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Archive for August, 2020

“Bold Run”- Now at the West End Gallery

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“Most people are convinced that as long as they are not overtly forced to do something by an outside power, their decisions are theirs, and that if they want something, it is they who want it. But this is one of the great illusions we have about ourselves. A great number of our decisions are not really our own but are suggested to us from the outside; we have succeeded in persuading ourselves that it is we who have made the decision, whereas we have actually conformed with expectations of others, driven by the fear of isolation and by more direct threats to our life, freedom, and comfort.”

― Erich Fromm, Escape from Freedom

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Freedom’s just another word for nothin’ left to lose
Nothin’, don’t mean nothin’ hon’ if it ain’t free, no no

Kris Kristofferson, Me and Bobby McGee:

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What is real freedom?

I can’t say for sure. Wish I could.

Lately, I have been thinking about the 1941 book from Erich Fromm, Escape From Freedom. In it, Fromm writes about that we actually have a fear of freedom.  Real freedom requires personal responsibility for our decisions and actions and creates an almost unbearable anxiety in man. Real freedom means living without a safety net, where we decide who and what we are, what we want from life, where we are held accountable for each decision we make.

Put that way, freedom sounds much more perilous.

As a result, we have fostered a desire to be told what we should be and what we should do. Fromm makes the point that we want someone to make the decisions that guide our lives while maintaining the illusion that we have freely made them.

“Modern man lives under the illusion that he knows ‘what he wants,’ while he actually wants what he is supposed to want. In order to accept this it is necessary to realize that to know what one really wants is not comparatively easy, as most people think, but one of the most difficult problems any human being has to solve. It is a task we frantically try to avoid by accepting ready-made goals as though they were our own.”

A life of real freedom is scary and difficult so it is always tempting to just fit in, to accept a bit of comfort and security in exchange for losing a large degree of that freedom. Doing this make us susceptible to falling prey to those with less than honorable intentions.

“Escape from Freedom attempts to show, modern man still is anxious and tempted to surrender his freedom to dictators of all kinds, or to lose it by transforming himself into a small cog in the machine, well fed, and well clothed, yet not a free man but an automaton.”

The concept of this book seems to be playing out in real time lately.

I don’t know that we, myself included, understand the concept of real freedom. I have tried to shape and live a free life but have I succeeded?

I don’t know.

I will continue to look for an answer but in the meantime, here’s this week’s Sunday Morning Music. It’s I Want to Be Free, an old Leiber and Stoller hit first sung by Elvis Presley in the 1957 film Jailhouse Rock. While Elvis does a fine job with the song, I much prefer this version from Robert Gordon who had a nice run as a rockabilly artist with several memorable albums in the 1980s. Here, I think he fills in the blanks that Elvis left in his version.

Give a listen and have a good day. And take a minute to think about what you think real freedom is.

 

 

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“Center of Gravity” Now at the West End Gallery

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In the center of an irrational universe governed by an irrational Mind stands rational man.

― Philip K. Dick, Valis

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You could possibly substitute the word country for universe and it wouldn’t much change the meaning of this quote. At least, not here in a land that feels more and more Kafkaesque with each passing day.

For those of you not familiar with the writings of Franz Kafka, Kafkaesque is described in Wikipedia this way:

The term “Kafkaesque” is used to describe concepts and situations reminiscent of his work, particularly “The Trial” and “The Metamorphosis.” Examples include instances in which bureaucracies overpower people, often in a surreal, nightmarish milieu which evokes feelings of senselessness, disorientation, and helplessness. Characters in a Kafkaesque setting often lack a clear course of action to escape a labyrinthine situation. Kafkaesque elements often appear in existential works, but the term has transcended the literary realm to apply to real-life occurrences and situations that are incomprehensibly complex, bizarre, or illogical.

As suggested by the painting above, Center of Gravity, I am going to shelter in place for the day and simply let the world turn on ts own.

And that’s enough for today.

Stay centered, folks.

