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Yeah, we all need someone we can bleed on
Yeah but if you want it, well you can bleed on me
Yeah, we all need someone we can bleed on
Yeah yeah and if you want it baby why don’t ya
You can bleed on me
All over, hoo

Rolling Stones, Let It Bleed,1969

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Hey, it’s Labor Day weekend! Let’s celebrate with another mass shooting!

It does fit into the theme of the holiday. It provides work for police, doctors, medics, nurses and rehab workers, not to mention newscasters, lobbyists, and the impotent politicians who will, on script, offer up once more their mantra of thoughts and prayers.

Plenty of work for everybody!

I don’t mean to make light of this event but it seems like we are moving more and more to a world where we will be watching a program one day dedicated to the Shooting of the Week. The scenes from the 1976 movie satire Network where the TV execs gave a weekly show to extremists that featured kidnappings and assassinations seems almost prescient now. Except in the film the radical extremists were based on the Black Panthers and the Symbionese Liberation Army whereas now the crimes are almost solely the province of aggrieved young white men from the conspiratorial edges of the far right.

There’s probably an algorithm out there that could have predicted that we would be at this point, if only we knew what data we should enter into the equation. But I think even a moron can deduce that adding more and more guns into this accounting would not lessen the number of shootings. I don’t think anyone feels any safer now especially when grade school children must face shooter drills and school lockdowns on a regular basis and public officials are advising that everyone learn how to administer first aid to shooting victims because it is not a matter of if but when that they will have to use it.

Like I said, I am not making light of this subject. I am angry at our stupidity and cowardice in facing the problem at hand. Until we decide that we must address this problem that weekly show will soon be on the a TV schedule in the near future. In the meantime, get out your first aid manuals, kids, it’s going to be a bumpy, bloody ride

Here’s this week’s Sunday morning music. It’s the Rolling Stones from 1969 with, most fittingly, Let It Bleed. Try to have a good holiday, folks.

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This is one of those post where I am just using the content as a pretext for playing a piece of music I want to share. In this case, the pretext is that this year’s edition of my annual solo show, Moments and Color, finishes its run at the West End Gallery at the end of business today. It is a show that blends my better known motifs, such as the Red Tree above in Life Pop, with new directions such as the faces (or masks) that populate the Multitudes series. It’s a show that very much pleases me, both in how it came together and in the response to it.

I want to than everybody who was able to make it to the gallery. Thank you so much for the feedback and for giving homes to many of the works that were part of this show. And, as always, all the thanks I can find to Jesse and Linda Gardner at the gallery for doing a masterful job of hanging the show and for their friendship and encouragement through the past 25 years.

As I often point out, my life would be so much different if I had never encountered the Gardners. And for that I eternally grateful.

Today is the last opportunity to see this show, so if you’re so disposed, pleases stop in at the West End Gallery today. Plus, there is a wealth of great work by the gallery’s many other talented artists that you should take the time to see.

American Music- January 1995- GC Myers

Now, on to the real purpose of this blog– playing some music that I have wanted to share for a bit. I thought the song So Long Baby, Goodbye from The Blasters back in 1981 would fit this subject perfectly. The Blasters, headed by Dave Alvin, were at their peak in the early 1980’s. They were the favorites of many critics and their big thumping sound ushered in the rockabilly revival of of the 80’s and predated and paved the way for the Americana music genre that we know today.

Since that time they have flown under the radar and a lot of folks don’t know the name or have long forgotten it. I was a fan from their first album and even put the name of one of their songs, American Music,  to a small experimental painting back in early, when I was first starting out. It was painted about a month before I began showing my work at the West End Gallery, no doubt while I had The Blasters on the turntable.

Here are two songs from The Blasters– So Long Baby, Goodbye and American Music. Again, many thanks. Have a good day.


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Sitting down by my window
Honey, looking out at the rain
Sitting down by my window, looking out at the rain
All around that I felt it
All I can see was the rain 
Something grabbed a hold of me
Feel to me, oh, like a ball and chain
Hey, you know what I mean that’s exactly what it felt like
But that’s way too heavy for you, you can’t hold them all

Big Mama Thornton, Ball and Chain

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Sitting here this morning, watching the rain outside the studio window. Got much to do but find myself just watching the rain and the deer shuffling around the yard. It’s gray and misty with an air of sadness. Brings to mind the opening lines of Ball and Chain, a Big Mama Thornton song that Janis Joplin immortalized with her performances of it, most notably one from Monterey Pop in 1967.

Here’s that performance. There’s a part around 3:28 in that shows the late Mama Cass Elliott in the audience, totally transfixed by the performance. I think she knew that she was witnessing something special.

Take a look, give a listen and have yourself a day. You can choose whether it’s good, bad or indifferent. Myself, I’m going to watch the rain a little bit more then get to work.

 

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“Breakout” Currently at the West End Gallery

Not much to say here today.

This week marks the last chance to see my Moments and Color show at the West End Gallery. The show ends this coming Friday, August 30.

My Icons & Exiles show will hang until September 20 at the Patterson Library Octagon Gallery in Westfield, NY. There will be an Art Talk there on Thursday, September 12 at 6 PM.

I am in the process of getting ready for my 17th annual Gallery Talk at the Principle Gallery in Alexandria, VA. It takes place on Saturday, September 21, beginning at 1 PM. I am looking for a prize to give away that equals the 1970 Gremlin from the West End Gallery talk earlier month. This is going to be a tough task.

