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GC Myers-Peerless sm

“Peerless” – Included in the “Traveler ” Show

I am back in the studio this morning  after returning from Friday night’s opening of Traveler at the Principle Gallery.  There is  a sense of relief in the aftermath, a deep exhalation at having mostly completed my obligations for the show.  But there is often a letdown as well,  a combination of having passed the endpoint  you’ve been working towards for months and  natural self-doubts about things you might have done differently in this show.  Fortunately, this show left me with only the mildest of letdowns.  I am already focused on my next projects and as far as doubts, while there may be just a few minor ones, I am sure that I have done all that was in my power for this show and the work in it.

We had a lovely few days in Alexandria, blessed with the best weather we’ve seen in all the years that we have been visiting in early June.  In the past, we have often endured 100° temperatures, torrential rains and excruciating humidity on this weekend.  But this year it was as perfect as the weather could possibly offer with temps in the high 70’s, blue cloudless skies and low humidity .   I am available for other  regional  weather reports, as well!  In short, perfect conditions to wander around the area a bit before the show.

We attended the ceremony  at the World War II Memorial honoring the living veterans on the 70th anniversary of the D-Day Invasion.  It was a beautiful setting there on the Mall, often moving,  and I felt very honored to be able to spend a short time in the near presence of those vets who survived that day of days.  We also were able to see the Andrew Wyeth show at the National Gallery that I wrote of earlier in the week.  It was wonderful to see so much of his work together, to be able to see the constancy and consistency of his personal vision as well as his ability to capture deep emotion within his scenes.

All in all, it was a great stay.  But the highlight was being to see many of the folks that I have met over the years who opted to spend some time at the gallery instead of out in that perfect weather.  I know that if I were in their shoes, it would have taken a lot to get  me there.  But for the many who did turn out and to Michele and her great staff– Clint, Jessica, Pamela and Chris along with guest bartender, Fernando Ascencio– I  extend a simple and grateful Thank You.  I wouldn’t be here right now writing this if not for you all.  And that I will always remember.

Okay, it is Sunday morning and we need to music.  I was thinking something calming while I decompress.  Here’s a classic Vince Guaraldi composition, Cast Your Fate to the Wind.  It has some of those same elements that you might recognize from his iconic work with the Peanuts gang.

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9914-152 Purifying Light smWell, the work for my  fifteenth show, Traveler, at the Principle Gallery has been delivered and now there is some time to exhale a bit before the opening this coming Friday, June 6.  It was a good trip yesterday with no complications during the drive , stunning weather and a really nice time at the gallery–  such a warm and upbeat group of  people there. While there, a  friend  popped in for a good visit and I also  met a few other  interesting folks, including one who also had a family connection to the early logging trade in the Adirondacks.  There is a good possibility that our great-grandfathers knew one another in those days of the late 19th century when that part of the mountains was abuzz with lumbermen.  But that is a story for another time.

Delivering the show brought the usual feeling of relief that comes with completing a task but without the anxiety that often accompanies it as I wait to see if the show will be successful.  I suppose I have enough experience with this scenario to know that things always work out if I have put in the effort.  And I have.  This show was very satisfying, during the process when I was the creator and in the aftermath when I became an observer.  There were pieces that came from hard fought struggles and some that seemed to fall from the hand with no effort, each ultimately achieving that life of their own to which I often refer.  In the end, it all seemed to come together very well.  I will be eager to see how it hangs in the space.  I hope that if you are in the area, you can stop in and see the show.

It’s a Sunday morning , which means it’s time for a little music and I thought today I would feature something from Leonard Cohen.  I chose the song Anthem simply because of the chorus that goes  Ring the bells that still can ring/ Forget your perfect offering/There is a crack, a crack in everything/ That’s how the light gets in .  That has long been a theme in my work.  My second show at the Principle Gallery was titled Seeking Imperfection because I felt it was the imperfection  in the work that made it brought it to life, that gave evidence of the imperfect person behind it.  To me, perfection was cold and sterile concept, far from the human experience.  I wanted the blood and heat of humanity in my work.  Maybe that’s why red has been such a vital color in my visual vocabulary.  Perhaps the piece shown at the top is a good example of this.  Purifying Light, a 20″ by 60″ canvas, is part of the show.

Anyway, here is Anthem from Leonard Cohen.  Have a great Sunday!

 

 

 

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Blow up your TV , throw away your paper
Go to the country, build you a home
Plant a little garden, eat a lot of peaches
Try and find Jesus on your own

–John Prine, Spanish Pipedream

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GC Myers- Pipedream smThis is a small new painting  that is about 6″ by 11″ on paper.  I call it Pipedream after the old John Prine song, Spanish Pipedream.   I say old but it ‘s one of those songs that never feels old to me despite the fact that it came out back in 1971, forty three years ago.  It is old.  One hint of its age is at the beginning of the song when he says he was a soldier on the way to Montreal, referring to fleeing north to avoid the war and the draft.   But it’s still such an infectious chorus with a message that so hits the point that I still find myself humming this song quite often.

