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Posts Tagged ‘Erie PA’

Human beings are works in progress that mistakenly think they’re finished.

–Daniel Gilbert

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GC Myers-  Sovereign Solitude smThe statement at the top from Harvard psychologist Daniel Gilbert is one that I have found very true for myself and many of those I know, although sometimes we tend to see folks captured at certain steps in their changing lives through our memories of single moments.  His words also has a certain truth for some of my work, as well.

  One of the paintings that went to my current Kada Gallery show was the painting shown above, Sovereign Solitude.  It’s a painting that has been with me for a couple of years now, one that somehow hasn’t yet found a home.  It was a piece that really resonated for me and I found myself surprised when it came back from showing in a couple of galleries.  It was in my studio for some time and I began to try to look at it with the imagined eyes of someone else.   For me, it was complete but looking longer at it, I discovered that I was only seeing it as complete.  I was filling in its blank areas with the knowledge of what needed to be done.  Without actually doing those things.

So I went back into it.  The clouds had been dark masses of red  and they changed to have more lightness in them.  The white side of the structure became much whiter and the tree, which had been barren, gained some light foliage along with a few falling leaves.  The mass of color that was the sky was darkened at the upper and outer edges.  Finishing, it still held that same satisfying sensation for me but now seemed to be complete, to not hold the blanks spaces that I saw as being filled in my mind.

I guess you can’t be afraid to change.

Here’s what I wrote about this piece a few years back.  I think it still applies after the change.  Maybe more so.

The word sovereignty often comes to mind often when I scan through the body of my work. The idea of the individual standing apart, self-reliant and strong, is an appealing notion to me, as it is to many others. This sovereign individual is still part of this world yet self-contained, it alone being responsible for its actions and reactions. It has made its choice and it has chosen solitude.

This is a scary concept for some, a life where we must take responsibility for our actions and decisions, where we relish our time alone in solitude. It is a freedom which we profess to desire but are often hesitant in pursuing. It may not be a freedom which suits everybody but for those who seek this sovereignty of self, there is no greater reward than living by your own decisions and beliefs. We may not seem significant in the greater world but we have the power to rule our own lives.

And that should always be remembered.

This painting is a good example of this thought.  It has a warmth and calmness in it that I myself find appealing. It is like taking a deep breath then slowly releasing it, allowing the effects of this action to be felt fully. The pulse slows and breathing levels off.

Solitude found.

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GC Myers- Beyond the Blues smGreat opening night for my show, Into the Common Ground, this past Friday at the Kada Gallery in Erie.  Great crowd with a nice mix of people, old and new to my work.  Good questions and conversations.  Just a very successful show opening all the way around.

Many, many thanks to Kathy, Joe and Morgan at the Kada for making it such a wonderful night and making me feel like a part of the family there. Also, many thanks to everyone who came out and took part.  I can’t tell you how much it is appreciated.  And thanks to the weather for being relatively mild, a sometimes rare thing on the shores of Lake Erie in December.

Thank you!

Well. that being said, it is time for a little Sunday music.  I was thinking Otis Redding and that voice that I could listen to sing almost anything.  It’s hard to believe that in a few days it will 47 years since he was killed in a plane crash in 1967 at the age of 26.  Hard to imagine what might have come from this huge talent.  But he did leave behind an impressive legacy of music, including this great version of the Sam Cooke classic A Change is Gonna ComeIt gives you something to think about on this Sunday morning.

Have a great day.

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GC Myers- Blessed in Blue smallI’ve been extraordinarily fortunate in my career to have had long and lasting relationships with several galleries that represent my work.  This coming February will mark 20 years at the West End Gallery in Corning, NY as well as 18 years with the Principle Gallery in Alexandria, VA.  It also marks my 19th year with the Kada Gallery in Erie, PA.  Tonight’s show marks the 35th solo shows at these 3 galleries since the year 2000.

Each of these galleries is ran by people who I genuinely like and respect on a personal level which I think is the reason for the longevity of the relationships.  As a result, I always feel a responsibility to deliver the best possible show to each of these galleries.  A friend would do no less.

I hope that I have met that responsibility with the work for Into the Common Ground which opens tonight at the Kada Gallery.  Owners Kathy and Joe DeAngelo are two of the most decent and hard working people I have encountered in this or any other business.  Kathy has a tremendous enthusiasm for the work she displays, treating each piece with great care and respect.  She takes the time to really get to know the work, asking questions about the story behind each piece, and speaks authoritatively about it– all an artist can ask for in someone who shows their work.