I thought I’d play a video this morning to kick off the week with some energy. It’s a video of Led Zeppelin from 50 years ago, in March of 1969, playing live in a Danish television studio. This was just after the release of their first album. In another video from this session you can see the small audience file in and sit in a semi circle around the band. There are maybe 50 or 60 people, at best. And they played like they were in front of a full arena. It’s a great but long performance, over 12 minutes long, but the first couple of minutes are definitely worth a look. Have a good day and here’s How Many More Times.

 

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First, want to thank everyone who came out to the Octagon Gallery at  the Patterson Library on Friday evening to see the work in the Icons & Exiles show that opened there. I met a bunch of new folks who were not familiar with my work and got to tell the stories behind a number of the folks that populate this particular group of paintings. It was a very enjoyable time.

And many thanks to Nancy Nixon Ensign who curated and hung the show. She did a fantastic job of mixing the works from various series into a cohesive unit that invites you to move slowly around the space so that you can take it all in. Great job, Nancy!

I will be giving an Art Talk on this show on Thursday, September 12, so if you’re in the Westfield area– which is a charming town!–try to make it there. The show itself hangs until September 20.

For this Sunday morning music I am going with one of my favorite Bob Dylan song from more recent times. By that I mean within the last twenty years or so. With a career that spans almost 60 years, you sometimes have to specify from what period a song might come. This song, Thunder on the Mountain, is from 2006.

Have yourself a good day…

 

 

 

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Before the Gallery Talk

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Home is where I want to be
Pick me up and turn me around
I feel numb, born with a weak heart
I guess I must be having fun

The less we say about it the better
Make it up as we go along
Feet on the ground, head in the sky
It’s okay, I know nothing’s wrong, nothing

David Byrne, This Must Be the Place

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I was looking for a piece of music to play for this week’s Sunday morning music that kind of jibed with the experience of yesterday’s Gallery Talk at the West End Gallery and I came across the lyrics for This Must Be the Place from David Byrne and Talking Heads. Had to laugh because the first two stanzas, shown above, described my feelings about it perfectly.

I certainly begin every talk feeling that home is where I want to be.

I feel like I am picked up and turned around for examination.

Certainly feel numb and a little vulnerable, a little weak of heart.

But I guess I must be having fun.

That’s just the first stanza. I don’t have to paraphrase the second. It’s spot on as it is.

Many, many, many thank you’s to everyone who came out to yesterday’s Gallery Talk. You were a fantastic group.

And an exceptionally large on. We brought in extra chairs but by about twenty to one, when the talk was to begin, all of the seats were filled. A lot more folks came in after that  and had to stand. We may have to bring in bleachers and a warm up act for next year’s talk!

But it was the folks that were there yesterday that made this talk successful and, dare I say, fun. It was a wonderful mixture of people, young and old, new faces and familiar faces. They asked great questions, overlooked my gaffes, laughed at the right times and made me feel like I was having a casual conversation with some friends over a lunch table. That is a remarkable thing for a guy who would always rather be in his studio alone.

But yesterday, for that hour or so, in that gallery with a large group of friends to talk with, it certainly felt like that must be the place. That’s a gift to me and I can’t tell you how appreciative I am to receive that gift from all who were there yesterday. Thank you so much.

Going to be hard to top this year’s talk but next year, but we’ll try. I promise someone will get that Gremlin next year!

Here’s a great performance of This Must Be the Place from Talking Heads. Have a great day.

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As the next couple of days are crazy busy for me as I get ready for a Gallery Talk and a show delivery, I wanted to share another little seen piece that will be part of  Icons & Exiles, my exhibit that opens next Friday at the Octagon Gallery.

The piece is Two Sides, shown here on the right. It’s from my Outlaws series from back in 2006 and is one of my favorites from that series. There is something about the dark and light of this piece that gives me a sense of the yin and the yang symbol, the idea that we all have opposing polarities within ourselves.

Two sides.

The Outlaws series introduced the element of a handgun into my work. It wasn’t meant to show the gun in any heroic form. Rather, the gunmen in these paintings seem to be, for me, all possessed with a deep and mortal fear.

The gun in these paintings is a sign of weakness, not strength. They fear something they can’t see, something that they don’t know or understand.

This particular painting has hung within my sight in the studio and it helps me a lot personally. When the events of the world–outer and inner– get to me and I feel anxiety building, I look at this piece and it reminds me that my anxiousness is all built on fear. In that moment, I see I am that guy grasping tightly to my gun looking out at nothing, imagining unseen monsters that are coming for me.

Just naming it as fear makes it subside a bit, brings everything into a more practical and manageable form. I can choose to be scared of bogeymen or can move on with a degree of confidence that I will be capable of handling anything that comes my way.

Fear is a powerful thing, a weakness that alters our perceptions and enables poor decisions and actions.

Fear is the darkness and courage is the light. Holding onto that gun keeps this person in the darkness, in the grip of fear.

That’s what I see in this piece.

You can see this piece and many more like it at the Icons & Exiles exhibit, opening next Friday, August 23, (opening reception 7-9 PM) at the Octagon Gallery at the Patterson Library in Westfield, NY. The exhibit runs until September 20, 2019 and I will be giving an Art Talk there on Thursday, September 12, at 6 PM.

And this Saturday, August 17, there is my annual Gallery Talk at the West End Gallery, beginning at 1 PM. Good talk, some laughs and, best of all, PRIZES! See you there!

Here’s one of my favorites from Richard Thompson, an acoustic version of his classic Shoot Out the Lights.

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