Feeds:
Posts
Comments

Archive for May, 2009

Ozymandias ShoeThis is a new painting called Ozymandias Shoe, using the name of the previously mentioned king from P.B. Shelley’s poem.  It’s sort of an extension of my Archaeology series from last year but more about the rhythm of the the underground strata than the symbols and artifacts contained in the original series.  The piece that was the subject of the contest a week or so back, Laminae In Harmony, was in this same vein.

To me, these pieces are about the organic quality of the layers and the interplay of the colors.  I like having this semi-abstract element in a painting that is primarily representative in nature which is something that I feel is present in my best work.  As I’ve written before, the use of the representative elements in my paintings is primarily a means to engage the viewer.  For me , the paintings are about the abstract quality of the underlying elements, by which I mean the color and texture of the forms that build up the surface.

Okay, that’s enough of that.  I almost wandered too deeply into the land of artspeak.  If you stay there too long you may never come back and if you do, you’ll be wearing a beret and a cape.

Anyway, this piece is meant to speak to the theme of Ozymandias and the futility of believing in our own immortality, our dominance over the earth.  This painting will be part of my show at the Principle Gallery, starting June 12.

Read Full Post »

Fallen TreeLast night Cheri and I were out in the yard of my studio when we heard what sounded like firecrackers going off from what we first thought might be our neighbors.  The rapid fire popping was suddenly followed by a roar and the crashing sound of what must have been a large tree falling, smashing through the limbs and trunks of its neighbors.

I trotted over towards where the sound seemed to originate, first making sure it hadn’t fallen on our home or outbuildings since the sound came from that direction.  I headed into the woods but saw no new downed trees so kept moving until at last there it was at the edge of our property, a large oak tree.

It was on its side with the trunk left in huge chunks and splinters, showing the evidence of a large hollow that had weakened its support.  Its huge limbs lifted it several feet off the ground and the trees around it were pushed over from the massive weight being exerted. The smell of broken wood and damp earth where the broken trunk had gouged the ground when it flipped over filled the air and I wondered at its age.

Over the years I have had the honor of hearing and sometimes seeing many trees fall in our woods.  I say honor because it seems a rare thing to be able to see something that has lived for many decades or even centuries, as in the case of the oak, come to an end.  There’s a certain feeling of being attached to the earth that comes with being there at the very moment when something that seems somehow eternal ceases to be.   There’s a bit of sadness that accompanies the witnessing of such a thing and I can only think of how the outer world has changed in the life of these trees.  As I am a witness to the end of their lives, they have witnessed the vast changes that have taken place in our lives, many of us falling as well.  They have seen the land around them evolve from thick forests to cleared farmland and back to thick forests.  They have witnessed the explosion of sound that has accompanied our technological advances.  They have seen us come and go.

So today the sound of that tree crashing back to the earth rings in my ears.  And the world keeps turning…

Read Full Post »

Ernie Davis GravesiteI was in Woodlawn Cemetery yesterday, visiting my mother’s grave for Mother’s Day.  I may have mentioned before that I am a big fan of cemeteries.  I like being among the quiet of cemeteries, walking through the varied architecture of the different stones and all the names.  The names.  I particularly like the names.  Some are just simple names but some are relics from the past, names you just don’t hear anymore.  Orlo.  Myrtle.  Elmer.  Alvinia.  Harlo, who resides next to my grandfather who is a simple Frank.

There’s a certain magic and power in reading these names, almost as though by just uttering the name a little spark of their life is ignited.  As though there’s a certain gratitude expressed back by the mere mention of their names.

Now, I’m not going to go all spiritual here because I don’t even know what I believe in that aspect.  To the best of my knowledge, I have never encountered ghosts or spirits.  Never been haunted.  I’ve had a couple of psychic readings which I’ve found kind of laughable because I’m always left with the feeling that these people were getting nothing from me and were struggling just to say anything that might trigger some type of reaction.  Let’s just say they didn’t make me a believer.  

