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Posts Tagged ‘gallery talk’

This is a new painting that I am calling Culmination. It is 36″ by 12″ on canvas and is headed to the Principle Gallery in Alexandria next Saturday, September 22, where I will be giving my annual Gallery Talk.

This painting satisfies me on many levels. First, there is a density in its color and composition that I find very appealing. Now, density is not always a quality I seek. Sometimes, I am looking for a lightness or an airiness. But here there is a denseness and weight that gives the piece its presence. I believe this comes from the deep red color ( that perhaps symbolizes the blood that has flowed through us since time immemorial?) and the compacted composition that dominates most of the picture plane.

I also am drawn to the meandering path that wends its way to the top to the top of the hill. The  shorter paths that branch off on either side give it the feeling of a tree making its way toward the sky or an artery going up through one’s body.

The tree analogy is important for me. I see this painting as being about how each of us is a culmination, an end result of all our ancestors who have come before us. I often think about that when I am looking over genealogy charts that show the generations spreading out behind the present generation. It makes me think how amazing each of our lives really is when you consider how many obstacles had to be overcome for us to be here in this moment.

Looking at those charts, I think about treacherous childhoods of earlier times when families often lost multiple children to illness. My own grandmother had three siblings who died before she was born. Or the many long and treacherous trips and voyages, over land and sea, that it took to place us in our present locales. Or I think about the many great-grandfathers and great-uncles in my line who fought in the many wars of this country or in those of their original homelands many generations before, many who died far from their native soil. Or the many who worked in dangerous conditions. Doing my wife’s and my own genealogy, I am struck by how many relatives were killed by logging accidents.

These are just a few examples but the fact that a life force somehow wound its way through the pitfalls of life through hundreds of generations to create us is, in many ways, a miracle. Each of us is the result, the culmination, of a journey from the beginning of time. I think we sometimes take this life for granted– both our own and the lives of others– and don’t see the sheer beauty in the miracle of our mere existence.

And that is what I see in this painting. The Red Tree at the top is at the terminus of its journey, standing at the convergence of the past, present and future. It owes a great debt to those who persevered to bring this miracle, a debt that will be hopefully paid through living a life of honor and respect.

I could go on but I think you get the point.

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As I said, this will be at my Gallery Talk at the Principle Gallery next Saturday, September 22. The Talk begins at 1 PM and there will a painting, Deep Focus, given away along with some other neat things. It has all the earmarks of being a good time. Hope you can make it!

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I have finally chose the painting that will be given away at this coming Saturday’s Gallery Talk at the Principle Gallery. It is called Deep Focus and is 18″ by 18″ on canvas. It has been around for several years now and each time it returns from a gallery I am surprised because it is a real favorite of mine, hitting the mark for me on so many points. I think you can see my feelings for this painting in the post below that I wrote when it was first painted.

So, if you would like to have a chance ( decent odds, too!) at taking this favorite of mine home with you, come on out to the Principle Gallery  in historic and beautiful Alexandria, VA this coming Saturday, September 15, for my annual Gallery Talk that begins at 1 PM. There will be some other surprises as well.

Hope to see you there!

Meditation brings wisdom; lack of mediation leaves ignorance. Know well what leads you forward and what hold you back, and choose the path that leads to wisdom.

–Buddha

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This new piece, 18″ by 18″ on canvas, is titled Deep Focus. This was one of those pieces that just seemed to fall out with very little inner wrangling or consternation. Once I started, it was off and running with what seemed very little assistance from me.

It was immediately clear that this painting was going to be about focus, about looking deeper and deeper into the canvas. Built from the bottom, each layer pushed the eye further inward. About halfway into this I began to think of the title for this as being AutoFocus, just for the ease with which it was emerging. But I finally opted for Deep Focus because of the depth I was seeing in the picture and the way everything seemed to gravitate toward the central point of the sun that is peeking over the distant hill.

This piece seems to have a very meditative quality, a placid feeling that goes well with the ease of the piece. Or at least, the ease that I felt in its creation. Sitting here now, taking it in, its construction seems simple, almost naive. Yet there is a feeling of opulence that I think comes from the colors and curves of the landscape that sheds this naivete and gives it a feeling of deeper knowledge. Or a way to deeper knowledge. Far from naive.

Years ago, I had a hard time trusting the validity of pieces that fell so easily from my hand, believing that  struggle must be part of making a painting come alive. I was almost embarrassed by the ease with which some pieces came. But over time, I have come to believe that it is this effortless work that is the goal, the work that is true and has the authenticity that I seek. This piece is a testament to the trust in my intuition that has come with time.