Her enthusiasm is infectious.  When she calls me in the studio and I might be feeling a little worn down, I always hang up feeling upbeat and eager to get back at the paint.  Even after nearly 19 years of seeing my work she always seems excited by new pieces and that is a magical elixir for all artists.

So you can see why I desire my best for this show.  I know that this is a purely subjective opinion but I feel that I have done so this year.  It’s a show that clicks a lot of button for me but, again, that is not for me to say.  You will to just come out and judge for yourself.

The piece at the top, Blessed in Blue, is a 16″ by 20″ canvas, from the show.

 

 

 

 

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GC Myers- Expansion   smMan’s mind, once stretched by a new idea, never regains its original dimensions.

-Oliver Wendell Holmes, Sr.

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This another new painting,  a 16″ by 20″ canvas titled Expansion, that is part of my show, Into the Common Ground, that opens tomorrow in Erie, PA at the Kada Gallery.

For me, this is a painting whose theme is centered on the expansion of one’s mind and vision, about moving to a higher plateau of feeling and taking a wider view of the world.  This involves leaving the mind open to new ideas with the hope that these new ideas bring some form of enlightenment and that the negatives– hatred, greed, anger and envy just to name a few–that we have held on to for so long will be replaced by more positive qualities–love, generosity and kindness.

I see this expansion in the way the Red Tree seems to be facing the far horizon with arms open, unashamed and willing to submit itself to change.  It stands among the alternating rows of the field which represent in this piece being trapped in the entrenched patterns of habit.  By that, I mean we all too often live without thought, going with the prevailing movement of the crowd and never taking the time to stop and consider why and what we are doing.  We accept things as they are without trying to contemplate the possibility of things being somehow different, never consider opening ourselves to a different way of seeing the world.

A different way of simply being.

And I see this possibility, this expansiveness,  in this simply composed piece.  It is a feeling that is calm and kind and embracing– ideas that we all will hopefully allow to stretch our own minds.

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Into the Common Ground/ GC MyersAs I have been mentioning here, my solo show, Into the Common Ground, is now at the Kada Gallery in Erie, PA with an opening reception scheduled for this Friday, December 5.  Although it’s hard for me to be completely objective, I’m pleased with this show and think it’s a very strong show.  It clicks a lot of my boxes.

But again, that is my own biased opinion.  You can form your own opinion by taking a look at the video preview of the work in the show below.

Hope you’ll enjoy and if you’re in Erie this Friday, please stop in at the Kada Gallery and say hello.

 

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GC Myers- Delicate Balance  smMy solo exhibit, Into the Common Ground, opens at the Kada Gallery in Erie this Friday, December 5th.  While much of my work centers on the unique voice of the individual, the theme of this show is about finding those common bonds and experiences that we share with others.

Actually, I’ve always thought that my work succeeds when it communicates as a mix of those two things– individual expression of a common theme or emotion.  Art for me is communication, about reaching out and finding validation in my own humanity through contact with others.  I  feel that art should be expansive, not exclusive or reserved for wealthy insiders.  While art is often an inward search, it should always be reaching out to engage the world.

And maybe that is what I see here in this new painting, Delicate Balance.  Creating work that reaches out and finds common ground is a sometimes delicate balance.  It comes down to identifying what is really at the base of what you are or hope to be as a human and pushing aside those negative feelings– envy, greed and hate among many other negatives– that cloud your judgement.

Its not always an easy thing to accomplish.  That bridge across to others can be sometime wobbly.  But when it does happen, that simple crossing seems like the 8th wonder of the world. A miracle.

 

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GC Myers-Refuge of the Heart smMy solo show, Into the Common Ground, has been delivered and is now at the Kada Gallery in advance of its opening next Friday, December 5th.  This painting, Refuge of the Heart, a 10″ by 30″ canvas, is one of the last pieces to be completed for this show and has the same sort of warmth in its color that runs through the entire show, a warmth that permeates the scene with a feeling of confidence and security.

And that is the feeling that I think we all desire for ourselves and our own hearts.  We want to be safe and sure in our lives, to be needed and vital to other lives.