I guess this painting’s simplicity and cheery feel made me think of this song.  There is something very idyllic  and charmingly essential  in this little guy.  It does look a bit like a pipedream, which is one of those words that we often use while not thinking about  its origin or meaning.  This word, pipedream, is from Victorian era Britain and refers to an improbable fantasy dreamt of while smoking opium.  Maybe this is an improbable fantasy?   It does have a fantasy feel about it but lets hope it is not so improbable.

This is, of course, one opf the pieces from my show, Traveler, opening next Friday at the Principle Gallery in Alexandria.  Now here’s the song  from one of my favorites, John Prine.

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 GC Myers- The Beholding Eye smI am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human soul, as my spirit is part of my nation. In my own very self, I am part of my family. There is nothing of me that is alone and absolute except my mind, and we shall find that the mind has no existence by itself, it is only the glitter of the sun on the surface of the water.

– D.H. Lawrence, Apocalypse, 1930

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The painting above, a 20″ by 24″ canvas,  is another new piece that will be hanging in my upcoming solo show, Traveler,  at the Principle Gallery that opens June 6 at the Alexandria gallery.  There’s a great sense of focus and depth into the surface in this piece that fills me with the same sort of idea that Lawrence expounds above, about how we are all part of the whole of existence.   All things connected and interdependent, existing only to serve the whole, in ways we may never fully understand– There is nothing of me that is alone and absolute except my mind, and we shall find that the mind has no existence by itself, it is only the glitter of the sun on the surface of the water.

Or the rustle of the wind on the grass of the field.

For a little Sunday music in this same vein and to honor those who have fallen in service for this Memorial Day,  I thought that the hymn I Surrender All, written in 1896, would be fitting.  Here’s a wonderful version from guitarist Ulrich Busch.

Have a great Sunday and a great Memorial Day.  Remember those who have sacrificed so much.

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GC Myers- Homeward BoundI finished this smaller painting yesterday, a 4″ by 7″ image on paper that is going to the Principle Gallery in a week or so for my upcoming show, Traveler, which opens on June 6.  I  have a  group of  paintings with small figures– guitarists and boatmen– in them where the relationship of the figure to the space in the picture is the most important element for me.  I think that is evident in this piece, called Homeward Bound, where the sense of space in the sky gives this piece a sense of distance and remoteness while at the same time having a warmth that indicates an imminent return or at least the memory of home for the figure.

Home is a powerful concept and word, that thing that we all seek on some level.  It may be found in the terrain or in the people or simply in a state of mind, a sense of comfort and belonging.  I think its this sense of belonging that most drives us in our quest for home, that place or state of  mind where we dwell naturally as we really are at our core.   Some people seem to carry a sense of home with them, always feeling naturally in place wherever they might be.  Others, like myself, more often feel out of place wherever they are and this idea of home as a haven becomes more important.  And that’s kind of the idea of this simple piece, that place where our song is most true and pure, a song of our heart.

The title is, of course, derived from the great Simon and Garfunkel song.  Those opening chords best sum up the feel of this piece.

 

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GC Myers- Time TravelerI finished this new painting, 18″ by 26″  on paper, a few days ago and have been regularly taking it in as it sits in my studio, waiting to be framed for my upcoming show, Traveler, at the Principle Gallery.  I think I am calling this piece Time Traveler but it’s still up in the air as I ponder it for a few more days.

It’s one of a few pieces that will be in this show that are from the Strata series, which are similar to my Archaeology pieces but more focused on the patterns and colors of the underground layers and boulders rather than on artifacts.  I like this mix of the straight representation of the Red Tree in the top half  set against the organic and almost abstract forms of the lower half, giving it a striking visual contrast while still maintaining  harmony.

I normally don’t like to dwell on technique here but  this is also a little technically different from my typical work.  I normally work in one of two ways–in a  reductive manner, where the paint is applied very wet, in puddles,  then removed leaving a transparent and luminous surface or in a more traditional additive manner in which paint is applied in layers building from dark to light.  Usually one one process is used in a piece but the Strata series allows me to easily mix the methods which adds to the visual contrast between the upper and lowers segments.

As I continue to consider this piece, I thought I would play a song this Sunday morning that mentions time.  I thought I would play Time Is On My Side which was a big hit for the Rolling Stones in 1964.  I always assumed it was written by Jagger and Richards but it was actually a cover.  The song was written my Jerry Ragavoy under the pseudonym Norman Meade.  It was first recorded by jazz trombonist Kai Winding in 1963 with the only lyrics being Time is on my side sung by back-up singers Dionne Warwick and Cissy Houston.  It’s an interesting version that I am including below but I really wanted to focus on the version from the Soul Queen of New Orleans, Irma Thomas, which was released around the same time as the Stones’ version.  It has the added lyrics that most of us know and is just a dynamite performance.

Enjoy and have a great Sunday!

