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Trying to Calm



Today, I am posting an older image from several years back. It’s called Portrait of Calm and I am trying to pull some of that sense of calm from it for myself.

I wrote another post, long and profanity laced, that I don’t think I can post without a cooling off period. I am tired this morning, having only slept a few hours last night after a day of wrath. But I am also tired of the sheer evil awfulness of Donald Trump.

That is a given. But I am even more tired of those people who enable him, who try to rationalize away his awful deeds, who turn a blind eye and a deaf ear to his lies, all 30,000+ of them, so long as they somehow benefit from his ill-considered actions. Those same people who act shocked when what took place yesterday comes to be when it was obvious for years that it would eventually come to this. I have been expecting this for years.  

These are same people who shrug off the 350,000+ deaths from a pandemic and a tragically bungled response. Nearly 4,000 died yesterday while the first coup attempt took place.

They are the same people who probably think that this is all over now, that the worst is past. 

It isn’t. Not even close to being over.

Yesterday’s insurrectionists aren’t going to fold up their tents and simply go back home. They are emboldened by the ease with which they broke through the lax defenses of the Capitol. No, they are just getting started. Four died yesterday and no doubt more will die in the coming days. Maybe in the Capitol, maybe in a statehouse or a local courthouse. 

But it won’t be over until these treasonous traitors face real consequences.

And for what? Ridiculous conspiracies perpetrated by political wolves who know the reality of it but are willing to spin webs of falsehoods and disinformation in order to further their own ambitions? To die for a man who loves nothing but himself? What do they really think they are gaining?

These brainwashed fools are in a death cult that has them thinking they are dying for America when in fact they are dying only for Donald Trump. And Donald Trump is not worth dying for. 

He is not in any way worthy of that.

He is only deserving of our scorn and our hatred.

He, along with his enablers and apologists, certainly has mine.

I am going to just look at the painting before I say something better left unsaid.

Be careful out there.

 

 

Georgia on My Mind



Other arms reach out to me
Other eyes smile tenderly
Still, in peaceful dreams, I see
The road leads back to you, to you, my beautiful Georgia
Georgia, no peace I find
Just an old sweet song keeps Georgia on my mind

Hoagy Carmichael, Georgia on My Mind



Nothing more this morning but a sigh of relief and a big “thank you” to the good people of the state of Georgia. Here’s a strong rendition of the song Georgia on My Mind performed by a collected group of Broadway stars. Lots of talent here.

I was going to play the seminal version from Ray Charles, by far the best known and most powerful single performance of the song which was written in 1930 by Hoagy Carmichael. Willie Nelson also had a sweet quieter version of the song that went to Number 1 on the charts in 1978.

But give a listen and, if you’re so inclined, send out some psychic thanks to our friends in Georgia. 

Have a good day and let an old sweet song keep Georgia on your mind…



Shine a Light

“Exile on Main Street”- At the Principle Gallery



When you’re drunk in the alley, baby with your clothes all torn
When your late night friends leave you in the cold gray dawn
Whoa I just seen so many flies on you
I just can’t brush ’em off

The angels beating all their wings in time
Smiles on their faces and a gleam right in their eyes
Whoa, thought I heard one sigh for you
Come on up now
Come on up now
Come on up now

May the good Lord shine a light on you
Yeah, make every song you sing your favorite tune
May the good Lord shine a light on you
Yeah, warm like the evening sun, ah-nah-nah yeah

— Mick Jagger/Keith Richards, Shine a Light



I am in the beginning phases of my preparation for my annual shows at the galleries that represent my work. This is always a difficult period, trying to find a thread to grasp and follow. You never know where it will lead and what sort of work it will produce. That uncertainty is agonizing for me. Because so much of my livelihood depends on how these shows shake out, deciding what form the work will take is a big move.