And there is something in this piece that holds that feeling for me.  It could be the color.  Or maybe it’s the light over the horizon or the rolling field rows or some other aspect that I can’t quite put my finger on.

Maybe its the shape of the small island on which the Red Tree grows that looks like a semi-submerged heart.  It was seeing this shape that triggered the title, after all.

It could be any number of things but whatever the case, it is a piece that feels like a perfect place in which to let my own heart dwell.

 

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Wabi-sabi

Wabi Sabi  DefinitionWhen I was delivering the show to the Kada Gallery on Monday, I tried to describe the joy I sometimes found in apparent imperfections– a visible paint edge or an embedded bristle from a brush, for example– in some of my pieces, how they were a reflection of our own humanity, our own inherent imperfection.  These imperfections and the experience that ultimately shows in the wear and tear exhibited on our physical being are the things that make up our character.  The things that tell our tale and give evidence that we have lived.

Early this morning, I stumbled across this term from the Japanese, wabi-sabi, that describes this feeling and very much embodies much of what I hope for my work.  There is obviously more to this concept than this simple definition but for now I am just enjoying this as it is.

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In everyone’s life, at some time, our inner fire goes out. It is then burst into flame by an encounter with another human being. We should all be thankful for those people who rekindle the inner spirit.

–Albert Schweitzer

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GC Myers- Blaze smMy show, Into the Common Ground, has been delivered to the Kada Gallery, well in advance of the December 5th opening.  While it is a relief to complete the task and have the work out into the world, there are always those pieces that I wish I could spend a bit more time with.  This is especially true of the paintings that were completed in the final weeks.

These pieces usually are done in the midst of  a deep groove that has developed over the months leading up to the show and often feel effortless in their creation, a culmination of purpose and effort coming together.  But they are done and suddenly gone before I have fully taken in their fullness for an extended period of time.  And I am left wishing I could have spent more time absorbing their essence a bit more.

Such is the case with this painting, Blaze, a 20″ by 24″ canvas.  It was one of the last pieces completed and made quite an impression before it left soon after.

It is a simple piece, one that relies on its color , lines and texture to carry the weight of it.  For me, the Red Tree here is an example of the the inner fire coming forth and displaying itself to the world.  I felt that the quote at the top from Schweitzer was very fitting.  Most people have something inside that inspires passion, sets them ablaze.  It often goes untended, sputtering with that person left feeling that there is no one with which to share it — no one to take in the warmth of the fire.

I know this is true for my work, that thing which is an emanation of my own inner fire.  Without sharing it, without feeling that it is tended by others, it would likely sputter and go out.  Without the eyes of those fire-tenders my work, my fire,  would not exist.

So in this week of giving thanks, I send out a sincere thank you to those who have kept my fire alive through the years.  To my family and friends, to those who work with me at the galleries, to the collectors and the readers of this blog, I extend my deepest thanks for kindling this fire.  I have enjoyed the warmth and hope it has warmed you as well.

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GC myers- Memento MoriAccording to its Wikipedia entry, Memento mori (Latin ‘remember (that you have) to die’ ), or also memento mortis, “remember death”, is the Latin medieval designation of the theory and practice of the reflection on mortality, especially as a means of considering the vanity of earthly life and the transient nature of all earthly goods and pursuits.

I was originally going to use the term for the title of this new painting, a 16″ by 20″ canvas.  It has that sort of feel, from the Red Tree’s skull-like shaped crown  ( the skull is the classic symbol of a memento mori) to the darkly clad figure in the field looking downward.  It surely could be a reflection on our own mortality and the transient nature of earthly pursuits.

But I instead opted to use the flipside of this term, memento vivere which means remember to live.  I see the Red Tree here acting as a vibrant symbol of life, of glorying in the moment despite the constant specter of our inevitable mortality.

Actually, it just occurred to me that there is a yin/yang thing working here with the Red Tree and the figure acting as opposing forces.  I hadn’t noticed this before but it appears even in their physical relationship in the composition.  The Red Tree is the light, the imperative to celebrate life and the lone figure is the dark, the admonition to remember the ephemeral nature of our existence.

And with most things, treading the middle path between two opposing forces is the healthy way to go.  And maybe that is the message here– that we must remember our own mortality in order to live each day as fully as we can.

This painting, Memento Vivere,is part of Into the Common Ground, my solo show at the Kada Gallery which opens December 5, 2014.

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