that come up on the right side of every video.  It’s amazing where this will sometimes take you, sometimes to music that you know really well and other times opening new horizons.  Today it led me to a song that I have always liked by the Stray Cats from back when they were leading a little rockabilly resurgence in the 1980’s.

It wasn’t one of their hits from the time and I’m not even sure it is on any of their widely released albums.  But it is one of my favorites from their songs.  It’s called Crawl Up and Die and has a nice build up and finish, the perfect thing to kick off a sleepy Sunday morning despite the somewhat gloomy  title.

While trying to find an image to accompany this post and song I came across the old piece above from back when I was still forming a voice and working on processes.  This is among my earliest attempts at my reductive process where I put on a lot of very wet paint and pull off what doesn’t belong.  Kind of like carving in paint.

I wasn’t sure at this point where I was going with my work and was still considering straight  representation.  While I don’t think this is a bad piece, especially from where I was in my evolution, it didn’t have enough to make me want to move further in this direction. So I moved down a different path and, fortunately, it was the right choice.  I do like the mood of this piece however and feel it fits the title here.

Have a great Sunday!

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GC Myers- Raised Up Practice kindness all day to everybody and you will realize you’re already in heaven now.

Jack Kerouac

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I am not sure what to do with these words from Jack Kerouac but I do like them and think they deserve to be passed along.  I am a firm believer of kindness in all forms and believe that it is a pathway to a better life here in this world.

When I was waiting tables I found that my own attitude and demeanor often dictated how others responded to me.  If I smiled and acted congenially, more often than not the person I was dealing with responded in the same manner.  We are reactionary creatures and we instinctively respond according to the tone we encounter– rudeness with rudeness and anger with anger.

And kindness with kindness.

It’s our choice.  If we can fight against our reactionary nature and choose to act and react with kindness, we can shape our world and then perhaps realize that a form of heaven might be within our grasp.

I have never had the faith or certainty of those who believe that there is an actual heaven waiting beyond this world.  I would like to but I just don’t have it within me.  So, for me, if there is to be a heaven it is something to be sought in the here and now.  By that, I mean creating an environment that is honest, kind and gentle.  A life that is peaceful and quiet–that would be heaven to me.

So, when you’re out there today and face rudeness and anger, make the choice to react in a gentler manner and be kind.  Your world might be one small step closer to heaven.

This quote reminded me of a song from one of my favorites, John Prine.  The title pretty much sums it up: He Was In Heaven Before He Died.

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I was looking for something else and came across this post from back in 2009 about one of my favorite songs and the unusual man who wrote it.  I thought it deserved a replay.  Plus I just felt like hearing “Nature Boy”this morning.  Here’s how it goes:

eden-ahbez-with-cowboy-jack-pattonSometimes when you look a little more behind something that’s been in front of you for years you find out things you might have never imagined otherwise.  Such is the case with the song, Nature Boy.

Nature Boy, as recorded by the great Nat King Cole,  has long been one of  my favorite songs.  It has a wonderful haunting melody and tells the story of a “strange enchanted boy” and his search to find love.  It always has had a sort of mystical feel to me, a real oddity in the world of popular music in 1948 when Nat King Cole recorded and had a huge hit with it, staying at #1 on the charts for eight weeks.

I was going to just have a short post and put up a YouTube video of Cole’s version but in doing so I saw the name of the songwriter, eden ahbez, and was intrigued.  Doing a little research I came across some photos of him such as the one above, from the late 40’s sitting with Cowboy Jack Patton ( who wrote Ghost Riders in the Sky) and a spaniel.  I’ll let you figure out who is who in the photo.  ahbez’s long hair and attire seemed really out of place for me in thinking of 1948 so I read on.

eden-ahbezeden ahbez was a real one of a kind character in the world of music and in general.  You could probably guess that from the name which he adopted and wrote only in lower case letters.   Born in 1908, he is regarded as the first hippie by many, a long-haired and bearded wanderer who crisscrossed the country on foot, wearing robes and sandals, maintained a vegetarian lifestyle and slept out under the stars.  In fact, when Nature Boy hit the charts he and his wife were living under the first L on the Hollywood sign, which stoked a bit of a media frenzy around ahbez.  He worked in and frequented a vegetarian restaurant (that’s where he met Cowboy Jack Patton, another interesting character) in 1940’s Los Angeles whose German owners preached the gospel of natural and raw foods.  Their followers became known as the Nature Boys.