I don’t gamble anymore but in some ways, it’s like placing a large bet. I am betting that my choice in moving ahead and the work it will produce will provide the income I need to live and will allow me to maintain my status as an artist deserving of future shows in the galleries that represent me. This decision puts a knot in my gut every year at this time. That awful feeling is the reason I don’t gamble anymore. This is the only bet I am willing to make now.

Getting to that point where I have decided what direction the work will follow is not really a process at all. It’s more like panicked examination of past work and new influences, trying to find something that grabs me, holds my limited focus and can perhaps inspire me. It can be maddening at times but it’s sometimes fun to roll back through the work from the past, to see what clicks as strongly now as it did then. There seems to always be something in doing this that reminds me of things, traits in my work, that I have put aside and no longer employ in my current work. That sometimes leads to revisiting those traits. Sometimes the results are enlightening, making me want to make it part of my process again, and sometimes I discover that the things I was doing then just don’t translate to the current moment.

That’s where I am. Seeking. Looking for a light that shines.

That brings me to today’s title.

While going through some past work, I noticed that one of my favorite pieces from the past year, Exile on Main Street, was still at the Principle Gallery. It was one of the cityscapes that were part of my annual show there, last year’s show being titled Social Distancing. I loved doing this work as well as the resulting pieces. This, as I said, was a favorite from that group. There is warmth and distance, Quiet and tension. Things I tend to see and look for  in my better works.

Naming it, I borrowed the title from the classic 1972 Rolling Stones album, Exile on Main Street. I thought a favorite song of mine from that album would fit my current process– Shine a Light. It’s credits list Mick Jagger and Keith Richards from 1972 as the songwriters but it was actually a collaboration with the late Leon Russell that came from 1968.

The song’s title was then (Can’t Seem) To Get a Line on You and dealt with the problems caused by the drug addiction of Stones’ guitarist Brian Jones. It was recorded as such for inclusion in a 1970 Leon Russell album but not released until the 1990’s. The Russell version (which included the Rolling Stones) is very similar and strong but the version from Exile on Main Street is more formed, more powerful.

I thought the song fit my process and also added a little more to the painting this morning. Give a listen and have a good day.



Crazy



That millions of people share the same forms of mental pathology does not make these people sane.

― Erich Fromm, The Sane Society



Wow. Just wow.

There are a lot of different connotations for the word crazy.

It’s used to describe pathological insanity.

Or used to describe situations that are wild and excessive, beyond the norm. That party was crazy!

Or it can describe enthusiasm. I’m crazy about pie. And I am crazy about pie, by the way.

Or it can describe foolishness. I was crazy to think there would be pie.

Or annoyance. Your talking about pie all the time is driving me crazy!

There are probably more. But almost any use of it could be applied to the phone call that was released yesterday. I am not going to get into details, which are all over the news if you’re not yet aware, except to say this is not pie crazy.

It is crazy crazy. Dangerously crazy. Criminally crazy.

The terrible thing is that it’s been this way for the last four years and way too many people have twisted themselves into pretzels and diminished their own integrity in trying to explain, justify, and rationalize their continued backing of this man* and his administration. But the craziness of the revelations of this weekend provide a strong and fitting exclamation point to mark the end of this presidency.

Those who continue to back and believe this man* and the multitude of conspiracies associated with him at this point might want to pause and examine their own state of mind and their personal motivations.

Perhaps ask themselves, “Do I want my name forever associated with this kind of crazy?” They might want to take note of the words at the top from Erich Fromm

History will note their decision.

Unfortunately, this is not yet the absolute end and exclamation point to this presidency***. There are still fifteen days of escalating craziness ahead as this man* tries to hold onto the power and protection of the office. If you don’t think this is a dangerous moment, note that yesterday’s crazy antics overshadowed the release of a letter signed by the 10 living former Secretaries of Defense stating that the elections have been decided and that the military should not under any circumstance be involved in any effort to overturn the results. Not something you see under more normal and saner circumstances.

Yeah, crazy days still ahead.