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To desire and strive to be of some service to the world, to aim at doing something which shall really increase the happiness and welfare and virtue of mankind – this is a choice which is possible for all of us; and surely it is a good haven to sail for.

-Henry Van Dyke

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This is a new painting that is part of a group of new work that will be going down to Alexandria with me next Saturday for my annual Gallery Talk at the Principle Gallery. I call this 16″ by 20″ painting Striving on the Wind.

I really enjoy painting these pieces with sailboats even though I must confess that I know practically nothing about sailing or boats in general. But the nature of the compositions with the bands of horizontal color  and the lure of the wide open sky along with the captured movement of the boats on the waves and in the sails makes it a tremendously appealing subject. Billowing sails on the waves under a big sky is a thing of beauty, even to this landlubber.

Plus, these pieces come with the inherent concept of the journey, the idea that there is an intended goal toward which the boat is headed. They have a built in sense of purpose. I can only imagine that sailing to a far destination is an act of total purpose, requiring the sailor’s complete focus and unwavering attention to keep the boat on course and afloat.

A sinking boat has lost its purpose.

And that sense of purpose is important to me, something I have always wanted to recognize in my own life. I think it must be equally important to many other folks out there. And I think that symbolism comes through in these pieces. Hopefully, the words at the top from author Henry Van Dyke align with that sense of purpose.

As he said: surely it is a good haven to sail for.

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Striving on the Wind, along with a number of other new paintings, will be at the Principle Gallery next Saturday, September 15,  where I will be giving a Gallery Talk beginning at 1 PM. As is now tradition, there will be a drawing where one of my paintings will be awarded to someone in attendance along with some other neat prizes and plenty of good conversation. Hope to see you there!

 

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Next Up

The West End Gallery show has come down and next up on the list is my annual Gallery Talk at the Principle Gallery in Alexandria. ThIs Gallery Talk, my 16th there, begins at 1 PM on Saturday, September 15. There are a bunch of neat things on deck for this talk so keep your eyes peeled for details in the next two weeks and pencil it in on your calendar. Hope to see you there!

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Next on the agenda is my Gallery Talk ( they call it an Artist Talk– tomato,tamato) at the Principle Galleryon Saturday, September 15, beginning at 1 PM. This will be the 16th year I have given a talk at the gallery. It coincides with the annual Alexandria King Street Art Festival which has evolved into a pretty large showcase for many talented, working artists.

So, what could be better than a day in historic and beautiful Alexandria along with some art, good talk and more?

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Many, many thank you’s to everyone who took time from their busy sunny summer Saturday to spend an hour with me at the West End Gallery yesterday. It was a very full house with plenty of faces I know well and quite a few that were new to me. Hopefully everyone went away satisfied with their decision to spend their time at the gallery.

I know that I am certainly glad they came. Their warmth makes me feel most welcome and their questions create the real form and content of the talk. I am always pleased at the questions they ask. Most are quite probing and require me to truly consider my answers. I know that sounds funny, that it seems obvious that every response should be considered. But there are some questions that I have been asked many times so the answers just come out reflexively. I am often asked questions at these talks that come from different angles, that require a moment to look at  what is really being asked.

Hopefully, I got to the point of what was asked.

Again, a boatload of thanks to the folks who came and to Jesse, Lin and John at the West End Gallery for being the perfect hosts.

That being said, I can say that I gave a big sigh of relief when it was over. One would think it would be easy by now, especially given the open acceptance of the audience, but for someone who works in private solitude seven days a week it is a daunting task to stand before a group of people and try to speak coherently in an open and honest way about inner things.

When these things finally end the relief is quickly replaced by a feeling of fatigue that quickly sets in. I was wiped out after yesterday’s talk. But I am somewhat refreshed this morning and can start preparing for the next one, about six weeks from now in Alexandria. But I’ll put off worrying about that for a while.

For this Sunday morning music I chose a song about things being over. It’s a version of Bob Dylan’s It’s All Over Now, Baby Blue by the group Them from way back in 1966. Featuring Van Morrison who sang lead for the group before he had his great solo career, this is a great version of the song. Give a listen and have yourself a great day.

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No Hype. Here are the details:

Gallery Talk today.

Saturday, August 4.

1 PM.

West End Gallery.

Corning.

Art Talk and Tall Tales.

Lots of Questions and Some Answers. 

Win a Painting.

Or two.

Plenty of Giveaways.

Hope you can make it.

 

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Art is the soul of a people.