But in the cemetery I have had a couple of coincidences that just make me wonder.  Several years ago, my wife and I were taking a stroll through Woodlawn, just walking along quickly  and periodically saying aloud a name that struck us from the stones we passed.  At a certain point, I was suddenly reminded of a young guy who I had went to high school with.  He wasn’t a friend, in fact I only knew him from passing nods in the hall at school.  He had lived a fairly hard life and many years before had broken into a closed factory, going through a broken window and in the process slicing his wrist so severely that he died within a few steps.  I hadn’t thought of him for many years and suddenly I wondered where a kid from a poor family like him might be buried.  Would his family been able to bury him in a place like the lovely park of this cemetery?  Within thirty seconds,the thought now evaporated, a stone that was at the back of the plot we were passing caught my eye.  The engraving had an interesting look, something I hadn’t seen before.

 I cut through the stones to get a look and stopped several feet from it, now being able to read it.  It turned out to be nothing special and as I turned to head back I looked down.  It was the grave of my high school acquaintance.  It had a simple plate that was flush with the ground, that could only be seen from above.  It gave me a little shiver.  Most likely pure coincidence, but what had made me think of his name that day, only moments before?  What made me notice and approach for the first time  a gravestone that I had walked by probably a hundred times before?  What had made me stop at this precise spot to read it?  I gave him a quick greeting and headed back to the road.

Yesterday, as I was coming back from my mother’s grave I cut through the stones to visit my grandparents’ gravesite.  As I walked, I thought of Ernie Davis’ grave in the same park.  Ernie was the first African-American to win the Heisman trophy and his tragic death from leukemia had been the subject of a movie this past year, The Express.  He was actually known as the Elmira Express but the Elmira was dropped to give the title more widespread appeal.  He has been hero of legendary stature in the Elmira area since I was a tiny child.  As I walked I thought of the Davis movie then I suddenly thought of Marty Harrigan, his high school coach and a big influence on his life.  He had also been my high school principle.  He had died a few years back which was probably the last time I had given him more than a fleeting thought.  

Within a minute I was at my grandparents’ gravesite and spent a few moments there.  As I turned to leave, I glanced to my right and there  it was.  Martin Harrigan.  I chuckled a little and said hello before heading back to the car.  

I don’t know.  Probably nothing more than a puzzling coincidence but it makes one wonder about how the world operates and if we are truly aware and subject to everything that goes on around us.  

Read Full Post »

PenelopeThis painting is titled Penelope after the wife of Ulysses who waited in Ithaca for his return, putting off suitors, in Homer’s The Odyssey.  Where I live in the Finger Lakes region of New York state, many of the small towns and villages are named from the classics.  There is Hector, Homer, Ovid, Ithaca, Sparta, Carthage, Romulus and so on.

When I was younger and became aware of the original places from which the names of these local towns were adopted, I always wondered about the people who settled these towns and decided what their new towns should be called.  What was the person like who decided that their new town would be Sparta and they would be the new Spartans?  In what trait in themselves did these people see a connection with the original Spartans?  Maybe it was a matter of dissuading other settlers from pushing into their newly claimed home.  You know- don’t screw with us, we’re Spartans.  It’s hard to see now, Sparta being a sleepy rural township above Cayuga Lake with hardly a sign of any carnage existing.

This painting is another going to my show at the Principle Gallery in June.  As I’ve written before, I am in the midst of preparations for this show , keeping me very busy.  I’ve got to run now but I wanted to leave a song from one of my favorites, Neko Case.  Her live CD, The Tiger’s Have Spoken, is a dynamic set that really showcases her powerful voice.  There’s a certain wistful quality there that I can’t put my finger on.  It’s definitely here in Maybe Sparrow

Read Full Post »

IntentionalityToday’s a busy day, one spent trying to finish pieces in various states of progress in preparation for my show in June.  The month before any show is kind of crazy as I try to bring some kind of cohesiveness to a group of work, try to put forth a group with a somewhat common theme. 

There’s always an interesting dynamic as the deadline approaches.  At that point I’m sharply focused on painting and usually pretty deeply immersed in a kind of rhythm.  New ideas are sprouting at every turn and the synapses are really snapping.  It’s a kind of creative high.  But suddenly I have to completely put on the brakes and switch to prepping the work to be shown.  Varnishing, matting, staining, framing, etc…

I feel a kind of mental whiplash in that week or so before the show.  At that point, the show is set and there is little I can do to change it so any anxieties I’ve had begin to grow.  And all the time I’m just wanting to get back to that creative high, to feel that flow of electric momentum.

