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Posts Tagged ‘Sailing’

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I don’t know much about sailing. I do know the difference between port and starboard but that’s just mnemonics — port has four letters like left.

But I don’t know a sloop from a schooner, a ketch from a cutter. Can barely tie my shoelaces let alone some intricate nautical knot. Never felt the spray from the waves and can only imagine the feeling of being out in the middle of the sea, alone with only a sail and the rhythm of the currents to move me.

But the lure and romance of the sailboat and the act of sailing is not lost on me. The idea of attuning oneself to the awesome natural power and grace of the waves is an enticing proposition and just watching a skilled sailor handle a boat, even from the shore, is fascinating.

It’s all there, the same elements that I most often use in my landscape paintings. Natural power and high domes of sky. Wide horizons with the rhythms of the landscape replaced by the rhythms of the waves. The same sort of quietude and focus. A sense of purpose.

I think that’s what makes my sail boat paintings some of my favorites to paint. They are a chance to exercise my own imagination in trying to envision the experience of riding the rhythms of the ocean. I have been thrilled over the years when those folks who can call themselves sailors tell me how much they like these pieces. Makes me think I must be getting some aspect of it right, even if it only comes from my imagination.

The piece above is from my upcoming show, Social Distancing, that opens June 5 at the Principle Gallery. I call this painting, a 17″ by 17″ piece on paper, Running on Rhythm. Hopefully it feels right in some way for my sailing friends.

Here’s a song that is not really about sailing but it uses sailin’ in its title and chorus and is just a song that sticks with me. The song is Sailin’ Shoes from Little Feat. I am including two versions, both sung by the late great Lowell George. The first is the original from their 1972 album of the same name, a slower bluesy version. The second is from their incredible 1978 live album, Waiting For Columbus, who was by all accounts a sailor. This version is a bit more raucous and unrestrained. I like both.

Give a listen and have a good day.

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To desire and strive to be of some service to the world, to aim at doing something which shall really increase the happiness and welfare and virtue of mankind – this is a choice which is possible for all of us; and surely it is a good haven to sail for.

-Henry Van Dyke

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This is a new painting that is part of a group of new work that will be going down to Alexandria with me next Saturday for my annual Gallery Talk at the Principle Gallery. I call this 16″ by 20″ painting Striving on the Wind.

I really enjoy painting these pieces with sailboats even though I must confess that I know practically nothing about sailing or boats in general. But the nature of the compositions with the bands of horizontal color  and the lure of the wide open sky along with the captured movement of the boats on the waves and in the sails makes it a tremendously appealing subject. Billowing sails on the waves under a big sky is a thing of beauty, even to this landlubber.

Plus, these pieces come with the inherent concept of the journey, the idea that there is an intended goal toward which the boat is headed. They have a built in sense of purpose. I can only imagine that sailing to a far destination is an act of total purpose, requiring the sailor’s complete focus and unwavering attention to keep the boat on course and afloat.

A sinking boat has lost its purpose.

And that sense of purpose is important to me, something I have always wanted to recognize in my own life. I think it must be equally important to many other folks out there. And I think that symbolism comes through in these pieces. Hopefully, the words at the top from author Henry Van Dyke align with that sense of purpose.

As he said: surely it is a good haven to sail for.

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Striving on the Wind, along with a number of other new paintings, will be at the Principle Gallery next Saturday, September 15,  where I will be giving a Gallery Talk beginning at 1 PM. As is now tradition, there will be a drawing where one of my paintings will be awarded to someone in attendance along with some other neat prizes and plenty of good conversation. Hope to see you there!

 

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Well, I made delivery yesterday to the Principle Gallery of the paintings for my show, Haven. This exhibit opens Friday, June 1 at the Alexandria gallery with a reception that runs from 6:30 until 9 PM.

I guess I should say that it feels good to have the work in place but that wouldn’t be completely honest. While there is satisfaction in the simple completion of a large task I know from past experience that I will do little more than worry for the next several days. And the fact that this is my nineteenth solo show at the Principle Gallery and that I feel this may be among the most cohesive and strong group of work of these shows does absolutely nothing to stem the worry I feel.

In fact, this good feeling about the work, sensing that this work is as true to whatever vision and voice I possess, that makes me worry more than ever. To have it not connect with others, to have it feel distant and obscure on the wall, would have me questioning my own judgement about what I do. While I know that to base anything on the results of one show is foolish, it still makes a mark and creates a wound that makes you a little less willing to fully show yourself for fear of opening that wound again.

But hopefully this worry is baseless. For now, I will live with my worry and the belief that the work in this show ranks among the best that I have done. Time, as is always the case, will tell.

One of the paintings in the show is shown at the top. It is titled To the Siren’s Song and is 16″ by 20″ on canvas. It’s a piece I already miss having in the studio, one that constantly pulled my eye toward it in the months leading up to the show. The painting itself became a kind of siren to me and there is a perceptible void in its absence. For me, there is a blending of colors and forms,  of representation and abstraction, that I find compelling.

But that’s just me.

For this Sunday morning music I have chosen a song that I think fits into the blend of this painting. It is from the late singer/songwriter Tim Buckley who passed away at the all too early age of 28 back in 1975. Most of you are more likely to know the work of his son, Jeff Buckley, who also tragically died an early death at age 30 back in 1997. But Tim Buckley was as highly regarded in his time and his work has played a large influence on may other artists. This song is one of his better known and has been covered by a number of artists over the past half century. Fittingly for this painting, it is titled Song of the Siren. This video is from The Monkees TV show in 1968.

Have a good Sunday.

 

 

 

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