Here’s some good crazy– no, it’s not pie— to cleanse your palate. A little Patsy Cline with her legendary rendition of the Willie Nelson classic, Crazy.





You can climb a mountain, you can swim the sea
You can jump into the fire but you’ll never be free
You can shake me up or I can break you down
Oh, oh
We can make each other happy
Oh, we can make each other happy
We can make each other happy
Oh, we can make each other happy

Harry Nilsson, Jump Into the Fire



First Sunday of the new year. This coming first week of 2021 may well be one of the ugliest and most dangerous and undemocratic in our history. There is a lot of treachery at hand from those who would abuse our system and rile deadly passions among the populace for purely selfish gains. While I don’t know what might happen in the coming days, I believe we will survive this stress test. We may take some dings and who knows what lasting damage might be done, but we’ll get through.

We’re at a point where words from anyone, let alone mine, won’t have much effect so lets play the first Sunday song of the 2021. Fittingly, it is Jump Into the Fire from the late great Harry Nilsson.

The complete lyrics are above in all their glory. Among his many talents as a songwriter, Nilsson had a genius for taking simple songs and making them memorably powerful. For example, his CoconutYou put de lime in de coconut, you drink ’em bot’ togedder/ Put de lime in de coconut and you feel better— is a one chord song.

One chord. Even a musical moron like me could play it.

Anyway, here’s the song. The little triptych at the top is from way back in 2002 and is called Waiting For the Fire, a not so subtle commentary on the coming weeks.

Have a good day.



Bloom


 

“The best thing for being sad,” replied Merlin, beginning to puff and blow, “is to learn something. That’s the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.”

T.H. White, The Once and Future King



I came across the video below first thing this morning, just before 6 AM. It’s titled Bloom and is written and directed by Emily Johnstone and Brian Kistler and animated by the students from San Jose State Animation Illustration. It’s a simple but lovely vignette that illustrates the effect that one person making one small effort to reach out to another can have on the life of the recipient of that effort.

The current time of the year coupled with the isolation of the pandemic and the uncertainty throughout this nation fostered by the unsteady handling from the current people in power make it a ripe time for those suffer from the darkness of depression. I thought about how terrible a time it is for those folks who haven’t developed methods and mechanisms for dealing with it. This, in turn, made me think about my own struggles through the years and how fortunate I have been to have survived long enough to develop my own personal system for dealing with it.

I don’t even know if I have openly mentioned them here. Such is the stigma of depression. We openly discuss the most intimate details of our lives but depression remains a difficult subject to broach because we still see it as a sign of weakness or a character flaw rather than an affliction. 

If you’re a regular reader you probably have deduced by now that I have had bouts of depression without me ever coming out and stating it plainly. I really wasn’t planning on talking about it this morning and don’t really want to go too far without a little more consideration on my part. But I will say that the simple message in this short animation is essential to dealing with depression. The thought that one person is concerned about your well being is often enough to get through a dark period. And the care and dedication required to foster a living thing such as a plant or a pet often gives us the validation that one is needed.

I know for myself, this blog is one of my primary mechanisms for dealing with my own darkness. It provides structure and a sense of dedicated obligation. Having that task in front of me every morning helps greatly and makes me seek things to discuss which goes to the blurb at the top from The Once and Future King, a favorite book from my youth from T.H. White, which speaks to the effect of learning something new on one’s sadness. It’s a beautiful paragraph.

Learning alters the path that the mind is traveling and for the depressed person sometimes that is enough to elevate their state, even if its only a small bit. And sometimes that small lift takes them to a point where they can see new horizons that remained hidden to them before.

The other obvious benefit of this blog for me is the human contact and feedback it provides. Just knowing there are people out there, even if only a small handful, that might read this and respond once in a great while is enough to fulfill the void.

Enough to reach across the darkness.