So, I know that’s coming in the next few weeks but that is just part of the bargain, so I accept it and just keep painting because I can feel the high coming and even though it has to be cut short as some point, it’s a thrill when it hits.

The painting shown is titled Intentionality which is another title that was submitted in the contest.  This is from my  friend Scott Allen and to him I extend many thanks.  This piece will be at my show at the Principle Gallery in Alexandria, VA starting June 12.

Read Full Post »

Brilliant Determination

If your determination is fixed, I do not counsel you to despair. Few things are impossible to diligence and skill. Great works are performed not by strength, but perseverance.
      

– Samuel Johnson


 

 

I’ve been thinking about determination a lot lately.  There are times when nothing seems to come easily and it seems like there are any number of things that would be more enjoyable than struggling forward with your chosen endeavor.  But in the end you force yourself ahead.  There’s a greater satisfaction in struggling with that which you have chosen and feel is meaningful than in doing something that means little to your inner self even though it is easier and, in many cases, more entertaining.

This is something I keep in mind when I’m in the studio.  There are many days when nothing comes easily, every stroke is like lifting a heavy weight and inspiration seems to have left the building long ago.  In these moments self doubts begin to stir and I seriously wonder if I have reached an end to my creative life.  It’s like a dull pain that seems like will be with me forever and there are points I want to stop.

But I remember that this is the path that I chose to follow.  With that recognition I am reminded of other times when I have been at this point before and I know, I just know, that if I steel my mind and force myself to move ahead, one small step in front of another, that I will come to a point  where all this forced energy builds and builds and suddenly breaks free.  In this moment of release, everything suddenly seems effortless and inspiration is everywhere.  It’s like going from the dark depths of a stifling mine to the top of a cool mountain.

And the memory of the toil that it has taken to reach this point fades into the distance.

Until the next time.  And that’s where determination is needed once more.

That’s what I see in this new piece above which is destined for my upcoming show.  I was given the title, Brilliant Determination,  by my friend Mary Squire who submitted it in the Name This Painting! contest.  I immediately saw the connection with this title and this painting and felt this piece deserved such a title.  This painting is definitely about the determination I’ve written about.  It has a feeling of that moment of release, that moment when full momentum is realized.  It really is brilliant determination.  Thanks for the title, Mary…

 

 

 

Read Full Post »

Bellows Stag at SharkeysThis is Stag at Sharkeys, painted by George Bellows in the early part of the 1900’s.  Bellows was part of the Ashcan group of artists who depicted the reality of the time in their paintings, creating gritty scenes of city life and all that this entailed- street scenes, nightclubs, tenements, etc.Bellows Both Members of this Club

I’ve always been drawn to Bellows’ work particularly his several scenes of club fights.  There is such great movement and rawness in these pieces that you get the real sense of the fury of the violence taking place.  This is enhanced even more by the high contrast between the brightness of the fighters’ skin and the great blackness of the open space above the ring.  It all creates a great feeling of drama.

These paintings always bring to mind my grandfather, Shank.  This was his time and this was his world.  He had been a club wrestler which was the predecessor to professional wrestling except that it was real wrestling where one competitor might put a leg lock on the other and hold it for a long time until his opponent gave in.  The matches could last an hour or more.  Shank later went on to be a stage manager at on of the many vaudeville theaters that once  populated our city.  I remember as a kid, going to play bingo at the American Legion and this old cop, Sailor Devlin, who was at the time the oldest active police officer in the country as recognized by Ripley’s Believe It or Not, would amble over to our table to talk with my dad.  He would always comment on Shank, who was at this point dead, calling him the toughest guy he ever met. That really resonated with me and I always valued toughness after that, putting high regard for those who  could, as they say, take it.

Maybe that’s why I’m drawn to these images.  The guys in these paintings can take it.

Read Full Post »

Principle Gallery Show 2009This is a new piece that I recently completed.  It’s one of the  pieces that will be included in my upcoming show at the Principle Gallery in Alexandria, VA which opens June 12.  This will be my tenth show at the Principle and we are calling this show Redtree Redux: Ten Years Along, which echoes the title of my first show there in 2000, Redtree.          

This piece, still untitled, really strikes me at the moment.  It’s kind of where where I envisioned my work going when I was still working on that first show ten years back.  It has the quiet I want my work to have along with a dramatic contrast as seen in the sky.  There is a path that enters the picture plane and seems to end or disappear, enigmatically.  I find myself liking that little question that is raised by the path.