Romare Bearden
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Getting ready for tomorrow’s 1 PM Gallery Talk at the West End Gallery in Corning. There are a few new paintings that I am framing today to bring along  with me. I am also getting some other things together that will no doubt show up including the painting, Pipedream, that will be given away at the end of the talk.
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I’ve also been running things through my mind that I want to discuss. One thing I will try to touch on is the purpose of art. That’s where the quote above from the late American painter Romare Bearden comes in. In a very concise manner, it sums up the importance of art.
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Win This Painting! –“Pipedream”

Art, in all forms, is our soul, our collective spirit and memory. It is the expression of our values and beliefs. It completes our humanity.

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Without art, we are less human. We are without our soul.
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Okay, maybe that will be a subject. I never fully know until I am standing there, trying to look composed while my anxiety causes my mind to shoot off fireworks inside my skull. But I do know that we will talk about something and tell some stories. You know, it might very well be interesting, even fun. Plus, there are prizes! What’s not to like?
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So, if you’re in Corning tomorrow around 1 PM, stop in at the West End Gallery and join in the conversation. Maybe you’ll take something home you were not expecting.

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If you begin to understand what you are without trying to change it, then what you are undergoes a transformation.

Jiddu Krishnamurti

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The painting, Apex, as shown above on the left had been bouncing around galleries for quite a few years. It was one of those pieces that kind of gnawed at me after awhile. There was so much that I liked about it and it felt complete yet I began to feel that something was lacking.

The color bothered me. It looked washed out and pale. Now, I have done pieces with that sort of color and it can be very effective but in this instance the lack of intensity in the colors seemed to handicap the whole painting. The more I looked at it over the years, the more I saw the blue of the sky looking dull and lifeless.

And it felt like the trees on the ascending path were too sparse. I don’t know much about musical composition, can’t tell a quarter note from a half note, but when I looked at the hill with the trees I felt like I was looking at a piece of music and some of the notes were missing. It wasn’t saying what it should be saying.

And the central character, the Red Tree at the top, felt dark and small, not bursting forward as it should, at least in my mind.

The whole thing just felt like it was on life support– barely alive but but with no vigor, no spark.

But it was still alive and there seemed to be something in it that really pulled me in, I decided I needed to intervene, to either reinvent it or completely kill it. So I went in and deepened the colors of the sky and the hill dramatically. This created a nice contrasting tension and made the tree that were added to the upward path stand out more. The Red Tree grew larger, brighter and bolder while the clouds in the sky slimmed a bit.

It was  dramatic transformation. It was like Charles Atlas’ 97-pound weakling transforming, with the aid of his patented Dynamic Tension, into a beefy he-man who takes on the beach bully and gets the girl. I know that last sentence means next to nothing to those of you under the age of fifty but if you ever saw those old magazine ads, you’ll get it. You can click here to go to an old blog entry that shows that ad.

That might be a goofy comparison but as I sit here and look at the transformed painting, it’s hard to imagine that that it once was that old version of itself.

And it all came about thanks to Dynamic Tension. Thanks, Charles Atlas!

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This reinvented painting will be with me at my Gallery Talk at the West End Gallery in Corning this coming Saturday, August 4. The talk begins at 1 PM and it should be a good time. In addition to the great conversation and plenty of prizes, I have also procured a monster truck act– Truckasaurus Rex— as well as a T-shirt cannon.

Okay, maybe that’s not quite accurate. Or true in any sense of the word. You’ll have to come see for yourself. 

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Okay, the details are coming together for the 1 PM Gallery Talk I am giving on Saturday at the West End Gallery. Here’s what I have so far.

There will be:

  • Margarita Fountain and Omelet bar.
  • Psychic Readings.
  • Bagpipers.
  • Guest Appearance from Jimmy Osmond.
  • The June Taylor Dancers. Or the Golddiggers from the Dean Martin Show. We are still in negotiations with both.
  • Rap Battles.
  • Ziplines.
  • Fireworks Display.
  • A Fly-Over by the Thundercats. Couldn’t get the Thunderbirds but I have been assured these guys are nearly as good.
  • Acrobats. Kind of a Cirque du Soleil vibe but without all the apparatus. Or movement or music.

Okay, maybe I let my imagination get away from me. Actually, it will just be a middle-aged guy talking about art. I might hold a sparkler but that is as close to spectacle as it will get. But there is a free drawing for one (or more) of my paintings. And there are, of course, more prizes and some light refreshments. And lively conversation which makes for a good time.

Here’s my promise: It won’t be the worst hour you ever spent.

Hope you can make it.

LEGAL DISCLAIMER: Absolutely none of the items listed in red above will be on hand this Saturday at the West End Gallery unless Jimmy Osmond or the Golddiggers somehow find their way into the gallery.

 

 

 

 

 

 

 

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