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“The Timeout” At West End Gallery

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Why do you so earnestly seek
the truth in distant places?
Look for delusion and truth in the
bottom of your own heart.

― Ryōkan Taigu (1758-1831)

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Do the deluded know the truth of who and what they are?

Or has their delusion replaced the truth at the bottom of their heart?

Can truth and delusion coexist within the heart of a person?

Or is truth a form of delusion in itself?

I think if we could figure this out, a lot of the problems of the world might fade away. Well, at least, not not seem quite so dire.

But that’s just the deluded opinion of one person…

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All adventures, especially into new territory, are scary.

–Sally Ride

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This year’s Gallery Talk at the West End Gallery was originally scheduled for this coming Saturday. It is obvious now that this year’s talk just can’t happen in the same way as in the past. As much as I enjoyed the one from last year, one where we jammed as many people as was possible into the gallery, the idea of replicating it seems downright crazy in the time of the virus.

I am not willing to risk my own health to do such a thing and am even less willing to put anyone else in harm’s way.

To be clear, this year’s Gallery Talk ain’t happening, folks.

At least, it can’t take place in the way we know it.

I am working with Jesse and Linda at the West End Gallery on a way of doing some type of online Gallery Talk, something through Zoom or other web meeting service. It would actually be more of a Studio Talk, a visit to my space and maybe a little tour. It would still have some of the same elements as the normal Talk–the annual giving away of a painting, to be exact– and would be missing others. That would be a live crowd.

There are plenty of pros and cons on doing this.

The pros for doing it are:

  • It would be safe and convenient–No crowds and no having to find parking
  • Everybody gets a seat! Unless, of course, you feel like standing in front of your computer
  • Because there are no space limitations, more people could participate  and it would allow people who are not able to normally get to the Talk, people from out of the area, to participate. We might be able to go international?
  • It would be a different experience, a changeup from the norm and that’s a good thing once in a while
  • No Masks needed, though I might wear one just to cover my face
  • I could show some stuff from my studio that I can’t easily do at a regular Gallery Talk
  • It would shame me into straightening up my studio
  • If someone doesn’t like it and wants to leave, they can just turn it off. That sure as hell beats having to worry about how they could creep out of the gallery during the talk.

The cons are:

  • No living, breathing people. Well, they will be out there, living and breathing. Just not in front of me. I don’t get to see immediate reactions and react to those. It makes any attempts at humor a bit harder for me.
  • No oohs and aahs. I can’t overstate the impact of the oohs and aahs.
  • My own ineptitude with technology and inexperience with online broadcasting. I would have to bone up on doing this in the right way so that the experience is not painful– for you and for me.
  • I lose the ability to interact one-on-one with folks before and after the talk, which I very much enjoy. I get to just talk with folks I might not have seen in some time plus it loosens me up beforehand and eases me down afterwards.

There are most likely many more pros and cons that will come to mind. If you think of any not on this list, please let me know. Any additional info or opinion I can get will be helpful.

I have to admit, I am more than a little nervous about doing this. Worried about technical glitches. Plus, I’m not used to talking in this manner and am afraid I am going to be left hanging in the breeze at some point. You know, where your mind goes absolutely blank. During a normal talk, I can turn to someone in the audience and make a comment and that sets off a whole new line of reaction and discussion. Alone in my studio in front of a camera, I won’t have that luxury.

The whole thing scares me a bit.

But it’s like late astronaut Sally Ride said: All adventures, especially into new territory, are scary.

Of course, she was talking about being strapped inside a damn rocket to the stars. I am just talking about sitting in my studio and talking into a camera. I guess I better just quit whining, put on my big boy pants, and just do it.

So, keep an eye out for details. We are going to work on this in the next few days and will hopefully have something to announce next week. If you have suggestions, hints, ideas, questions or even just crackpot comments on this, please let me know. I can use all the feedback I can get on how to do this right.

Have a good day!