There’s also an austerity in the landscape that speaks to me and gives me that feeling of being awash in the air and light of a wide open space.  The absence of other trees or structures gives the central figure added prominence.  

I am still taking in this painting and still figuring out what I’m seeing in it beyond the immediate visceral impact.  It’s this reading-the-tea-leaves moment that I really enjoy most in the process.  When I’m starting a piece I’m not sure what’s going to emerge and as it proceeds there are still moments when the painting’s final appearance and feel  are still subject to decisions to come.  But when it has reached that feeling of completion, that point when I sense a certain rightness, it has left my hands or mind and takes on a new dimension of its own, having its own momentum and life.  It’s at this point that I get to look at it with different eyes and in that there is a certain fulfillment and satisfaction.  

So I’ll periodically look at this piece over the weeks ahead and continue to absorb it before it leaves my hands for what will probably be the final time in June.  And that’s okay because I will have received what I need from it in that time and it will better serve someone else in a new environment, hopefully giving them the same feelings that struck me.

Read Full Post »

Archaeology: A New WindI was going through some old books that I hadn’t looked over in some time and came across a thin paperback I had bought when I was in the third grade.  It was a Scholastic Book and the mere sight of it brought back memories of those days when the boxes of books we had ordered weeks before were delivered to the classroom.  There was a mix of excitement and anticipation until the teacher, white-haired Mrs. Rogers in this case, would finally open the box and hand out books to those who had ordered.  The smell and feel of the new books as they were came into my hands is as vivid now as it was so many years ago.

This was a book of poetry selections and across the cover was a photo of a group of British soldiers of an earlier times, astride horses in a desert setting.  It was depicting the doomed soldiers of Tennyson’s The Charge of the Light Brigade, one of the included verses.  Inside, going past my crude scrawled signature on the title page, there were poems from Frost, Edna St. Vincent Millay, Langston Hughes, Poe and others.  Looking at it now made me realize what a great influence this slim volume printed on rough paper had on my youth.

Turning the pages I came across a poem that still remains a favorite and whose theme has always resonated in my work, particularly in my Archaeology series.  It deals with time and the ephemeral nature of our existence,  how we cannot control our place in the future despite all the wealth and fame we may acquire now.  This sonnet from Percy Shelley still has legs today…


 Ozymandias of Egypt 

I met a traveller from an antique land
Who said:—Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter’d visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp’d on these lifeless things,
The hand that mock’d them and the heart that fed.
And on the pedestal these words appear:
“My name is Ozymandias, king of kings:
Look on my works, ye mighty, and despair!”
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.

Read Full Post »

dsc_0393-small-snakes1Saturday morning, the sun is shining and I find myself cautiously optimistic.  It makes me somewhat suspicious.  

So let me show a small piece that I recently finished, simply called Snakes for the time being.  It’s the type of piece I like to do periodically to more or less cleanse the palette, clear the head and try to reboot the brain.  Shake things up a bit.  I’ve done others like this, some with fish-like squiggles in a swirl, and find myself strangely drawn to them.

I like the abstract quality and and I like the process of painting them, weighing each new element as its added against the existing pieces of the picture.  Like putting together a jigsaw puzzle that changes with each piece that goes together.  

I guess I used snakes for this composition for their shapes and flexibility of form.  I have nothing against snakes but I’m not a big fan of handling them and when I run across them I give them their space.  This past year we stumbled across one basking in the sun behind my studio.  He was coiled in a pile like a short piece of thick black hose.  Must have been at least an inch thick with slightly blacker markings running up each side of his dark length, biggest snake I’ve seen around our place.  We gave him some room.  Later, after looking up what type he might have been we concluded he was some sort of rattler (we couldn’t see his tail’s end) or ratsnake.  Impressive.

How that brings us to this piece of music makes little sense.  This is a piece from Karl Jenkins, his version of Dies Irae, which translates as Day of Wrath, taken from the  Latin hymn of the 13th or 14th century.  I guess the suspicions of my early morning optimism have spawned a severe reaction in that I find myself playing a piece of music based on the biblical Day of Judgement .  Go figure.  Make of it what you will…

Read Full Post »

« Newer Posts - Older Posts »