He was not really what I was expecting from a pop songwriter in 1940’s LA.  ahbez died in 1995 from injuries sustained in an auto accident.  He was 87.  His was a truly unique life, just waiting for a biographer to tell the story, and reading the little I discovered makes me find the song even more interesting.  Hope you’ll do the same now that you know a bit more about eden ahbez

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Long John Baldry - Everything Stops For Tea a.jpg-for-web-xlargeSunday morning and I just finished my coffee/protein get-me-started drink and now am working on my first cup of tea for the day.  Something soothing in the whole idea of tea. Maybe it’s the slowness of it, the steeping and sipping  associated with it that attracts me. One of my favorite moments of the day is finishing my cup of tea after breakfast and holding the china cup, feeling the warmth radiate through its thin walls.  There’s something meditative in that.

That brings me neatly to this week’s Sunday morning musical choice which features tea as its central theme.  It’s a song called Everything Stops For Tea from the 1972 album of the same title from the late British blues/rocker Long John Baldry, who in the early 1960’s put into motion the careers of a number of what were to be large stars such as Elton John and Rod Stewart.  I liked this album from the moment I first saw it– must have been the colorful cover that is at the top of the page here.

But I loved the music as well, especially the title track which is Baldry’s cover of a song made popular in Britain in the 1930’s by Jack Buchanan,  a Scottish actor/singer known for his debonair man-about-town roles in the theatre and on film.  Oddly enough for a song concerning one of the most British of things, the song was written  three Americans– Maurice Sigler, Al Goodheart and Al Hoffman.

Regardless, it’s a fun song that I often find myself humming at odd times.  Give a listen and maybe have a cuppa while you’re at it.  Most of all, have a great Sunday.

 

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GC Myers- Center Stage smI think I’ve written here in the past about how the aftermath of  a show is for me in the studio.  In the week or so after a show opens there is generally a little letdown, the result of a sudden loss of the energy that accumulates from the adrenaline and anxiety in the build up to the opening.  I usually mope in a way, floundering around for several days trying to refocus and regain my bearings, to find some point in which to direct my energy.

It’s often a frustrating time even while the show still hangs and does well.  I sometimes get a little lost in those moments where the very act of painting becomes absolutely abstract and foreign in nature to me.  The purpose that just a week ago seemed so apparent now has dissolved and I find myself questioning everything– my abilities, the purpose and direction of my work and so on.  Those particular moments weigh heavily on me.

As I said, it’s a frustrating time.  Fortunately, I know from times before that this was coming and will pass.  It’s part of the process, part of who I am, If, as Shakespeare says, all the world’s a stage and we’re all merely players, then this is simply part of the makeup of the character I portray in this play.  It’s maybe the only role for which I am truly suited by nature and ability.

And maybe that’s the thing I need to remember in these frustrating days; that this is the role that I best play, that this is the role that was written specifically for me.

That kind of ties in with the painting at the top, Center Stage, which is part of the Home+Land show at the West End Gallery.  We are all the main characters in our own plays and we need to be be willing to play the part with conviction, to embrace the role that is written for us.  When you are on that stage, let your light shine.

And that brings us, in a sneaky manner, to this week’s Sunday morning music.  I’m going with one of my favorites, Neko Case, and her rousing version of the children’s gospel classic, This Little Light of Mine.  Gets the day started with a kick and blows away those frustrations.  So, enjoy, have a great day and let that light shine.

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PrintI’ve written here in the past about the Tour de France, the epic bicycle race that that criss-crosses France for three weeks each July.  About 2100 miles in 21 days that climbs through the heights of the Pyrenees and Alps.  It is an incredible test of strength, endurance and nerve putting perhaps the greatest endurance athletes on the planet on the edge of their physical capacities.

For me, this event is like a yearly Olympics or a 21 game World Series, each day bringing something new to marvel at– incredible scenery, awe-inspiring performances and sometimes horrifying crashes.

And this morning, as the race winds down to tomorrow’s finish on the Champs de Elysee in Paris, is one of the most fabled routes in the Tour– the climb up Alpe d’Huez.  Over 68 miles filled with ridiculous grades, hairpin turns and fierce competition.  Just great sport.

Below is a profile of today’s route and below that a little riding music from Queen.  Got to run– the race is on!

Alpe d'Huez Route 2015

 

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GC Myers- Back to the Land smWell, the opening for my Home+Land show at the West End Gallery was Friday evening and went very well– just a perfectly wonderful night with plenty of people and lots of conversation.  It was a pretty large crowd, especially for a summer opening, but it still was one that met my criteria for a good show:  most of the attention was focused on the work on the wall.

I have been to plenty of crowded openings where the work is sometimes an afterthought and all the people there are facing inward in private conversations.  For me, a good show is one that is outward focused, one where the eyes oriented to the wall.  And even though there  was a good number of people, it seemed to me that most were there for the work.