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Save the BabyI spent this entire past week fighting a fatiguing  flu that just doesn’t want to say good-bye  yet somehow find myself at another Sunday morning, this one marking Mother’s Day for this year.  I am reminded of the old school cures my mom would administer when we kids were sick.  There was always a can of Cloverine Salve and a bottle of Save The Baby on hand.  It was a small glass bottle filled cloudy, camphor-based product that she would heat then dole out in a tablespoon along with a little sugar.  The grainy sweetness of the sugar couldn’t hide the pungent camphor taste but  acted as enough of a distraction to make it bearable.  Plus, there always seemed to be some sort of relief from the coughing afterwards.  You can’t buy this product now as camphor has been banned for internal use by the FDA but it will always have a place in my heart as a symbol for the care Mom offered when we were feeling under the weather.  Miss you, Mom.

Being Sunday morning, I usually offer some music and this week I have chosen a somewhat topical song.  It’s called Mother Knows Best and is from one of my favorite albums, Rumor and Sigh, from the great Richard Thompson.  Enjoy your Mother’s Day.

 

Cloverine Salve

 

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GC Myers-Apolitical BluesI’ve been getting a small group of work ready for a show that opens next week  in Penn Yan, NY, which sits at the northern end of beautiful Keuka Lake in the Finger Lakes.  The Arts Center of Yates County holds several shows a year in their Flick Gallery, which is a beautiful space .on the city’s Main Street.   I have been invited to be a featured artist in their upcoming show, Earthworks, which runs from May 9 to June 16.  Normally, I would not try to fit in a small show only a month before a major exhibit such as next month’s show at the Principle Gallery but after seeing the gallery and speaking with their director, Kris Pearson, I was impressed and decided to try to squeeze it in a crowded schedule.  I also thought it might serve as  nice introduction to people of the region who might not be familiar with my work or with the West End Gallery in Corning, hoping they might travel down for my show there in July.

The show consists of a mix of new and recent pieces that  I feel are representative of my body of work.  There are a couple of Archaeology paintings, a few Red Roofs and my signature Red Tree, of course.  The piece shown here on the left is a small new painting, 2″ by 8″ on paper, that I call Apolitical Blues, after the old Little Feat song of the same name.  It’s a simple blues with very simple lyrics–Well my telephone was ringing /And they told me it was Chairman Mao /I don’t care who it is /I just don’t wanna talk to him now —  but with the state of current politics, the idea of being turned off and tuned out to the noise of it all seemed to fit with the solitary figure in this piece, away from the chaos and constant talk of the world.

Being Sunday morning, it seems appropriate that I share Little Feat‘s song with you.  This is a live version that was recorded at the Rainbow Theatre in London in 1977 for their live album Waiting for Columbus, which is considered by critics as one of the greatest live albums in rock history.  I know that it has been one of my favorites since it came out in 1978, a year before lead singer  Lowell George died.  This version also features famed British guitarist Mick Taylor who had formerly played on some of the Rolling Stones iconic albums of the early 70’s.  It’s a great way to open your eyes on a Sunday morning in May.

Have a great day!

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jumpin-jive-cab_calloway-fayard_harold_nicholas030It’s another Sunday morning and I find myself in the studio after a quick trip to Alexandria on Friday to show my support for the Principle Gallery and its owner, Michele Ward, as they celebrated their 20th anniversary.  After a truly enjoyable meal with my friend, Mike Mattice and his delightful family, it was on to the show.  It was a great opening with a full house from the start until the end as the many friends of the gallery came out to celebrate.  It was nice to see many old friends without the pressure of it being my own opening, to be able to spend a little more time with them.  Just a fine night, all the way around.

Kudos to Clint, Jessica, Pamela and Kris for putting on a wonderful event and special thanks to Michele for making it all possible through the past two decades.  Thank you for everything.

Since it is Sunday morning, it is time for a bit of music to get the day going and what better way than with the energy and charm of the great Cab Calloway, especially when you combine it with the spectacular dancing of the legendary Nicholas Brothers?  This is Jumpin Jive from the 1943 movie, Stormy Weather.

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Georges Rouault- Crucifixion 1939

Georges Rouault- Crucifixion 1939

I can’t say that I am a religious person, religion never being much of a part of my upbringing.  I never attended a single Easter service and pretty much thought of the day in terms of chocolate Easter bunnies and colored eggs in my youth.  But I respected the traditions and stories of the Bible and of the other religions as I picked them up through the years and understood the solemnity and importance of faith, even if my own was sometimes lacking.  That being said, I thought I might play a little music this morning that had to do with the fact that it is Easter Sunday.

I have always been drawn to and moved by the passion and conviction of the great gospel songs especially when performed by those with the talent and conviction to match the  material, such as  Mahalia Jackson, Sister Rosetta Tharpe and all so many others.  Sam Cooke, one of the greatest  pop and R & B stars of the 50’s and early 60’s, was also a great gospel singer.  I loved his voice and  could listen to him sing the phone book but when he sang the gospel, it was often magic. Here’s his version of Were You There ( When They Crucified My Lord), which is an old plantation spiritual that fits in with the day and,  performed by Sam Cooke is as I said, magic .

Hope you have a great Sunday.

 

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