 

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In Radiance

“In Radiance”- Now at the West End Gallery

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Change the focus of the eye. When you have done that, then the end of the world as you formerly knew it will have occurred, and you will experience the radiance of the divine presence everywhere, here and now.

–Joseph Campbell
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Change the focus of the eye.
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Is that the purpose of art? It makes sense. Through the years, many artists have talked about painting beyond what is there, painting the invisible, the intangible.
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To make the viewer see the ordinary in a new or extraordinary way.
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Sounds easy enough, right?  Well, it can be done but you don’t always find the divine radiance of all things. That can be frustrating and unfulfilling. But on those times when you do, you understand what Joseph Campbell was describing. And it drives you on.
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Change the focus of the eye. It most likely applies to life in general, as well. I will have to try that.

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The film Jojo Rabbit premiered on HBO over the weekend, which made me very happy. It hits a lot of sweet spots for me.

A great cast and a script filled with a beguiling mix of dark satire and tragic poignancy. Strong visuals. Big laughs and plenty of tears. Ridiculous (but still scary) Nazis.

Hitler eating a unicorn.

Yeah, you read that right.

There’s even some poetry from Rainer Maria Rilke as the film ends, a snippet from his poem Go to the Limits of Your Longing, which is shown at the top. Words that seem applicable to this time, for sure.

It also uses its soundtrack brilliantly. It begins with the Beatles singing their German version of I Want to Hold Your Hand over archival clips of Hitler’s adoring fans at huge nationalistic rallies that are chilling in their magnitude and fervor. Images from the infamous Nuremberg rally always puts a knot in my stomach. The film ends with the German performance from David Bowie of his always rousing Heroes.

Filmmaker Taika Waititi also makes brilliant use of the song Everybody’s Gotta Live. It’s a song from 1972 from a band of that era, Love, that is very underappreciated. Led by the late Arthur Lee, it was an interesting group, a multiracial group that dabbled in folk rock and psychedelia a la the Byrds. Their 1967 release, Forever Changes, is on the Rolling Stone’s list of the 500 Greatest Rock Albums and was added to the Library of Congress’s National Recording Registry in 2011.

Even so, I am sure most of us haven’t heard much of their work. But it shines in Jojo Rabbit and is certainly worth examining further.

Here’s a video with the lyrics and images from the film just to give you taste. If you get a chance to see the film, I recommend it highly. But be forewarned, that it is art and, as such, is a subjective thing. What I love may not move you at all.

Take a look and give a listen then have a good day. We all deserve one.

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Ah, some time off. It does a body good.

I enjoyed the time spent not writing the blog this week. It allowed me to readjust things a bit, put some things back into my personal rotation that I had let slip in recent times. It was time to examine things and think a bit without feeling the need to send it out into the world. Read a bit. Listen to some music that I had slipped by me.

There will be time in days ahead to talk about such things. Today, I am back briefly just to introduce this week’s Sunday morning music. It’s a song from the last album from Leonard Cohen just before his death in 2016 at the age of 82.

It’s titled You Want It Darker. 

With its ominous bass line and its focus on our mortality mixed with Old Testament imagery and a , it seems fitting for these times.

One of the words used in the chorus of the song is Hineni, the Hebrew word meaning Here I am. It was the response from Moses to God speaking to him through the burning bush. It was the answer from Abraham to the voice of God who then instructed him to slay his son. And it was the response from Isaiah when he hears the voice of God ask, “Whom shall I send, and who will go for us?” It is generally an indication of faith and total commitment without question while awaiting one’s appointed task.

Here, Cohen seems to be questioning God. He’s not asking the listener if they want it darker. Seeing the way the world has descended into darkness, he is grilling God, almost questioning whether this deepening darkness is somehow the desire of God. There’s an edge of anger when he asks and replies: You want it darker/ We kill the flame.

It’s a powerful song, one that haunted me this past week. It reminds me that we are in for some trying times in the months ahead and that we need to be fully prepared to endure whatever is thrown our way.

Ready to say, with total commitment, HineniHere I am.

Have a good Sunday.

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