And that really satisfies me in some deep way and for that I would like to thank all of you who took time from your summer schedule to spend a little time to take a look at the work.  I could not be more appreciative.  And thanks to Linda and Jesse once again for hanging the show in a way that seems to bring it all together in the gallery. Again, I could not be more appreciative.

That said, it’s time for a Sunday morning music and this week I felt like something older and mellow and, for me, the voice of the late and great Sam Cooke can often fill that bill.  This is a song he wrote that has been covered by many artists but his version always seems the real thing for me.  It’s from 1962 and has very recognizable backing vocals from Lou Rawls. Here’s Bring It on Home to Me.

PS: The painting at the top is from the show and is 12″ by 24″ canvas piece titled Back to the Land.

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GC Myers  Seeker of Light smThis is another new painting from the Home+Land show that opens this coming Friday at the West End Gallery.  It’s  16″ by 20″ on panel and is titled Seeker of Light.  It’s a painting that drew my attention on a daily basis in the days before it left the studio, the blue tones in it satisfying a personal desire for that color that often comes over me.

There’s something in that blue that, for me, creates a sort of color intoxication.  At the end of a day when I have been working up close, only inches away, I find myself smitten with the color, wanting to just keep painting endlessly with that color.  I’ve talked with people in the past about this, trying to describe how I actually have to consciously pull myself away from the color or it would engulf my entire body of work.  It’s pull for me is that strong.

And even though the whitish light of the moon seems to be the center of attraction here, I think it is pull from the blues that is the strength of this piece.  At first glance, it’s a scene that should feel wintry and cool but the blue tones here have a deceptive warmth, supported by the underlying reds and violets, that belies the natural coolness of the color.  It gives it a welcoming feel, inviting you in to follow the lines running in toward the light.

There’s so much more I could say about this painting but I won’t as it no doubt says it best for itself in the eyes of the viewer.

But that does lead us to this week’s Sunday morning music which has a reference to that color blue.  This song is from Van Morrison when he was starting his career with the Irish band, Them, back in the musical British Invasion of the mid-60’s.  Though they had a short life as a band, only about two years, Them produced some of the most enduring music from that era including the classic Gloria and  Here Comes the Night along with this cover of It’s All Over Now, Baby Blue written by Bob Dylan.  This song, with its haunting lead in,  certainly doesn’t feel its age, almost 50 years old, to me.

Give a listen and have great Sunday.

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Beginning to See the Light smHere’s another new painting that is part of my upcoming show, Home+Land,at the West End Gallery, opening July 17.  This 12″ by 12″ canvas is titled Beginning to See the Light, which sort of continues a theme from yesterday’s post as the title is also the title of a Velvet Underground song.

While I was working on yesterday’s post and listening to some music from the Velvets, I kept looking at this piece and when this song came on it just seemed right as a title for it in the moment.  It’s not that the lyrics necessarily jibed well but just the idea of that moment of realization that the title possesses seemed right because this is what I see in this piece– arriving at a moment of understanding.  The world seems calm and right but vivid in that moment.

Here’s the song that gave me the title.  It’s coupled with some absurdist/avant garde imagery from a 1968 Soviet film, The Color of Pomegranates.  I don’t know how relevant this is to the song but it’s kind of interesting?

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GC Myers-Heartshare smSunday morning on a holiday weekend but no holiday here in the studio yet.  No, not for another week or so as I get ready for my Home+Land show that opens in just under two weeks, on July 17 at the West End Gallery.  It’s been crazy busy the last couple of weeks but I am seeing the results coming clearer now and I think it has a real pop to it, one that has me getting excited to see the work hanging in the gallery.

There’s just something about seeing the work spaced on the gallery wall and not propped up in various positions around the studio that makes me see it as something apart from myself, something in and of itself.  It’s a bittersweet but exciting moment for me when I see a painting that has taken on personal meaning for me in the studio, like the one shown above, Heartshare, on the wall of the gallery.

It really lays claim to its own identity at that point and my time with it is close to an end.  It has become what it is and takes on the characteristics of the viewer, perhaps symbolizing things that I never saw or imagined in it myself.  That’s the mystery and beauty of this thing called art– sometimes one thing takes on many different meanings for different people.  There are no absolutes.

Well, it is Sunday morning and time for a little music so I thought I’d carry through on the theme of the painting at the top.  Here’s a song  called Some Kinda Love from the Velvet Underground.  Formed by Lou Reed and John Cale, the Velvets were one of the most influential bands of the mid-60’s.  A good rhythm to start your Sunday.  Have a great day.

FYI: The painting at the top, Heartshare, is 16″ by 20″ on canvas and is part of a series of paintings I’ve done over the last several years based on the myth of Baucis and Philemon.

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