I really don’t want to go any further into the subject this morning. As I said, I had no intention in doing so this morning. But seeing this short film and knowing how many folks are struggling right now, feeling the hopelessness and isolation that comes with depression, I thought it was important to at least speak briefly to it.

I am often hesitant in speaking too much about it because there are no one-size-fits-all fixes here. One of the aspects of depression that make it so insidious is that each person’s experience is personally formed that it is sometimes difficult to find the mechanisms and methods that will get that person through their dark patches.

I can only speak to m own experience. For me, it is in having set routines, such as this blog or caring for my beloved studio cat, Hobie. In having methods of making contact that allow me to feel that my voice and concerns are being heard. In setting goals that force me to work and not fall into the idleness that often brings the darkness.

I could go on and maybe I will at some point. But for today, try to look outside yourself and recognize the indications of depression in others. Something as small as a quick note or text or call might be the difference that changes another person’s whole outlook for the day.

And that one day might make a crucial difference in their life.

So, have a good day. Learn something new. But mainly, reach out and try to bring a little bloom into someone else’s day. 

(The video is below. There’s a little gap so make sure to scroll just a little lower if you don’t see it immediately. I have to learn how to better embed videos. Ah, learning!)



https://player.vimeo.com/api/player.js



It’s New Year’s Day. We’ll attempt to shake off the stink and wreckage of the Year 2020, as difficult as that may be, and move into the new year. We see 2021 coming at us all clean and shiny with that new year smell. An optimistic outlook and a year filled with endless possibilities.

Well, that’s the popular belief, what we hold onto in order to get through the day.

Yes, there are brighter days ahead but there are some darker ones as well, especially in the next few months. But we must maintain faith in who we are as a people, believing in truth, equality, and justice. We must have the willpower to reject the ignorance, selfishness, misinformation, and nativist hatred so much on display in recent times. 

Yes, we are off-balance and wounded as we come into this new year. But we have the balance and strength to withstand troubles and if we maneuver the coming days with grace and wisdom, perhaps our optimism will become more tangible and less wishful thinking.

The song, New Year’s Prayer, is from the late Jeff Buckley, who in his short life left us a remarkable version of the Leonard Cohen song, Hallelujah, and much more. This song has a mantra-like feel to it with the phrase … feel no shame for what you are… as a refrain. It doesn’t look forward or back with any hope or regret– it is just in the moment. And that’s how I feel about the turning of this year. What will be, will be.

Wishing you all a good New Year with the hope that feel no shame for what you are.

What we are.





And now let us believe in a long year that is given to us, new, untouched, full of things that have never been, full of work that has never been done, full of tasks, claims, and demands; and let us see that we learn to take it without letting fall too much of what it has to bestow upon those who demand of it necessary, serious, and great things.

― Rainer Maria Rilke, Letters of Rainer Maria Rilke, 1892-1910



Gosh, I wish Rilke was sending me letters. I always seem to find something in his collected letters that speaks directly to me, something that helps me better understand my own place in the world.

Give me his letters and the Peanuts comic strip and I am all set for advice on how to live my life.

Rilke’s words above on the New Year speak loudly this year. Let us look at 2021 as a clean slate, a tabula rasa, that that is filled with new potential. The time ahead may be filled with hard work and stressful times but we should use every available minute of it in attempting to make 2021 far better than its predecessor. 

I know that these words can sound like empty platitudes but I truly hope they ring true this year and that we don’t waste the gift of time we are given.

Have a happy and quiet New Year’s Eve. Stay safe and perhaps next year at this time, we can truly celebrate the end of a wonderful year.

For those of you who don’t buy into my hopeful look forward and plan on partying your brains out tonight, here’s a song from Wynonie Harris, the great blues shouter who many consider the father of rock and roll. His style, his stage moves and provocative hip gyrations were swiped and adapted by Elvis, who some thought was the G-rated version of Wynonie Harris. His stuff really rocks and this song, Don’t Roll Those Bloodshot Eyes at Me, reminds me of the best work of Louis Prima, which is pretty high praise.

So, enjoy and bid goodbye to 2020 tonight in whatever way you see fit. May we all have a happy New Year in 2021.



Invincible Summer

“Calidum Frigus”- At the West End Gallery



O light! This is the cry of all the characters of ancient drama brought face to face with their fate. This last resort was ours, too, and I knew it now. In the middle of winter I at last discovered that there was in me an invincible summer.

–Albert Camus, Return to Tipasa



Camus wrote the much quoted line above after revisiting the Roman ruins at Tipasa in Algeria in the aftermath of World War II. He had visited that site a number of times and finally recognized that unlike the modern Europe still reeling from the effects of war and fascism, there was a freshness there in those seaside ruins, an elemental dimension in them that couldn’t be smothered by time or modern events.

A sense of newness and the joy that comes with it was part of that place, was something that couldn’t be eroded by time and the elements. 

He was able to equate that with the part of our nature that we all carry, that being our will to go on, our will to find joy and meaning.

An invincible summer contained within us all.

Here’s an expanded version of the excerpt from Camus’ essay:

I discovered once more at Tipasa that one must keep intact in oneself a freshness, a cool wellspring of joy, love the day that escapes injustice, and return to combat having won that light. Here I recaptured the former beauty, a young sky, and I measured my luck, realizing at last that in the worst years of our madness the memory of that sky had never left me. This was what in the end had kept me from despairing. I had always known that the ruins of Tipasa were younger than our new constructions or our bomb damage. There the world began over again every day in an ever new light. O light! This is the cry of all the characters of ancient drama brought face to face with their fate. This last resort was ours, too, and I knew it now. In the middle of winter I at last discovered that there was in me an invincible summer.

In these crazy times, it’s especially easy to fall prey to the somber melancholy of winter, to forget that you carry your own invincible summer within you when the sky is slate gray and the cold winds blow.

But it remains there in this winter and in other dark times of our lives. Our invincible summer.

So, hold on to that and have a good day.

 

Living in the Past



The past slips from our grasp. It leaves us only scattered things. The bond that united them eludes us. Our imagination usually fills in the void by making use of preconceived theories…Archaeology, then, does not supply us with certitudes, but rather with vague hypotheses. And in the shade of these hypotheses some artists are content to dream, considering them less as scientific facts than as sources of inspiration.

-Igor Stravinsky, Poetics of Music in the Form – Six Lessons



I was looking through some older posts and came across the quote and painting above which caught my eye. It was probably because the painting, Archaeology: The Golden Age, was the last piece I had painted in the Archaeology series and may well be the last of that series.

It is one of those pieces that still live with me here in the studio, having never found a home. While I want it to find a place where it can satisfy someone other than myself, I am happy to have it here. From the time it was completed, I considered it one of the stronger pieces in the series. That might even be the reason it has continued to be the last in the Archaeology series.

Maybe the series had reached its potential, its endpoint, with this painting. I don’t know.

I also was captured once again by Stravinsky’s thoughts on the artistic process, how we use our imagination and what little knowledge we have to fill out the blank spots among our scattered fragments of memory to create something new. He equated it to archaeology which is a similar process, taking bits and pieces from the past and filling in the blanks with imagination and knowledge to create a theory of what might have been. 

As he says archaeology does not supply us with certitudes. There are too many voids to fill before one can deal in absolutes.

And so it is with art. Art seldom deals in strict factual representation. Art comes together as a mixture of the facts of the work, the imagination and process of the artist, and the emotions and imagination of those who take it in. 

It’s as much alchemy as it is archaeology.

Whatever it is, I am happy to deal in this strange world of imagination, one that often offers me more questions than answers.

Reading the older post this morning also reminded me of an old Jethro Tull tune that I haven’t heard or thought of in many years. Probably decades. Here’s a blast from the past, as the old AM deejays used to say. This is Living in the Past.

Have a good day.